Like many of you, the Pop Culture Happy Hour team is socially distancing at home. And we are watching more TV shows and movies than ever before. So that's one of the reasons we are going to start coming to you five days a week. We'll talk about great movies, television, books, music and videogames. So make sure to join us starting Monday, October 26th when Pop Culture Happy Hour goes daily.

Writer-director Aaron Sorkin knows his way around a courtroom drama: He wrote the screenplay for A Few Good Men nearly 30 years ago. Now, he's written and directed The Trial of the Chicago 7. The new movie dramatizes the trial of a far-flung group of anti-Vietnam War activists, including Abbie Hoffman, Tom Hayden and Bobby Seale, who were each charged with inciting violence at the 1968 Democratic National Convention.

Ethan Hawke plays the abolitionist John Brown in the new series The Good Lord Bird, which traces the events leading up to the 1859 raid on Harpers Ferry. Told from the point of view of a fictional Black teenager nicknamed "Onion," the series has plenty of drama. But it's also a dark comedy about following a leader who's extremely passionate and wildly unpredictable.

In the wonderful new film The Forty-Year-Old Version, playwright Radha Blank plays a variation on herself. In it, the fictional Radha, frustrated by a stall in her theater career, finds a new passion: she becomes a rapper. The Forty-Year-Old Version won the dramatic directing award at Sundance, and now it's on Netflix. It's about getting older, getting honest, and, yes, finding yourself.

Latinx music has experienced a huge boom in the last 10 years. We've seen the rise of global superstars like Bad Bunny and J Balvin. We've seen Shakira and Jennifer Lopez take over this year's Super Bowl halftime show. And, of course, we've seen the chart domination of "Despacito" by Luis Fonsi and Daddy Yankee. The decade has also produced countless musical discoveries across the Latin world. And the whole time, our pals at NPR Music's Alt.Latino have been there to guide us through it all.

Fifty two years ago, Mart Crowley's The Boys in the Band debuted off-Broadway. The structure was simple, and not unfamiliar to anyone who'd seen a play before: Over the course of an evening, characters gather, get drunk and turn on one another. The groundbreaking difference was that it was a group of gay men doing all that gathering and drinking and lashing out. Now, a new Netflix film adapts the recent Tony-winning revival of the play.

The Legend of Korra is a sequel to the hugely popular animated series Avatar: The Last Airbender. It takes place 70 years later, in a darker, more industrialized world where bending the elements is commonplace. Korra is now the Avatar, and she's everything her predecessor Aang wasn't. She's a confident, headstrong teenage girl much more comfortable with combat than with the spiritual aspect of her role.

The new, bright and breezy Netflix movie Enola Holmes stars Millie Bobby Brown as the 16-year-old sister of Sherlock Holmes. She sets out on an adventure when her eccentric mother (Helena Bonham Carter) goes missing. It also features Sam Claflin as her stuffy brother Mycroft, Louis Partridge as a romantic interest, and Henry Cavill as Sherlock.

It was not your usual Emmy Awards ceremony. Because of the pandemic, there was no crowd, and host Jimmy Kimmel worked mostly alone. People accepted their awards from home. But surprisingly enough, it turned out pretty well. Schitt's Creek, Watchmen, and Succession all had big nights. And it was kind of fun to watch people dressed up in their own living rooms.

In the new horror film Antebellum, Janelle Monáe plays an enslaved woman on a plantation run by Confederate soldiers. She's desperate to escape. But Monáe also plays a successful contemporary author and speaker with a beautiful family, living a life of success and wealth. But does the film successfully tie the story together? Note: This conversation discusses specific spoiler-y plot points to explore how those roles fit together, break down what's really going on, and whether or not the movie is successful.