Everyone who is left alive dies. Monty’s downward spiral is hastened by the traumatic experience of starring in a Freud movie for John Huston. Libby, desperately unhappy in her third marriage, reckons with her reputation as a catalyst for tragedy – a reputation dramatized by her old friend Tennessee Wiliams and her old rival, Elizabeth Taylor.

Libby’s Disastrous Third Marriage

A Freudian Slip

From Oscar Hopes to Rock Bottom

Elizabeth Taylor as Libby Holman

Monty’s Death, Libby’s Sorrow