In this episode, hosts Kara Hankard and Madison Rudolph take a deep dive into critical theory, thinking through the ways that Cavendish's closet drama can be illuminated through the lens of feminist and queer theory. They begin by unpacking Cavendish's naming conventions in the play before turning to an examination of the play's queer poetics and some spicy details from Cavendish's own biography. They are then joined by actors Sophia Berrata, Katelyn Spurgin, and Johnny Williams III for a performance of a key scene from the play. There's some bonus content in this episode's guide, so check that out on our website.<br /><hr><p style='color:grey; font-size:0.75em;'> See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for privacy and opt-out information.</p>

Convent of Pleasure: Goin' to the Convent and Not Gettin' Married

Have you ever wondered what might be hiding between the lines of a play? This season, Writ in the Margins will be investigating dramaturgical mysteries from four early modern plays, The Witch of Edmonton, FuenteOvejuna, Convent of Pleasure, and House of Desires. Together, using various modern theories as our lenses, we will explore these old texts and share the insights we find within-- all while drawing attention to the international canon of early modern theatre. From translations to interviews, with live music and script readings, join us to discover exactly what we have Writ in the Margins.This podcast was created by the graduate students enrolled in REN670: Dramaturgy in the Shakespeare and Performance program at Mary Baldwin University. Writ in the Margins is produced in collaboration with course convener Prof. Molly Seremet.  See acast.com/privacy for privacy and opt-out information.