Scottie Miller is an American keyboardist, singer-songwriter, and producer based in Minneapolis. Known for his blues- and roots-influenced playing style, Scottie has spent years on the road as the long-time musical director and keyboardist for Ruthie Foster. He’s also worked with Bo Diddley and Johnnie Johnson to name just two others. Alongside his work as an MD, he has maintained a steady solo career, releasing 13 albums—including his latest project, Hello Pain—and earning an induction into the Minnesota Blues Hall of Fame. We chat to Scottie about his approach to composition, his time on the road, and balancing a solo career with collaborative work.
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Discussion topics covered during the show (links will open in new tab):
Scottie’s past 12 months
Commissioning and working with a 50+ piece Budapest Scoring Orchestra
Scottie Miller – Awake and Willing
Scottie Miller – Hello Pain title song and the impetus for the whole album
Scottie Miller – Underneath The Black Oaks
Scottie’s musical upbringing and the huge influence of the Minneapolis music scene
Working with Big John Dickerson & Blue Chamber
The Scottie Miller Band in action
Meeting and working briefly with Johnnie Johnson
Working and touring with Bo Diddley
Joining Ruthie Foster’s band
Scottie in action with Ruthie Foster – Phenomenal Woman
Opening for Ray Manzarek and saving the day later in the night
Scottie’s rig with Ruthie Foster
Ruthie’s album Mileage and reproducing horns live
A discussion on Scottie’s (victorious) battle with depression and addiction
A message of support to other keyboard players struggling with addiction, depression or anxiety
Desert Island Discs: Self-Titled – Donny Hathaway, Feeling Good: The Very Best of Nina Simone – Nina Simone, Goin’ Back To New Orleans – Dr John, Violin Concerto / Musica Dolorosa / Viatore – Peteris Vasks, I Wanna Go Home – Otis Spann.
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The post Scottie Miller, Solo Artist / Ruthie Foster appeared first on The Keyboard Chronicles.
