Since Alison and Greg are a formerly-married couple, they know each other's strengths and weaknesses. In this two-part series, they're using that knowledge for good, and creating challenges tailor-made to help the other person become a better musician -- and who knows, maybe a better person along the way!This episode covers Greg's challenge to Alison: to craft a drum sound for her upcoming Blix Byrd album by testing out a few different sounds. This is opposed to her usual gut-instinct way of just going with it...what will this ultra-crafty approach yield for her music?!In this episode, we talk about the Dave Smith Instruments Tempest drum machine, as well as the Roland 606, 707, 808, and CR78 drum machines.Greg's music: https://gregwilder.comAlison's music: https://blixbyrd.com

Since Alison and Greg are a formerly married couple, they know each other's strengths and weaknesses. In this two-part series, they're using that knowledge for good, and creating challenges tailor-made to help the other person become a better musician -- and who knows, maybe a better person along the way!This episode covers Alison's challenge to Greg: to create a piece of music without using his composer craftiness. He's not allowed to think about what he's going to make, but has to abandon his training and use only his intuition to create music.Check out the episode to learn why this was a challenge for Greg, and how it went!

It's official: the internet has been a game-changer for music. Alison and Greg dive into how music is and isn't valuable today, both monetarily and culturally.As usual, their conversation is far-reaching. They talk about the usual suspects: Spotify, major labels, Napster, machine learning algorithms, and music for media. Of course, it doesn't stop there. You'll also hear about the desensitization of listeners by reality TV danger music, the Faustian deal we make as musicians, the sheer brilliance and stupidity of Hans Zimmer's music, making beats for Drake, Lawrence Kramer's defense of classical music as still relevant, and music's current value as your mood for sale.

Greg and Alison want to tell you why you should (or shouldn't) go to music school. In this episode, they explore what it's like to take a traditional path through music school, including how music school might be beneficial or detrimental depending on your own musical goals.It's a magical mystery tour through a diverse set of of topics, including  the differences between composers and songwriters, learning how to music on YouTube, Greg's mentor George Rochberg, the creative process in general, Stephen King, Thom Yorke, start-ups, Vangelis, musical embodiment, why Modest Mouse kinda sucks, and production music libraries.Greg is a Doctor of Music in piano and composition from the Eastman School of  Music (ooh la la!) and Alison has a master's degree in music theory and quit a doctoral program in music theory and cognition at McGill University, so they're well versed in the ins and outs of music school. They've both been students and professors, but each decided to leave the academic path years ago, and have been making it on their own in the rough world ever since.