At 9PM on CBS, Burns and Allen took to the air with a special episode called “Kansas City’s Favorite Singer” with guest-star Dinah Shore. It featured Bea Benaderet and Mel Blanc. Like George Burns and Grace Allen, Blanc and Benaderet spent decades working together, especially on Blanc’s own show after the war and later on The Flintstones.

Norman Corwin was twenty-seven years old when he was hired by CBS in April of 1938. For three years he honed his craft on shows like Words Without Music, The Pursuit of Happiness, So This is Radio and Forecast. In 1941 he was tasked with taking over The Columbia Workshop for twenty-six weeks. These plays are today known as “Twenty-Six By Corwin.” They ranged from whimsy, to romance, to high drama, to coming of age tales. CBS refused to offer the series up for sponsorship. Corwin’s programs weren’t about revenue, they were about advancing the medium itself. After the bombing of Pearl Harbor and Manilla on December 7th, 1941, Corwin penned a play in honor of the 150th anniversary of The Bill of Rights. It was at the behest of President Roosevelt. The play was called “We Hold These Truths,” and broadcast on December 15th. Simultaneously heard on all four networks, sixty-million tuned in. It was at that time, the largest ratings share of any dramatic program ever. By 1944 Corwin had free rein over his productions. The Workshop essentially became branded as Columbia Presents Corwin. Corwin had previously adapted Carl Sandburg’s The People, Yes three times. At 8PM over CBS on D-Day, Corwin presented the first in An American Trilogy on Carl Sandburg featuring Charles Laughton. The following two weeks he’d present part two on Thomas Wolfe and part three on Walt Whitman. Opposite, NBC broadcast a special version of the Ginny Simms show.

At the conclusion of Ronald Colman’s reading of Edna St. Vincent Millay’s poem, legendary commentator H. V. Kaltenborn took to the air with news and comments on the day’s invasion.

John Nesbitt was born in Victoria, British Columbia on August 23rd, 1910. The grandson of actor Edwin Booth, the family moved to Alameda, California. Nesbitt was active in stock theater in Vancouver and Spokane and began working for NBC in San Francisco in 1933. By 1935, he was an announcer at KFRC in San Francisco. Nesbitt produced a series called Headlines of the Past which spun off into his signature program, The Passing Parade, in 1937. The inspiration came from a trunk inherited from his father that contained news clippings of odd stories from around the world. He utilized a research staff to verify the details, but wrote the final scripts himself, often within an hour of airtime. This led to a series of one-reel shorts produced by MGM. On the evening of June 6th, 1944, the just-heard Ken Carpenter was announcer for a Passing Parade broadcast on CBS at 7:15PM in which Nesbitt attempted to capture, in real time, the historic significance of D-Day by imagining its story being retold to schoolchildren in the year 2044. At 7:30PM over NBC, Ronald Colman read a special “Poem and Prayer for an Invading Army” by Edna St. Vincent Millay.

It’s nearly 6:45PM and I’m at an automat getting some dinner. People around here are feeling a little looser as, by all accounts, the Normandy landings had been a success. They’ve got NBC on the air. Just ending is a “Serenade to America'' with Winifred Hite, Nora Sterling, Milton Katims and his Orchestra. Legendary newscaster Lowell Thomas is about to go on over WEAF with a summary and commentary on the day’s events. Thomas has been on radio since the dawn of the network era. He took over as the host of NBC’s Sunday Literary Digest program in 1930. By October of 1930, he was including more news stories. He moved to CBS, but was back on NBC two years later.

At 3PM The British King George VI issued a D-Day speech. The Transcription is below. Four years ago, our Nation and Empire stood alone against an overwhelming enemy, with our backs to the wall. Tested as never before in our history, in God's providence we survived that test; the spirit of the people, resolute, dedicated, burned like a bright flame, lit surely from those unseen fires which nothing can quench. Now once more a supreme test has to be faced. This time, the challenge is not to fight to survive, but to fight to win the final victory for the good cause. Once again what is demanded from us all is something more than courage and endurance; we need a revival of spirit, a new unconquerable resolve. After nearly five years of toil and suffering, we must renew that crusading impulse on which we entered the war and met its darkest hour. We and our Allies are sure that our fight is against evil and for a world in which goodness and honor may be the foundation of the life of men in every land. That we may be worthily matched with this new summons of destiny, I desire solemnly to call my people to prayer and dedication. We are not unmindful of our own shortcomings, past and present. We shall ask not that God may do our will, but that we may be enabled to do the will of God: and we dare to believe that God has used our Nation and Empire as an instrument for fulfilling his high purpose. I hope that throughout the present crisis of the liberation of Europe there may be offered up earnest, continuous and widespread prayer. We who remain in this land can most effectively enter into the sufferings of subjugated Europe by prayer, whereby we can fortify the determination of our sailors, soldiers and airmen who go forth to set the captives free. The Queen joins with me in sending you this message. She well understands the anxieties and cares of our womenfolk at this time and she knows that many of them will find, as she does herself, fresh strength and comfort in such waiting upon God. She feels that many women will be glad in this way to keep vigil with their menfolk as they man the ships, storm the beaches and fill the skies. At this historic moment surely not one of us is too busy, too young or too old to play a part in a nationwide, perchance a worldwide, vigil of prayer as the great crusade sets forth. If from every place of worship, from home and factory, from men and women of all ages and many races and occupations, our intercessions rise, then, please God, both now and in a future not remote, the predictions of an ancient Psalm may be fulfilled: "The Lord will give strength unto his people: the Lord will give his people the blessing of peace." By this time, Allied reinforcements from Britain had already arrived in Normandy. Ground troops linked up with the paratroopers further inland and pressed on toward Caen. However, the allies wouldn’t capture the city for more than a month. Once King George VI’s speech was over, CBS switched back to Alan Jackson with a news update. At 4:40PM the just-heard John Daly, Bill Shirer, and Quincy Howe took to CBS’ airwaves with more news updates.

Perry Mason debuted over CBS airwaves on October 18th, 1943. On D-Day it was airing at 2:45PM from New York. Mason was a crime-busting lawyer, famous in fiction for unmasking killers in court. Though it came in the guise of crime drama, the show was full-bore soap opera. At points, Jan Miner played Della Street, Mason’s secretary. Mandel Kramer played Police Lieutenant Tragg.

That was the voice of Joan Banks Lovejoy who played the scheming Arline Harrison Manning on Portia Faces Life. During World War II she was all over New York radio. On Portia Faces Life, Lucille Wall starred as Portia Blake, a young woman lawyer who battled corruption in the small town of Parkerstown. The show debuted with a crisis on October 7th, 1940 and throughout its entire nearly eleven-year run, the crises never ended. The show moved to CBS in April of 1944 and on D-Day it was airing weekdays at 2PM. The run on CBS would be relatively brief, as on October 3rd, 1944 Portia Faces Life would move back to NBC. ____________ That was the voice of Fran Carlon, who at times starred as Joyce Jordan, MD. Jordan started as a girl intern at Heights Hospital, slowly progressing to a doctor, facing the difficulty of being an intelligent woman in a man’s world. Ken Roberts was the announcer. He’d been a radio staple since the mid-1920s, beginning first at WMCA in New York before becoming a CBS staff announcer. On D-Day, Ken was thirty-five years old. Here’s Ken talking with Chuck Schaden about those early days of Network radio. Himan Brown was often the director.

12:45PM brought a forty-minute CBS news update featuring Edward R. Murrow from London, Douglas Edwards recapping CBS coverage, and a Quincy Howe analysis. Following this broadcast John Daly immediately signed on.

At 12:15PM Big Sister took to the air over CBS starring the just-heard Alice Frost as Ruth Evans. Ruth centered her life around her sister Sue and their crippled brother Neddie. When Sue married reporter Jerry Miller, Ruth was able to give her full attention to the care of little Ned. Then, unexpectedly, Ruth fell in love with Neddie’s new doctor, John Wayne, played first by Martin Gabel and later by Staats Cotsworth.