The Stove Network

In this final episode of our 3 part series, we speak with artist and filmmaker duo Colin Tennent and Saskia Coulson of CT Productions. Throughout their project entitled Stories of Radical Landownership, the duo sought to co-create visual stories with the community landowners through a mixture of multimedia works, including photographs, audio recordings, and moving images. The pair wanted  the communities to use the process as a way to reflect on their achievements, but also to consider the future challenges they might face. Working alongside Bridgend Farmhouse in Edinburgh, South West Mull & Iona Development, North Harris Trust and Isle of Eigg Heritage Trust, the final works are a series of photographs and a short film in Gaelic and English. The work represents their brief dive into the deep, rich world of community land ownership. The works are testimony to this moment in time and the ambition of community landowners during a very remarkable year. 

Welcome to the Radical Land. he Galson Estate is a community-owned estate of 56,000 acres of coast, agricultural land and moor in the North West of the Isle of Lewis in the Outer Hebrides of Scotland. The estate comprises 22 villages running from Upper Barvas to Port of Ness with a population of nearly 2,000 people. The estate passed into community ownership on 12 January 2007 to be managed on their behalf by the Trust.  

In this episode, we visit Abriachan Forest Trust near Inverness.A scattered rural community of about 130 people set high above the shores of Loch Ness in the Highlands of Scotland. In 1998 the community purchased 540 hectares of forest and open hill ground from Forest Enterprise. Since then, as a social enterprise, the Abriachan Forest Trust has managed this land to create local employment, improve the environment and encourage it’s enjoyment by the public through a network of spectacular paths, family suited mountain bike trails, innovative outdoor learning as well as health and well-being opportunities.We speak with Suzanne, a community member and manager of the forest trust, alongside artist Richard Bracken, who has been in residence with the trust since mid 2020. During this time, Richard has worked closely with the local community in the design and build of several hand-crafted walking sticks, each bearing a poetic inscription, in which scenery, skies and people intertwine with purpose, responsibility and invitation. 

Project curator Matt Baker sits down with Atlas Pandemica's bibliographer, Philip Palios. Philip is a writer, researcher and educator and his role as part of Atlas Pandemica has been to work alongside the project's artists to record and document the inspirations and identities behind each of the Atlas Pandemica explorations. You can find out more about the project by visiting www.atlaspandemica.org.

Project Curator Matt Baker sits down with TS Beall to discuss their project 'Fair/No Fair'. Fair/No Fair is a collaboration with Travelling Showpeople, in the context of the pandemic, who have both active and historic relationships to Dumfries’ traditional Fairs on the banks of the River Nith. The collaboration pivots around a series of discussions, forming a loose advisory group that has gathered information (in the form of stories/direct quotes/images) to become the foundation for creative outcomes. 

Project curator Matt Baker speaks with artist Katie Anderson about her Atlas Pandemica project  'Elsewhere'. ‘The High Street is somewhere we though we knew, and now it’s different, it’s elsewhere.’When the lockdown struck, all activity at the Stove was put on hold and what started to emerge was a project titled Homegrown, gathering and sharing the conversations, creativity and new narratives being drawn in real time during the lockdown by Stove members and community.Elsewhere is a research project that looks to re-locate the online creative practice of Homegrown in the High Street of Dumfries as means of exploring public space during a time when we as a community are responding to, and recovering from the effects of COVID on our sense of place.'

Atlas Pandemica project curator Matt Baker sits down with Peter Smith to discuss his project 'Beauty in the Broken'. 'We are taking a journey into how philosophies of repair, tending and rebuilding can be a mindful practice that helps both individuals and a community heal.As covid-19 has broken us, we repair in a new, beautiful way. We don’t try to hide these breaks and damage, but we repair our town and community – creating something unique and powerfully beautiful.The starting ground lies in Japanese philosophies of Wabi Sabi & Kintsui and worked out through the practice of Rock Gardens. Wabi-sabi is succinctly  described as ‘the beauty in imperfections’.Kintsugi is the repairing of broken things, making them something beautiful in a new way. This is best seen in pottery, where broken shards are reconnected with gold seams making beautiful pieces.'

Project Curator Matt Baker speaks with writer JoAnne McKay about her project 'What Remains?''Dumfries has experienced pandemics before. The most notable are those from modern history: cholera in 1832 and 1848, and influenza in 1918 and 1919. Why? Because of what remains – written words and built environment; newspaper records and memorials. Yet even these pandemics are all but gone from mind and public discourse. My intention is to research the extent and nature of what remains from these earlier pandemics in our public archives and museums and in our civic and sacred spaces, and to look at accessioning practice in relation to the current pandemic.'

Project Curator, Matt Baker sits down with writer Karen Campbell to discuss her Atlas Pandemica project 'Here Is Our Story'. 'Karen is the Writer in Residence within D & G Council, using a mix of workshops and one-to-one discussions to write ‘Here Is Our Story’ – a collection of short stories and monologues, which will all be fictional, but founded on the real-life experiences of Council staff during the initial COVID response. In particular, she’ll be exploring the many small, often personal and spontaneous decisions that staff might have been making throughout the pandemic, and the ‘ripples’ those decisions have made, both for them, the way they work, and the communities they serve.As a former Council officer herself, she’s hoping that, as well as documenting this moment in time, her residency will give Council staff the space and time to reflect creatively themselves on what they’ve been through, to acknowledge the different ways they’ve been working, and what that has meant. Are they proud? What might have helped them better – more support? Less barriers? What guided them – gut instinct? Kindness and care? Were they liberated or scared? Were the decisions they made more immediate and less bureaucratic – and if so, do we want to sustain that new, more autonomous, people-centred way of working into the future?’

Atlas Pandemica Curator Matt Baker speaks with artist duo Robbie Coleman and Jo Hodges about their project 'Distance: Proximity: Loss'. The coronavirus pandemic is changing relationships and practices at the end of our lives affecting every aspect of the process of dying; how we support some ones passing, how we mark someone’s life, how we bury them and how we grieve. Distance: Proximity: Loss aims to explore how creative processes can be used in rethinking responses to the challenges presented by the Covid pandemic. Families who have lost a loved one as well as the institutions that support the processes of end of life; undertakers, healthcare workers and spiritual leaders, have all been forced to adapt to new safety rules and regulations. These new rules make an already difficult process even more intense and challenging. Our project will research what impact these new rules are having and creatively explore new practices and adaptations for marking someone’s passing and support the grieving process.