In this episode, hosts Macy Foss, Kelsey Linberg, and Rosemary Richards transform into the Weird Sisters and illuminate the queer potential of Cavendish's narrative structure. They think about the intersections of gender and sexuality at play in Cavendish's Closet and then put their thinking in action through the performance of a scene from the play. Finally, the Weird Sisters highlight Cavendish's strategies for smashing the patriarchy and confronting censorship.... including Cavendish's own husband! <hr> See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for privacy and opt-out information.

The Witch of Edmonton: Which Witch is Which?

Have you ever wondered what might be hiding between the lines of a play? This season, Writ in the Margins will be investigating dramaturgical mysteries from four early modern plays, The Witch of Edmonton, FuenteOvejuna, Convent of Pleasure, and House of Desires. Together, using various modern theories as our lenses, we will explore these old texts and share the insights we find within-- all while drawing attention to the international canon of early modern theatre. From translations to interviews, with live music and script readings, join us to discover exactly what we have Writ in the Margins.This podcast was created by the graduate students enrolled in REN670: Dramaturgy in the Shakespeare and Performance program at Mary Baldwin University. Writ in the Margins is produced in collaboration with course convener Prof. Molly Seremet.  See acast.com/privacy for privacy and opt-out information.