At 4:45PM on Independence Day 1944, The Raymond Scott Orchestra took to the air for fifteen minutes of music on CBS’ WABC in New York. Born Harry Warnow on September 10th, 1908 in Brooklyn to Ukrainian Jewish parents, his older brother Mark, also a musician, encouraged Harry’s career. He graduated from the Juilliard School of Music in 1931 where he studied piano, theory, and composition. He began his professional career as a pianist for the CBS Radio house band under his birth name. Mark, older by eight years, conducted the orchestra. Harry adopted the pseudonym "Raymond Scott" to spare his brother charges of nepotism when the orchestra began performing the pianist's unique compositions. In late 1936, Scott assembled a band from among his CBS colleagues. Although it was a six-piece group, he called it the Raymond Scott Quintette, joking with a reporter that calling at a sextet might take one’s mind off the music. Scott believed in composing and playing by ear. He composed not on paper, but "on his band"—by humming phrases to his sidemen or by demonstrating riffs and rhythms on the keyboard, instructing players to interpret his cues. Also a sound engineer, he recorded the band's rehearsals, using them as references to develop his compositions. Scott reworked, re-sequenced, and deleted passages, and added themes from other discs to construct finished pieces. While he controlled the band's repertoire and style, he rarely took piano solos, preferring to direct the band from the keyboard and leave solos and leads to his sidemen. He also had a penchant for adapting classical motifs into his work. Independence Day 1944 was celebrated with remembrance, prayer, and War Bond drives. Norman Rockwell’s July 1st Saturday Evening Post cover featured a wounded veteran holding up a $100 war bond. The July 3rd cover of LIFE Magazine featured a G.I with a leg wound being helped by a compatriot. There was a prominent sticker on top that said “buy war bonds.” Meanwhile in Bedford, New Hampshire, an unexpected explosion at the John P. Bedricks powder works sent nearly seventy-miles of New England into a panic as windows as far away as Worchester, Massachusetts were destroyed. Despite this, there were no fatalities. At 4PM, NBC celebrated the Treasury Department’s “Salute To the Navy” from Philadelphia’s Navy Yard. Speakers included Secretary of the Treasury Henry Morgenthaur Jr., and Secretary of the Navy James Forrestal. In New York, Edward J. Nathan, Manhattan’s Borough President, addressed a rally of Jewish war veterans at the Soldiers and Sailors Monument in Riverside Drive, while the Knights of Columbus and sixty-seven affiliated councils, sponsored a parade and band concert in Prospect Park, Brooklyn. That evening, a Special Fifth War Bond Rally was held at Lewisohn Stadium in City College.

On Tuesday July 4th, 1944 at 11:15AM, the homespun Vic and Sade took to the air over NBC’s WEAF in New York. First airing on June 29th, 1932, Vic and Sade was created by Paul Rhymer. Known as “radio’s home folks,” the show was broadcast from The Merchandise Mart in Chicago. Rhymer wrote the script each morning before heading to watch the rehearsal and broadcast. On good days, one rewrite sufficed. On difficult days, the script would be ripped up again and again and poured over. The result was a standalone twelve-minute sketch that, over time, told the life story of Mr. and Mrs Victor Gook and their family and friends at “the small house halfway up in the next block” in a rural town somewhere in Illinois. The town was populated by strange eccentrics with some of the most wonderful names ever heard in fiction. Most of the characters were only spoken about and sound effects were purposely sparse, save for the ever-present telephone. In radio circles, the show was regarded as one of the all-time best. Among its devoted fans were Jean Shepherd, Norman Corwin, Jim and Marion Jordan, Carlton E. Morse, Stan Freberg, Ray Bradbury, and Franklin and Eleanor Roosevelt.

Tuesday, July 4th, 1944. It’s been twenty-nine days since the Allies first stormed the beaches of Normandy. They’ve continued to slowly push inland, but the battle for control of the Caen has raged onward. CBS is there with up-to-the-minute news. On Saturday July 1st, A counterattack by German Panzer Corps failed to dislodge the British Second Army around Caen. When OB West Gerd von Rundstedt phoned Berlin to report the failure, Chief of Staff Wilhelm Keitel asked, “what shall we do?” Rundstedt replied, “Make peace you fools!” He was fired the next day. Meanwhile the U.S. 133rd Infantry Regiment captured Cecina in Tuscany, Italy. They’d enter Siena on Monday the 3rd. At the same time Allies and Japanese forces began battling in New Guinea and The Battle of Imphal in India ended in Allied victory. On the morning of the Fourth, Minsk, the last big German stronghold on Soviet soil, finally fell. This kind of war created a need for fast news relays, so much so that for the first time, news was being recorded on the battlefront. On Independence Day 1944, needing to push further inland from Normandy, the task fell to the 79th and 90th Divisions as well as the 82nd Airborne, all of whom had to assault uphill and around a large marsh in the low ground, while twelve Nazi divisions lay in wait, including several Panzer units. The troops fought yard by yard, making slow but steady progress at a high cost. The 90th Division alone lost over 500 men that day. This same day, General Omar Bradley had artillery units in the US First Army open fire on the German lines precisely at noon. Some units fired red, white, and blue smoke shells at the Germans. The message was clear: The Americans were in Western Europe and they wouldn’t be leaving until victory was achieved. ____________ The man you just heard was Norman Lewis Corwin. He was born on May 3rd, 1910 in Boston, Massachusetts. The third of four children, his mother Rose was a homemaker, and his father, Samuel, a printer. Norman graduated from Winthrop High School, but unlike his brothers, he did not attend college. Instead, he got a job at the Greenfield Reporter as a Cub newsman at seventeen. Corwin was later hired by the Springfield Republican where he worked as an editor. He became known for his column "Radiosyncracies." His first exposure to professional Radio broadcasting came with an opportunity to air an interview regarding one of the human interest stories he'd written. Station WBZA soon needed a newsreader and sought to have the position filled with someone from the local paper. Corwin got the job. By 1929 Corwin fashioned his own broadcast over WBZA, a combination of piano interludes interwoven with Corwin's original poetry readings. He called the program Rhymes and Cadences. In 1931, Corwin traveled to Europe with his older brother, witnessing the growing fascism, social and religious unrest, and political turmoil. It helped shape his broadcasting career. In June 1935, he went to Cincinnati to work at WLW. He soon learned that any on-air reportage of collective bargaining efforts were grounds for immediate dismissal. Objecting, he was fired. Eventually he got the ACLU’s backing and got the policy changed. Corwin came to New York, finding work as a publicist for 20th Century-Fox. He soon proposed a poetry and music program for WQXR. The program was called Poetic License, and it wasn’t long before both NBC and CBS took notice. A few days shy of his twenty-eighth birthday in 1938, CBS hired Corwin as a director for One-Hundred-Twenty-Five-Dollars per-week. Within a few months he directed his first Columbia Workshop experimental drama, “The Red Badge of Courage,” airing July 9th, 1938. On the night of Sunday October 30th, 1938, Corwin was rehearsing the pilot for a new program, Words Without Music. Downstairs, Orson Welles was broadcasting his infamous Mercury Theater “War of The Worlds.”

Hey everybody James Scully here, host of Breaking Walls. If you've been listening to this show for years on this RSS feed, I want you to know that you can also subscribe to the show on Youtube — www.youtube.com/@thewallbreakersllc. I'm asking people who listen here on the RSS feed to subscribe on Youtube because Youtube offers the easiest path to monetizing this show. I'm going to be fully transparent right now: There have been times in the history of this podcast that via RSS feed, Breaking Walls has had as many as 27000 - 30000 monthly downloads, but even with that, it's very hard to monetize the show via traditional podcast channels. However, I've been able to clear the monetization hurdles on Youtube, so please subscribe there. If you happen to listen on a computer or on a phone, I would appreciate if you listened via Youtube. I'm also going into Youtube and slowly uploading all shows from Breaking Walls' archive in individual podcast playlists on Youtube. This way, everything that for years now has fallen off the RSS feed here doesn't matter. You can get all those archived shows FREE OF CHARGE on Youtube. Your listening for free will enable me to earn money, and I'd appreciate that very much. So once again — www.youtube.com/@thewallbreakersllc Keep getting out there, keep breaking those walls, and I'll catch you on the flip side.

Here we are, back at Bill Pogue’s. It’s after 11PM. What do we know? Well, there are less people drinking here than last night, most would rather stay in and listen for updates. On the air over CBS right now is Joan Brooks. Me? I’m just trying to have that nightcap I started yesterday. There are still news bulletins coming out of Europe. It’s almost dawn there. The men will be continuing their missions with D-Day: Plus 1 So far, we know that at least four-thousand Allied soldiers have been killed in the initial attack, but the German forces on the Normandy peninsula have either been killed, captured or forced to withdraw to Caen. I’m sure as we speak troops and equipment are being ferried across the Channel. I know the hope is that by the end of June we’ll have nearly a million men in western Europe as we advance north from Italy simultaneously. With the Russians pushing Germany west it’s only a matter of time, but the Germans won’t go down without a fight. But, I know American resolve. We’ll be up for the task, no matter how long it takes. It’s why next month on Breaking Walls we’ll move just a few weeks into the future and focus on Independence Day, 1944. —————————— The reading material used in today’s episode was: • Radio Speakers--A Biographical Dictionary — By Jim Cox • On The Air — By John Dunning • Network Radio Ratings — By Jim Ramsburg As well as articles from • Broadcasting Magazine • CBSNews.com • GlobalNews.ca • LIFE Magazine • Military-History.org • The New York Times • The New York Daily News • Presidency.UCSB.edu • RadioArchives.com • Radio Daily —————————— On the interview front: • André Baruch, Mel Blanc, Ken Carpenter, Norman Corwin, Alice Frost, Barbara Luddy, Bret Morrison, Ken Roberts, Kate Smith, and Olan Soule spoke with Chuck Schaden. Hear these full chats at Speakingofradio.com. • Himan Brown, Staats Cotsworth, Jim Jordan, Mandel Kramer, and Jan Miner, spoke to Dick Bertel and Ed Corcoran for WTIC’s The Golden Age of Radio. Hear these interviews at Goldenage-WTIC.org • Joan Banks spoke to SPERDVAC. For more info, go to SPERDVAC.com • Fran Carlon, John Daly, and Ben Grauer spoke for Westinghouse’s 50th anniversary. • Ned Calmer, Doug Edwards, Lowell Thomas, Charles Osgood, and Bob Trout spoke to CBS for their 50th anniversary. • HV Kaltenborn spoke to NBC for their 50th anniversary • Charles Collingwood and Bob Trout spoke to the makers of Please Stand By • Bob Trout also spoke to the Television Academy • George Burns spoke with Barbara Walters • Red Skelton spoke with Dini Petty —————————— Selected music featured in today’s episode was: • Romanian Folk Dances #3 — By Béla Bartók, played by Avi Avital • Wilderness Trail — By Walter Scharf for National Geographic —————————— A massive special thank you to Walden Hughes for supplying so many master quality recordings used in this D-Day episode. Listen to Walden’s shows on the Yesterday USA radio network.

At 10:50PM on D-Day, The Red Skelton Show took to the air with a final abbreviated episode before Skelton left for World War II. When his show debuted on October 7th, 1941 critics were skeptical. Skelton was a pantomimist. How could he succeed on radio? But he was soon getting laughs every eleven seconds and for three seasons more than twenty-five million people were tuning in as he pulled ratings in the 30s. His supporting cast of Lurene Tuttle, Ozzie, and Harriet Nelson were heavily featured. But then Skelton got divorced and lost his marriage deferment. The army drafted him in 1944. MGM and radio sponsor Raleigh Cigarettes tried to help with no avail. The Draft Board also turned down his request to join the Special Services branch for entertainers. This was questioned by some critics, who noted that he had worked tirelessly to entertain servicemen. Skelton’s last radio program was on D-Day, June 6th, 1944. The next day the thirty-year-old Skelton was formally inducted as a private. Without its star, the program was discontinued until he could come back from the war. Skelton lost eighteen months of his career, eventually suffering a nervous breakdown in Italy, and having to be hospitalized for three months. He would be discharged in September of 1945.

At 10PM, across all networks, the President of the United States Franklin D. Roosevelt, took to the air with a special prayer for the invading troops. Thirty-Five million Americans tuned in. It was the most-listened to broadcast of any kind which aired in 1944. At 10:15 Bob Hope took to the air with a special D-Day Broadcast. For more information on this year of Bob’s life, tune into Breaking Walls episode 148. This is FDR's D-Day Prayer below: My fellow Americans: Last night, when I spoke with you about the fall of Rome, I knew at that moment that troops of the United States and our allies were crossing the Channel in another and greater operation. It has come to pass with success thus far. And so, in this poignant hour, I ask you to join with me in prayer: Almighty God: Our sons, pride of our Nation, this day have set upon a mighty endeavor, a struggle to preserve our Republic, our religion, and our civilization, and to set free a suffering humanity. Lead them straight and true; give strength to their arms, stoutness to their hearts, steadfastness in their faith. They will need Thy blessings. Their road will be long and hard. For the enemy is strong. He may hurl back our forces. Success may not come with rushing speed, but we shall return again and again; and we know that by Thy grace, and by the righteousness of our cause, our sons will triumph. They will be sore tried, by night and by day, without rest-until the victory is won. The darkness will be rent by noise and flame. Men's souls will be shaken with the violences of war. For these men are lately drawn from the ways of peace. They fight not for the lust of conquest. They fight to end conquest. They fight to liberate. They fight to let justice arise, and tolerance and good will among all Thy people. They yearn but for the end of battle, for their return to the haven of home. Some will never return. Embrace these, Father, and receive them, Thy heroic servants, into Thy kingdom. And for us at home - fathers, mothers, children, wives, sisters, and brothers of brave men overseas - whose thoughts and prayers are ever with them - help us, Almighty God, to rededicate ourselves in renewed faith in Thee in this hour of great sacrifice. Many people have urged that I call the Nation into a single day of special prayer. But because the road is long and the desire is great, I ask that our people devote themselves in a continuance of prayer. As we rise to each new day, and again when each day is spent, let words of prayer be on our lips, invoking Thy help to our efforts. Give us strength, too - strength in our daily tasks, to redouble the contributions we make in the physical and the material support of our armed forces. And let our hearts be stout, to wait out the long travail, to bear sorrows that may come, to impart our courage unto our sons wheresoever they may be. And, O Lord, give us Faith. Give us Faith in Thee; Faith in our sons; Faith in each other; Faith in our united crusade. Let not the keenness of our spirit ever be dulled. Let not the impacts of temporary events, of temporal matters of but fleeting moment let not these deter us in our unconquerable purpose. With Thy blessing, we shall prevail over the unholy forces of our enemy. Help us to conquer the apostles of greed and racial arrogancies. Lead us to the saving of our country, and with our sister Nations into a world unity that will spell a sure peace a peace invulnerable to the schemings of unworthy men. And a peace that will let all of men live in freedom, reaping the just rewards of their honest toil. Thy will be done, Almighty God. Amen.

D-Day, June 6th, 1944 was a Tuesday. Ordinarily on Tuesday evenings NBC had a comedy lineup that rivaled the greatest in history. A main part of it was the man you just heard, Jim Jordan, who starred on Fibber McGee and Molly. The normal Fibber McGee and Molly show was canceled on D-Day. Instead, they presented a special musical program at 9:30PM featuring Billy Mills and the King’s Men, leaving room for late-breaking news bulletins. Opposite, CBS presented the first in a new series, The Doctor Fights, starring Raymond Massey in a new portrait each week of a doctor on some far-flung battlefield. The purpose of The Doctor Fights was two-fold: to honor the nation’s one-hundred eighty-thousand doctors, one-third of whom were in the theaters of battle, and to acquaint the public with penicillin. The sponsor, Schenley Laboratories, was one of twenty-two companies making penicillin, and often the stories described wondrous cures resulting from its use by doctors in distant and primitive outposts. Many listeners at that time had never heard of the drug.

Opposite of The Burns and Allen Show at 9PM, NBC ran a special “Cross Country D-Day tour”, hosted by the just-heard Ben Grauer. It was a program from every part of the nation to show what everyone was thinking and doing on this historic and momentous day. The theme was the same: Work, Pray, Fight. The stations included remotes from WTIC in Hartford, WSYR in Syracuse, WTAR in Norfolk, WSPD in Toledo, WLW in Cincinnati, WMC in Memphis, KTSP in St. Paul, and WKY in Oklahoma City.

At 9PM on CBS, Burns and Allen took to the air with a special episode called “Kansas City’s Favorite Singer” with guest-star Dinah Shore. It featured Bea Benaderet and Mel Blanc. Like George Burns and Grace Allen, Blanc and Benaderet spent decades working together, especially on Blanc’s own show after the war and later on The Flintstones.