Director Henry Selick and animator Anthony Scott interviewed in front of a live audience at the Disney Family Museum in San Francisco.
Aug 25, 2024
45 min
He was responsible for the overall look of the film through the lens of a half dozen different camera crews on 20 different sets. Not to mention he basically invented motion control.
May 12, 2021
22 min
Bonita was in charge of getting every single puppet completed and ready for animation - a mind boggling amount of work. She tells us all about it.
Oct 4, 2020
41 min
Ghosts, smoke, fire, stars, snowflakes, and obsolete techniques.
Sep 6, 2020
46 min
Sewing, painting, dressing, and bringing every single puppet to life.
Aug 31, 2020
46 min
Henry Selick, Art Clokey, Peter Jackson, Marilyn Manson, motorcycles, breast feeding, Excederin, Gumby, cotton ball clouds, and of the course the beauty of stop motion animation.
Aug 16, 2020
47 min
Carl takes us on a Skellington journey through the lens of a possibly irradiated camera. Collaboration, multiple camera crews, multiple set ups, in-camera effects, and the 'faces in the fire'.
Aug 9, 2020
47 min
Twenty four stages all running at the same time. Who kept all that in order? Kirk for one.
Aug 2, 2020
42 min
Allison somehow kept the entire Art Department on track - an enormous job. She tells us all about it.
Jul 26, 2020
49 min
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