“All of them took concepts here and turned it into just this massive expression of queer joy in the time we are living in right now. It doesn’t deserve to be seen. It demands to be seen.” This episode features Jordan Stefanski, a devoted Cats: The Jellicle Ball fan who has seen the show over 50 times. Jordan comes on the show to discuss how his CATS journey began with the 2019 movie and later shifted after hearing about the ballroom concept through a friend involved in early workshops. Jordan explains why he repeats shows like A Strange Loop and Oh, Mary and his philosophy of bringing friends by buying tickets. Jordan then dives into how The Jellicle Ball’s queer joy, audience immersion, and evolving details reward repeat visits. He shares favorite places to sit (especially boxes), highlights DJ Griddlebone and Junior LaBeija’s presence, and praises swings and dance captains. An episode of true fandom and patron of the arts. 02:06 Surviving the 2019 Movie 04:34 Discovering Cats: The Jellicle Ball 08:50 Why He Keeps Returning 19:07 Hidden Details and Character Choices 21:10 Best Seats 28:35 Swings and Standout Moments 38:40 Rapid Fire Check out CATS: The Jellicle Ball on Social Media: @catsjellicleball Check out CATS: The Jellicle Ball: ⁠⁠⁠catsthejellicleball.com⁠⁠⁠ Produced by: ⁠⁠⁠⁠Alan Seales⁠⁠⁠⁠ & ⁠⁠⁠⁠Broadway Podcast Network⁠⁠⁠⁠ Social Media: @⁠⁠⁠⁠TheWrongCatDied Learn more about your ad choices. Visit megaphone.fm/adchoices

“You know when you walk into a conversation and two friends are laughing so hard you start to laugh? You have no idea what they are laughing about but the energy is infectious. I think that the fact this show is utter nonsense, it allows a freedom so then the joy on stage invites the audience in.” This episode features Ryan Jackson who played Mr. Mistoffelees during the early years of the US National Tour 5 of CATS. Hear Ryan discuss his first exposure to the show, rehearsals filled with unwritten lore, and Gillian Lynne’s surprising insights into the choreography. Ryan describes the ensemble-driven fun of touring, including onstage games, the influence of superfans and fan art, and how constant cast changes kept performances fresh. He reflects on the pre-show ritual of applying Cats makeup which helped launch his later career as a makeup supervisor on Broadway. An episode you won’t want to miss. 03:23 Rehearsal Lore 11:14 Keeping It Fresh on Tour 21:15 CATS Makeup to Makeup Career 26:01 Mistoffelees Entrance 29:32 Makeup Career Origins 34:34 Cats: The Jellicle Ball 38:06 Rapid Fire Check out Ryan on Instagram: @thisguysmakeup, @its_ryan_jackson & @thisguysbeauty Check out Death Becomes Her on Social Media: @deathbecomesher Check out Death Becomes Her's website: ⁠⁠deathbecomesher.com⁠ Produced by: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Alan Seales⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Broadway Podcast Network⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Social Media: @⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TheWrongCatDied Learn more about your ad choices. Visit megaphone.fm/adchoices

“If you’d asked me if I’d be in CATS again, I would have absolutely laughed and said don’t be ridiculous.” This episode features Leigh Archer who played Demeter in Australia in 1994 and recently returned as Jennyanydots on the Australian tour. Leigh recounts first encountering CATS music while dancing in a Sydney football grand final show at age 14, later auditioning and joining an already-running Melbourne cast, where a rehearsal exercise helped her embody Demeter’s fear of Macavity. She describes touring Asia in the ’90s, especially Korea’s rock-concert-level audience reactions, and contrasts them with varied Australian crowds on the recent tour. Leigh shares what it was like re-entering the show many years later, relying on muscle memory, adapting to re-choreographed tap, navigating modern backstage social media fun, and defining character relationships. An episode you won’t want to miss. 04:28 Auditioning for Demeter 11:31 Returning After 30 Years 15:35 Backstage Culture Shift 20:05 Character Relationships 28:17 Tour Memories Then Now 32:14 Modern CATS Fandom 35:20 Rapid Fire Check out Leigh on Instagram: @⁠archer5196 Produced by: ⁠⁠⁠⁠⁠⁠⁠⁠Alan Seales⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠Broadway Podcast Network⁠⁠⁠⁠⁠⁠⁠⁠ Social Media: @⁠⁠⁠⁠⁠⁠⁠⁠TheWrongCatDied Learn more about your ad choices. Visit megaphone.fm/adchoices

“That’s the fun part about the show because the connections are not set and you can change them all the time.” This episode features Petra Ilse Dam who performed as Tantomile in the 2019 Vienna Revival of CATS and then as Bombalurina on the International Tour in 2022. Hear about Petra’s path into the show, from initially knowing only a few school numbers to auditioning for the Vienna revival, watching the 1998 DVD after getting the job, and learning the production in German. Petra discusses playing Tantomile, defining the twins as telepathic and moving as one with Coricopat, and using changing onstage connections to build character depth. She dives into her time on the International Tour evolving Bombalurina and the layered relationships she built out for the character. 00:46 First Encounter With CATS 05:15 Finding Tantomile in Rehearsals 09:20 Learning CATS in German 17:14 Onstage Relationships and Lore 27:11 Swing Life Stories 30:11 Prepping Friends & Family for CATS 35:03 Rapid Fire Check out Petra on Instagram: @petrailsedam Produced by: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Alan Seales⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Broadway Podcast Network⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Social Media: @⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TheWrongCatDied Learn more about your ad choices. Visit megaphone.fm/adchoices

“It’s a show unlike any other that has ever existed. I truly believe that. I think it broke all the rules of what made a successful hit Broadway or West End musical at the time.” This episode features international tour performer Nathan Taylor, who played Bustopher Jones and Gus on the International Tour. Nathan discusses his unexpected history with the show, its universal appeal, and how performers create new character moments nightly. Nathan recounts auditioning in an emotional time in his life, explains how he relates deeply to Gus, and defends Bustopher by clarifying the UK meaning of “gentleman’s club.” He shares his personal lore theory that the show can represent multiple Jellicle Ball nights and ages in Gus’s life, and describes friendships shaping onstage choices, especially with Jennyanydots. Nathan also shares the death of his mother during the tour, including how she heard his recorded performance as she passed. 00:53 Nathan’s CATS History 04:45 Why Cats Works 11:41 Defending Bustopher Jones 22:33 Gus Timeline Theory 26:26 Asparagus vs Peter vs Bustertopher 30:13 Jennyanydots Friendship Lore 42:02 Grief Onstage 44:53 Rapid Fire Check out Nathan on Instagram: @sockmatician Produced by: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Alan Seales⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Broadway Podcast Network⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Social Media: @⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TheWrongCatDied Learn more about your ad choices. Visit megaphone.fm/adchoices

“I always think of CATS as a picture book. Like a children's picture book come to life.” This episode features CATS veteran Tommie Luyben who has performed in the show since 2006 and recently assisted Chrissie Cartwright on the 2025 Australian tour (and the 2022 Asia tour). Tommie traces his early fandom from CDs, library recordings, and the VHS to joining the 2006 Dutch tour as a swing, then performing on the German tent tour as first-cast Mungojerrie and later Skimbleshanks, plus swinging for the Vienna revival while covering many roles. He discusses challenges of performing in German, how rehearsal rooms build character backstories without changing the show’s outcome, and a very unique Electra theory. An episode you won’t want to miss. 01:19 First CATS Obsession 05:53 Dutch Translation Secrets 09:46 Vienna Swing Life 11:15 Assistant Director Era 13:33 Building Character Lore 20:55 Wild Rehearsal Theories 22:54 Macavity Deep Dive 26:32 Why CATS Still Hits 34:32 Chrissie Wisdom Nuggets 44:48 Rapid Fire Check out Tommie on Instagram: @tommieluyben Produced by: ⁠⁠⁠⁠⁠⁠⁠Alan Seales⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠Broadway Podcast Network⁠⁠⁠⁠⁠⁠⁠ Social Media: @⁠⁠⁠⁠⁠⁠⁠TheWrongCatDied Learn more about your ad choices. Visit megaphone.fm/adchoices

“ I believe that Jellylorum is our mother and she spends so much bloody time with Gus, trying to help Gus and fix Gus. We just wanna get her attention.” This episode features Tannah Levick who performed as Rumpleteazer in the South Africa production of CATS and will be on the continuation of the international tour. Hear Tannah share about her CATS history, how mentors and rehearsal process deepened her respect for the show’s poetry-based story, and how she became obsessed by researching through podcasts and cast discussions. Tannah describes the “I’m in CATS” choreography moments, auditioning in South Africa, insisting on Rumpleteazer, and how her onstage relationship with Mungojerrie shifts depending on who she is performing with(siblings, friends, or lovers). She shares mischievous audience interaction choices, viral tour social media with castmates, connecting with other Rumpleteazers for injury advice, and memorable show incidents including Mistoffelees getting stuck, a tire malfunction, and a bat flying onstage. 01:07 First CATS Memories 02:51 From Hating to Loving 11:41 CATS Theories and Lore 15:04 Rumpleteazer Relationship Theory 21:19 CATS TikTok Goes Viral 24:27 Global Jellicle Community 27:42 Tour Mishaps 32:25 Cats Astrology 37:25 Rapid Fire Check out Tannah on Instagram: @tan_levick Check out Tannah on Tik Tok: @Tannlevick Check out Tannah on Spotify: @Tannahlevick Check out the International Tour of CATS: ⁠www.andrewlloydwebber.com/show/cats Produced by: ⁠⁠⁠⁠⁠⁠⁠⁠Alan Seales⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠Broadway Podcast Network⁠⁠⁠⁠⁠⁠⁠⁠ Social Media: @⁠⁠⁠⁠⁠⁠⁠⁠TheWrongCatDied⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

“My most treasured possession was that VHS. I played it every single day. And then I started teaching myself every single track.” This episode features Isabelle McCalla who is currently starring as Emma Tate in Schmigadoon! on Broadway. Hear Isabelle recount seeing CATS in 1998 at age five, petting the actress playing Cassandra, and becoming obsessed with the London VHS, learning songs and choreography in her parents’ ballroom dance studio. She talks favorite and hardest tracks, her childhood understanding of the show’s sensuality, and reactions to the new Jellicle Ball revival’s ball-culture framing and storyline, plus the 2019 Cats film and the viral “Mr. MESStoffelees” video. Isabella discusses the incredibly fun Schmigadoon! and then she and Mike cast the Cats into the show. 01:03 First CATS Encounter 02:39 1998 CATS VHS Obsession 09:13 Cats: The Jellicle Ball 18:28 2019 CATS Movie 20:08 Schmigadoon! 24:10 Schmigadoon Meets Cats 32:54 Rapid Fire Check out Isabelle on Instagram: @izzymccalla Check out Schmigadoon! on Broadway: schmigadoonbroadway.com Produced by: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Alan Seales⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Broadway Podcast Network⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Social Media: @⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TheWrongCatDied Learn more about your ad choices. Visit megaphone.fm/adchoices

“Ballroom has been one of the most important pieces of my life so far.” This episode features Kendall Grayson Stroud who is a swing in Broadway’s Cats: The Jellicle Ball. Kendall joined the earliest 2022 workshop, performed as Electra at the Perelman Performing Arts Center, and is now a swing covering 10 characters. Kendall describes going into the project with no prior CATS knowledge and only a small introduction to ballroom, then receiving ballroom briefings that kept the production rooted in the community. They discuss developing Electra’s story, the shift to Broadway, and the demands of covering 10 roles, where improvisation and adaptability are essential. 01:46 Audition Story 04:35 Workshop Chaos And Ballroom Briefings 07:20 Building Electra At the PAC 10:25 Swing Tracks And Broadway Debut 17:49 Transfer To Broadway 21:12 Joining The Ballroom Community 29:41 Dream Judges 35:15 Rapid Fire Check out Kendall on Instagram: @kendallstroud Check out CATS: The Jellicle Ball on Social Media: @catsjellicleball Check out CATS: The Jellicle Ball: ⁠⁠⁠⁠⁠⁠catsthejellicleball.com⁠⁠⁠⁠⁠⁠ Produced by: ⁠⁠⁠⁠⁠⁠⁠Alan Seales⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠Broadway Podcast Network⁠⁠⁠⁠⁠⁠⁠ Social Media: @⁠⁠⁠⁠⁠⁠⁠TheWrongCatDied Learn more about your ad choices. Visit megaphone.fm/adchoices

"I have a dream that Skimbleshanks, as a representative of the MTA, is able to have a sit down with Zohran Mamdani to talk about the MTA fares.” This episode welcomes back the wonderful Emma Sofia for her third appearance on the show to discuss transferring Cats: The Jellicle Ball from the Perelman Arts Center to the Broadhurst Theatre, including how they adapted the PAC’s long runway into a proscenium space with tiers, onstage seating, boxes, and continued audience immersion. Emma explains how she maintains Cassandra’s boundaryless audience interaction, where Cassandra and Skimbleshanks tend to play in the house, and how the team expanded relationships and ballroom “family tree” lore. Emma talks about cast/story tweaks such as Leiomy as Macavity, Emma receiving the Legacy Robe, the pace of Tony season, and standout promo moments like Miscast and an upcoming MTA Sessions Skimbleshanks collaboration. 01:34 Broadway Transfer 04:00 Designing Immersion at Broadhurst 07:05 Cassandra Crowd Work 16:52 Legacy Robe 22:59 Miscast Experience 30:44 Dream Collabs 33:09 Award Season 40:03 Rapid Fire Check out Emma on Instagram: @emmasofiaokay Check out CATS: The Jellicle Ball on Social Media: @catsjellicleball Check out CATS: The Jellicle Ball: ⁠⁠⁠⁠⁠catsthejellicleball.com⁠⁠⁠⁠⁠ Produced by: ⁠⁠⁠⁠⁠⁠Alan Seales⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠Broadway Podcast Network⁠⁠⁠⁠⁠⁠ Social Media: @⁠⁠⁠⁠⁠⁠TheWrongCatDied Learn more about your ad choices. Visit megaphone.fm/adchoices