
Scottie Miller is an American keyboardist, singer-songwriter, and producer based in Minneapolis. Known for his blues- and roots-influenced playing style, Scottie has spent years on the road as the long-time musical director and keyboardist for Ruthie Foster. He’s also worked with Bo Diddley and Johnnie Johnson to name just two others. Alongside his work as an MD, he has maintained a steady solo career, releasing 13 albums—including his latest project, Hello Pain—and earning an induction into the Minnesota Blues Hall of Fame. We chat to Scottie about his approach to composition, his time on the road, and balancing a solo career with collaborative work.
To listen / watch:
Audio-only: click on the play button in the audio player above, or:
Video: watch the embedded video below or check it and previous episodes out on our YouTube Channel
Discussion topics covered during the show (links will open in new tab):
Scottie’s past 12 months
Scottie’s album Hello Pain
Commissioning and working with a 50+ piece Budapest Scoring Orchestra
Scottie Miller – Awake and Willing
Scottie Miller – Hello Pain title song and the impetus for the whole album
Scottie Miller – Underneath The Black Oaks
Scottie’s musical upbringing and the huge influence of the Minneapolis music scene
Working with Big John Dickerson & Blue Chamber
The Scottie Miller Band in action
Meeting and working briefly with Johnnie Johnson
Working and touring with Bo Diddley
Joining Ruthie Foster’s band
Scottie in action with Ruthie Foster – Phenomenal Woman
Opening for Ray Manzarek and saving the day later in the night
Scottie’s rig with Ruthie Foster
Ruthie’s album Mileage and reproducing horns live
A discussion on Scottie’s (victorious) battle with depression and addiction
A message of support to other keyboard players struggling with addiction, depression or anxiety
Desert Island Discs: Self-Titled – Donny Hathaway, Feeling Good: The Very Best of Nina Simone – Nina Simone, Goin’ Back To New Orleans – Dr John, Violin Concerto / Musica Dolorosa / Viatore – Peteris Vasks, I Wanna Go Home – Otis Spann.
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Jun 18
53 min

Danny Silverston is an American keyboardist and founding member of the Boston-based soul-pop band Couch. Known for his warm, jazz- and funk-influenced playing style, Danny has been an integral part of the seven-piece group’s collaborative writing and production process since their formation in 2018. He recently played on the band’s 2025 debut full-length album, Big Talk, and continues to tour extensively with them across the United States and internationally. We chat to Danny on his approach to composition, performance and making two hands do maximum work on some complex pieces. Add in a very relatable train wreck story and there’s lots to enjoy.
To listen / watch:
Audio-only: click on the play button in the audio player above, or:
Video: watch the embedded video below or check it and previous episodes out on our YouTube Channel
Discussion topics covered during the show (links will open in new tab):
Danny’s musical upbringing
Orange Guava Passion
Danny’s Couch connections and becoming a core member of the band
Couch in action live: Jessie
Couch’s cover of Conjunction Junction
Couch – Black Bear Lane
The importance of piano, electric piano and organ in Couch
A shout-out to the amazing Kevin Gastonguay as organ mentor
Danny breaks down his approach to a complex multi-patch and keyboard piece, Static and Noise
Danny pulling off Static and Noise live with Couch
Finding creative sonic space amongst a brass section and guitars
Couch’s collaborative songwriting approach and the challenges and opportunities it brings
Rehearsing pre-tour
Anatole Muster
Some fast playing by Danny on ‘On The Wire’
Desert Island Discs: Songs in the Key of Life – Stevie Wonder, I Am – Earth, Wind & Fire, Two Star & The Dream Police – Mk.gee, Self-Titled – Daryl Johns, Brown Sugar – D’Angelo.
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Jun 5
58 min

Paul Furness is a keyboard player and multi-instrumentalist who serves as a founding member of Brisbane indie rock mainstays Ball Park Music. Since forming the group during a university class assignment in 2008, Paul has spent nearly two decades helping anchor their melodic and eclectic sound, layering essential synthesizer textures, piano, and occasional trombone across eight studio albums. From their acclaimed debut Happiness and Surrounding Suburbs to their latest release Like Love, his meticulous approach to parts and arrangement has been a constant thread in the band’s enduring catalog. We chat with Paul about how a college project evolved into a multi-decade career, his collaborative writing process, and the gear he relies on for the stage and the studio.
To listen / watch:
Audio-only: click on the play button in the audio player above, or:
Video: watch the embedded video below or check it and previous episodes out on our YouTube Channel
Discussion topics covered during the show (links will open in new tab):
Paul’s past 12 months
Ball Park Music’s latest album Like Love
Ball Park music in action supporting Oasis last year
Playing a gig with Brisbane’s cheesiest band, The Pizzas
Approaching gigs supporting Oasis in stadiums
The first album – Happiness and Surrounding Suburbs – and working with Matt Redlich
The second album – Museum
Recording the fourth album, Every Night The Same Dream, to analog 4-track, 1/4-inch tape
The evolution of Paul’s keyboard rig and the UDO Super 6 as a central component
Creating and feeding energy to the audience when playing live
Paul’s role as Ball Park Music’s Keep of the Statistics
Ball Park Music – Hands Off My Body
Ball Park Music – Surrender
Plans and motivations for the future
Ball Park Music’s tour rehearsal process
A Vietnam-based challenging gig
Desert Island Discs: Night Train – Oscar Peterson, Morrison Hotel – The Doors, Whatever and Ever Amen – Ben Folds Five, Goodbye Yellow Brick Road – Elton John, We Like It Here – Snarky Puppy
T-Shirt shout-out to The Rock and Roll Society of Edmonton
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May 27
49 min

Michael Stephen Brown is a versatile American pianist and composer best known for his solo performances, rich chamber music collaborations, and unique original works. Bridging the gap between world-class piano playing and storytelling, he has recently released his debut album of all-original music, Twelve Blocks. Showcasing his distinct creative voice, the deeply personal project features a series of musical portraits, emotional detours, and true stories brought to life alongside an impressive roster of guest performers. We chat with Michael on this and get some great insights into his approach to music and composition.
To listen / watch:
Audio-only: click on the play button in the audio player above, or:
Video: watch the embedded video below or check it and previous episodes out on our YouTube Channel
Discussion topics covered during the show (links will open in new tab):
Michael’s past year
Michaels’ album – Twelve Blocks
The process of seeking or receiving commissions for musical performances and/or compositions
The Chamber Music Society of Lincoln Center
Michael’s musical upbringing
Attending Juilliard
Jerome Lowenthal
Samuel Adler
Ursula Oppens
Ursula Oppens and Jerome Lowenthal perform Michael’s piece Twelve Blocks, with poetry
Composing for one piano, four hands and four albums
Composing for one hand only
Breakup Etude for the Right Hand Alone
The Yaddo retreat
The Carnival of Endangered Wonders
Lake Alan
Piano from Pas de trois – Michael Stephen Brown
Composing with pencil and paper versus computer
Michael’s piano Octavia
A discussion on mental health, music and the arts
Creatives Care
Planning and rehearsing a repertoire before a show or tour
Michael’s upcoming creative works, including release of his own piano concerto
Desert Island Discs: Stravinsky: The Rite of Spring – Leonard Bernstein and London Symphony Orchestra, Live Performances 1934-1956 Vol. 1 – Art Tatum, Bach: The Goldberg Variations – Glenn Gould, Ravel: Gaspard de la nuit – Arturo Benedetti Michelangeli
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Check out our podcast guest playlist on Spotify to get a taste of each guest’s creations.The post Michael Stephen Brown, Pianist and Composer appeared first on The Keyboard Chronicles.
May 21

Peter Dasent is an incredibly versatile pianist, composer, and musical director best known for his long tenure as the resident keyboardist on ABC’s Play School, a role he has held for over two decades. While he is well known for his daily on-set improvisations for children, his impressive resume also includes leading his chamber-jazz ensemble The Umbrellas for over 30 years, as well as composing soundtracks for early Peter Jackson films like Meet The Feebles and Heavenly Creatures. We chat with Peter about that amazing history, his approach to playing and composing across so many different genres, and lots more.
To listen / watch:
Audio-only: click on the play button in the audio player above, or:
Video: watch the embedded video below or check it and previous episodes out on our YouTube Channel
Discussion topics covered during the show (links will open in new tab):
The iconic, and Cookie Monster endorsed, Play School, turns 60
Peter’s musical upbringing
Forming SPATS alongside Fane Flaws
SPATS – New Wave Goodbye
Joining The Crocodiles alongside the brilliant Jenny Morris
The Crocodiles – Telephone Lover
The very interesting Kim Fowley
Peter’s admiration of Steve Nieve’s work
The Crocodiles – Tears
The underadmired (and according to Peter, Mushroom Records’ worst selling album ever): I Am Joe’s Music (Self-Titled)
The inimitable Lobby Loyde
Formation of The Umbrellas
The Umbrellas live
Some timely advice from Don Burrows
Moving into film composition
Peter’s work on Peter Jackson’s Meet The Feebles
The composition and recording process for Meet The Feebles
Working on Peter Jackson’s Braindead / Dead Alive
The legendary E-mu Proteus 2
Working on Peter Jackon’s Heavenly Creatures
Working as the Pianist on Play School
Discussion on the level of improvisation required on set of Play School
Pivoting on the fly between musical genres on Play School
Working with Justine Clarke
Peter in action live with Justine Clarke
Peter’s solo work including Songs for Solo Piano
Peter in action in Studio 3 at Abbey Road
Sterling Sound in New York
Desert Island Discs: Sgt Pepper’s Lonely Hearts Club Band – The Beatles, Satie: Works for Piano – Aldo Ciccolini, Plays Duke Ellington – Thelonius Monk, The Fellini Album: The Film Music of Nino Rota: Nino Rota, Hot Rats – Frank Zappa.
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May 14

Peter Sandberg is a Swedish neo-classical and electronic pianist and composer based in Uppsala. Known for his minimalist, felt-piano compositions and atmospheric textures, he has released several acclaimed albums including Motion, Återvända, and Midnattssol. Beyond his solo work, Sandberg’s music has reached a wide audience through high-profile placements in television series such as Stranger Things, as well as collaborations with artists like Henry Green and Arctic Lake. We chat on Peter’s career as a whole and his new album Temporary Coexistence of Humans.
To listen / watch:
Audio-only: click on the play button in the audio player above, or:
Video: watch the embedded video below or check it and previous episodes out on our YouTube Channel
Discussion topics covered during the show (links will open in new tab):
Peter’s album Temporary Coexistence of Humans
A discussion on the album themes and ‘sitting at the piano’ approach to recording
Developing an intimate sound for piano
Milab / Pearl Microphones
Peter Sandberg – Motion
Peter’s recording keyboard rig beyond the piano
Hologram Electronics
Peter Sandberg – Deep
Peter’s song Deep as featured on Stranger Things
How Peter’s song was found and placed on the show
Peter’s musical upbringing and a key ‘sliding doors’ moment
Peter’s live performance rig
Desert Island Discs: None (explained by Peter in the interview)
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May 3
54 min

Greg Kane is one half of iconic outfit Hue And Cry, which has been producing music for well over 40 years. We chat with Greg on that amazing history, his approach to production and playing, and lots more.
To listen / watch:
Audio-only: click on the play button in the audio player above, or:
Video: watch the embedded video below or check it and previous episodes out on our YouTube Channel
Discussion topics covered during the show (links will open in new tab):
Hue And Cry’s latest album, Everybody
Working with the brilliant Yoad Nevo
Thoughts on Behringer and the Deepmind 12
Hue And Cry – Stronger
Greg’s love for the ASM Hydrasynth and the Moog DFAM
Sam Battle’s museum: This Museum Is (Not) Obsolete
When you connect 27 synths with MIDI clock
The formation of Hue And Cry
Hue And Cry in action live in 2025
Hue And Cry – Here Comes Everybody
Hue And Cry – I Refuse
Hue And Cry’s iconic song Labour of Love
Hue And Cry appear on Top of the Pops
Dealing with a hit and travelling to New York for recording
When you’re in the vicinity of Sam Fox and David Byrne
Breakfast with Petrocelli
The Possible Twenty bar in New York
The joy of custom DX7 and D-50 cartridges from Manny’s Music
A chat on instrumentation and Hue And Cry’s 1995 album ‘Piano & Voice‘
Hue And Cry – Looking for Linda
When Michael Brecker asks you to play in front of McCoy Tyner
Arranging brass/horns and working with Harold Wheeler and Lenny Pickett
Hue And Cry’s Jazz Not Jazz
Greg’s current keyboard rig with Hue And Cry – 100% live, no backing tracks
Desert Island Discs: Do It Yourself – Ian Dury & the Blockheads, Look Sharp! – Joe Jackson, Self-titled – The Specials, Kind of Blue – Miles Davis, I Heard That Noise – quickly, quickly.
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Apr 27

Erik Deutsch is an American keyboard player currently touring with The Black Crowes. While he is well known for his extensive live and session work—including time spent with Leftover Salmon and Charlie Hunter—Erik is also a dedicated solo artist with a diverse catalogue of original jazz and funk releases. We chat with Erik about his career to date, how he balances major touring commitments with his solo output, and the gear he relies on for the road. A huge thanks to guest co-host Sandy Soon for joining us as well!
To listen / watch:
Audio-only: click on the play button in the audio player above, or:
Video: watch the embedded video below or check it and previous episodes out on our YouTube Channel
Discussion topics covered during the show (links will open in new tab):
Erik’s website
Erik Deutsch – This Was Then
Erik playing Martha live in 2025
The music scene in Mexico City versus New York York
Erik’s musical upbringing
Erik’s first band Fat Mama
Erik in action with Fat Mama (2000)
Joining County Road X
Working in a trio with the brilliant Art Lande
Joining the Charlie Hunter Trio
Erik in action with the Charlie Hunter Trio
Charlie Hunter – Baboon Strength
Joining Shooter Jennings
Erik in action with Shooter Jennings in 2011
Working with Citizen Cope
Erik’s keyboard rig with Citizen Cope
Joining Leftover Salmon
Erik playing with Leftover Salmon, 2017
Approach to long touring periods
Erik joins The Chicks (formerly Dixie Chicks) and perhaps sets the record for the shortest gigging employment with a band
Erik in action on the one and only song he played with The Chicks
Discussion on female instrumentalists and barriers / opportunities
Joining The Black Crowes
Erik in action with The Black Crowes
The level of playing freedom at a Black Crowes gig
Erik’s keyboard rig with The Black Crowes
Erik’s work on The Black Crowes’ album Happiness Bastards
Erik’s ‘front of stage’ train/bus wreck
Erik’s own amazing podcast – Sounds of Brooklyn and Beyond
Desert Island Discs: Moon Safari – Air, Kind of Blue – Miles Davis, Treasure Island – Keith Jarrett, Illmatic – Nas, Music from Big Pink – The Band
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Check out our podcast guest playlist on Spotify to get a taste of each guest’s creations.The post Erik Deutsch, The Black Crowes / Solo Artist appeared first on The Keyboard Chronicles.
Apr 19
1 hr 3 min

J. Willgoose, Esq. is a multi-instrumentalist, composer, and producer best known as the founding member of the conceptual electronic rock group Public Service Broadcasting. Blending vintage synthesizers, samplers, and traditional instrumentation with extensive archival audio, he is recognized for constructing thematic musical narratives based around historical events. Known for his focused approach to sequencing and live looping, Willgoose effectively integrates old broadcast samples and public information films into atmospheric electronic and rock textures across albums like The Race for Space and Every Valley. We chat his and PSB’s career to date and get some great insights into what is an incredibly complicated live show.
To listen / watch:
Audio-only: click on the play button in the audio player above, or:
Video: watch the embedded video below or check it and previous episodes out on our YouTube Channel
Discussion topics covered during the show (links will open in new tab):
Night Flight – The Last Flight Remixes
Electra – Late Night Final Remix
J. Willgoose Esq’s musical upbringing
The Manic Street Preachers
The genesis of Public Service Broadcasting
The Yamaha CS6x
Public Service Broadcasting – People Will Always Need Coal
Public Service Broadcasting – The Now Generation
Expanding Public Service Broadcasting to a full band
J’s love for Reaper as a key component of PSB’s live performances
J’s keyboard rig and love of the Roland Fantom series
The challenges (and documentation) involved in a highly complex and integrated rig set-up amomgst multiple musicians
Public Service Broadcasting – Sputnik
Redundancy and backups
Operating a keyboard and guitar rig and level of integration
Public Service Broadcasting – Towards The Dawn
Public Service Broadcasting live at the Royal Albert Hall
Public Service Broadcasting with the London Contemporary Orchestra
A discussion on orchestras and experimentation
Public Service Broadcasting – Bright Magic
The SOMA Labs Ether
The next Public Service Broadcasting album
J. lists some key musical inspirations
Datassette
OMD – Second Thought
J’s train wreck stories
Desert Island Discs: Endtroducing – DJ Shadow, In Rainbows – Radiohead, Blade Runner – Vangelis, Symphony No. 6 “Pathetique” – Tchaikovsky, Intermezzo (Cavalleria Rusticana) – Monleone and Mascagni
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Check out our podcast guest playlist on Spotify to get a taste of each guest’s creations.The post J. Willgoose Esq., Public Service Broadcasting appeared first on The Keyboard Chronicles.
Apr 12

In Part 2 of our chat with the brilliant David Hirschfelder, we dive deeper into his time with John Farnham, talk on his numerous other collaborations and his incredible career as a film and TV composer.
To listen / watch:
Audio-only: click on the play button in the audio player above, or:
Video: watch the embedded video below or check it and previous episodes out on our YouTube Channel
Discussion topics covered during the show (links will open in new tab):
Rehearsing for tours with John Farnham
Recording the Age of Reason album
The Fairlight Series 3 and the song Two Strong Hearts
The decision to stop touring
David in action with John Farnham in touring version of Jesus Christ Superstar
David’s keyboard rig for Jesus Christ Superstar
The brilliant Farnham documentary – Finding The Voice
Handing over the baton to the brilliant Chong Lim
David’s solo album: Welcome To The Nighclub Of My Mind
David’performing one of his solo creations: Cool School Rules
David Hirschfelder and David Hobson – Inside This Room
Joesph Campbell – The Hero With A Thousand Faces
The move to film and TV composition
David’s work on Strictly Ballroom
Working on the movie Shine
David’s full roster of creations
A potted history of the Yamaha Disklavier series of pianos
David’s work on the film Elizabeth
A chat on DAWs, plugins and David’s love for the Arturia Polybrute
David’s work on The Dressmaker
David’s work on Legend of the Guardians: The Owls of Ga’Hoole
David’s work on The Railway Man
David’s work on The Water Diviner
David’s work on Sleeping Dogs
Sam Hirschfelder – musician and composer
Desert Island Discs: The Rite of Spring – Stravinsky (Conducted by Stravinsky), V.S.O.P. (Live) – Herbie Hancock, Heavy Weather – Weather Report, The Planets – Holst, The Mission – Ennio Morricone
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Check out our podcast guest playlist on Spotify to get a taste of each guest’s creations.The post David Hirschfelder, Composer / John Farnham / Little River Band (Part 2) appeared first on The Keyboard Chronicles.
Apr 3
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