Unclear and Present Danger

On this week’s episode of Unclear and Present Danger, Jamelle and John watch the 1998 Lifetime film Oklahoma City: A Survivor’s Story, starring Kathy Baker as Priscilla Salyers, a real-life U.S. Customs employee who survived the 1995 bombing of the Alfred P. Murrah Federal Building. The film follows the attack, Salyers's rescue, and her subsequent struggle with PTSD, as well as the way the tragedy shapes her family life (it is a Lifetime film after all).

On this week’s episode of Unclear and Present Danger, Jamelle and John watch the 1998 action thriller Mercury Rising, directed by Harold Becker and starring Bruce Willis, Alec Baldwin, and Miko Hughes. The film follows FBI agent Art Jeffries, who goes on the run to protect a nine-year-old autistic boy after the child accidentally cracks a classified NSA encryption cipher — drawing the attention of a rogue intelligence official willing to use lethal force to keep the program secret. In their conversation, Jamelle and John discuss the film’s offensive depiction of autism, its vision of “the deep state,” and the various ways it reflects mounting paranoia around government surveillance.

On this week's episode of Unclear and Present Danger, Jamelle and John watch U.S. Marshals, the extremely lackluster sequel to The Fugitive which dispenses with a straightforward cat and mouse story in favor of a byzantine conspiracy involving government moles, foreign espionage and the Taiwanese government. Directed by Stuart Baird, U.S. Marshals stars Tommy Lee Jones, Wesley Snipes, Robert Downey Jr., Joe Pantoliano, Kate Nelligan and Irène Jacob.

On this week's episode of Unclear and Present Danger, Jamelle and John were joined by Hilary Matfess of the University of Denver to discuss G.I. Jane, the 1997 military drama directed by Ridley Scott and starring Demi Moore and Viggo Mortenson. The discussion for this film revolves around the evolving role of women in the military, post-Cold War anxieties about American military readiness, the gender politics of the film, and what the movie might signify today, in the present.

The next episode of the podcast will be here soon, but while you wait, here is the most recent episode of our politics show on the Patreon. In it, we talk the most recent developments in the Trump administration's attack on Minnesota and what they might portend for both the White House and its opposition going forward. We also say a few words about Epstein because, you know, how could we not.

Jamelle and John are back for the new year with an episode on the 1997 thriller Murder at 1600, directed by Dwight Little and starring Wesley Snipes, Diane Lane, Alan Alda and Dennis Miller. It is yet another entry into the mini-boomlet of films whose premise, essentially, is what if the president were horny…and murderous.

On this week’s episode of Unclear and Present Danger, Jamelle and John marked the unfortunate death of Rob Reiner by watching his 1992 military legal thriller A Few Good Men. In their conversation, they discuss Reiner’s career, the underlying liberalism of a film like A Few Good Men, and the continued relevance of Jack Nicholson’s performance as Colonel Nathan Jessup.

On this week’s episode of Unclear and Present Danger, Jamelle and John watched the 1997 comedy Wag the Dog, directed by Barry Levinson and starring Robert De Niro, Dustin Hoffman, Anne Heche, Dennis Leary, Willie Nelson, Andrea Martin and Kirsten Dunst, with a screenplay by David Mamet and cinematography by Robert Richardson.

Every week, we do a political discussion show over at the Patreon. We wanted to offer you a preview of that show in the form of a full episode, which happens to be our most recent episode, on the Graham Platner affair in Maine. If you like our discussion, sign up for the Patreon to get an episode very week at patreon.com/unclearpod.

On this week’s episode of Unclear and Present Danger, Jamelle and John watched Tomorrow Never Dies, the 1997 action thriller, the eighteenth film in the James Bond series and the second to star Pierce Brosnan as fictional MI6 agent James Bond. Directed by Roger Spottiswoode, it follows Bond in his effort to stop the media mogul Elliot Carver, played by Jonathan Pryce, from starting World War III in order to expand his reach over the world’s information environment.