It's the final episode of the season, and in this last act we're thinking about structure. We examine some of the traditions and expectations of story structure, ponder some familiar act structures and discuss how important or useful formulas may be.We'll be back soon with more pondering on the topic of writing. If there are any subjects or questions you'd like covered in season two, get in touch on Twitter @writing_pod or leave a comment in a review.We hope you've enjoyed these 12 episodes, and now.... Maybe go and do some writing! If you wish to do so.Written and presented by Robin TaylorEdited by Peter ThompsonMusic by Chris StamperIllustration by Matt Miles  https://www.instagram.com/datmattmiles/Design by Adam Smith

This time around we cover the idea of editing and how it can be a vital tool in the writing process. As the saying goes, writing is rewriting, and that involves editing. We'll think about how to approach an edit, the tools you can use when editing and dissect the stalwart concept of killing your darlings. Poor darlings, your sacrifice was not in vain. Follow the podcast on Twitter @writing_pod or search for our page on Facebook... It's not very interesting, but it's there!Written and presented by Robin TaylorEditing by Peter ThompsonMusic by Chris StamperIllustration by Matt Miles  https://www.instagram.com/datmattmilesDesign by Adam Smith 

Well this different, isn't it? This week we have an extra special guest, Jessica Loveland, the head of new writing for BBC Writersroom and BBC Drama Commissioning. We discuss writing, opportunities, how to stand out and Jess's mild obsession with Tom Cruise. Plus an exclusive reveal of the dates for this year's Open Call initiative. Hopefully you'll find lots of information and encouragement!Follow Jess: https://twitter.com/jessploveBBC Writersroom: https://twitter.com/bbcwritersroomAnd here are some of the mentioned links.https://www.bbc.co.uk/writersroom/https://www.bbc.co.uk/writersroom/scripts/https://www.bbc.co.uk/commissioning/comedy/shortform/And search for the BBC Writersroom podcast on your podcast app.Presented by Robin TaylorEdited by Peter ThompsonMusic by Chris StamperIllustration by Matt MilesDesign by Adam Smith

As Robin's cold continues, he talks about tone, discussing what it is, how to get the right tone, the use of humour as a change of tone, and the risks of an insensitive or controversial tone. Tone! We also examine a superb mix of comedy and horror via the excellent Shaun of the Dead.Any questions or subjects you'd like covered? Get in touch at https://twitter.com/writing_podWritten and presented by Robin TaylorEdited by Peter ThompsonMusic by Chris StamperIllustration by Matt MilesDesign by Adam Smith

What's your approach to writing? What works best for you? What have you never considered before that you might want to try out? What do you do before you even put pen to paper? It's all process, and that's the subject of this episode! Plus we examine supporting documents, what they are, what they might look like and how can then influence your script strategies.If you want to answer those questions and let us know your writing process, get in touch on Twitter:  https://twitter.com/writing_podWritten and presented by Robin TaylorEdited by Peter ThompsonMusic by Chris StamperIllustration by Matt MilesDesign by Adam Smith

This time we explore the topic of criticism, a necessary part of the writing process, but something which should be used as a strengthening device, rather than a soul crushing one. With the 'help' of our 'producer', we'll talk about how to receive criticism, the types of notes we might get, and even how to give critiques to writers. And overall we attempt to encourage you to show your work to others, which is nice, isn't it?And we suggest how you could possibly find other aspiring writers you could maybe trade scripts with over on our Twitter, @writing_podWritten and presented by Robin TaylorEdited by Peter ThompsonMusic by Chris StamperIllustration by Matt MilesDesign by Adam Smith

Are your characters looking for something to do? Well maybe they need some motivation, and funnily enough that's the topic of this episode! We'll be looking at the classic concept of a hero's quest, the different types of motivation a character can have, and saying "Gosh, isn't that impressive!" about the skilful use of motivation in the show Breaking Bad.Get involved by asking questions and hurling insults on Twitter @writing_podWritten and presented by Robin TaylorEdited by Peter ThompsonMusic by Chris StamperIllustration by Matt MilesDesign by Adam Smith

As we continue our two part dive into how information is delivered when writing, this time we mull over the classic theory of show don't tell, consider the opposite concern of insufficient information and exemplify everything we've pondered by dissecting the opening of a lesser known film called Stars War, or something like that.Follow and send witty messages @writing_pod on Twitter.Written and presented by Robin TaylorEdited by Peter ThompsonMusic by Chris StamperIllustration by Matt MilesDesign by Adam Smith

In the first of a two parter looking at how information can be delivered in scripts, we think about the contentious issue of exposition. This includes a breakdown of the different details a writer can convey, an example of overwritten dialogue, and a look at some conventionally accepted but risky forms of exposition.You can follow and interact on Twitter, if you fancy doing so: https://twitter.com/writing_podWritten and hosted by Robin TaylorEdited by Peter ThompsonMusic by Chris StamperIllustration by Matt MilesDesign by Adam Smith

Pace yourselves, as we're jogging into the topic of pacing! We'll be thinking about the impact pacing has on a script and how it is often tied up with purpose, perusing the idea of slow burns such as Midnight Mass, and contemplating the concept of ticking clocks.So hurry, have a listen, before it's too late! There's no reason why it would be too late, but still...Written and hosted by Robin TaylorEdited by Peter ThompsonMusic by Chris StamperIllustration by Matt MilesDesign by Adam Smith