Interview: Greg Edmonson (Uncharted 3) from The SoundCast

Interview: Greg Edmonson (Uncharted 3)

53 minutes Posted Nov 11, 2011 at 7:02 pm.

— Intro & Happy Birthday

— Projects between Uncharted 2 and 3

— Uncharted, the pivotal career point

— Respect toward game audio vs. film

— Audio implementation & Story in Uncharted 3

— Flexible development approach

— Preproduction thoughts and game vs. film acting

— Goals for Uncharted 3 vs. Uncharted 2

— Scoring characters (or not!)

— Subtext vs. 'Mickey-Mousing'

— Sound effects

— Best film we've seen all year (cinematic gaming)

— The instruments and singing of Uncharted 3's score

— Tone bathing and the ways we listen to music

— What the future holds

— Conclusion

— Small Beginnings (3-3)

— As Above, So Below (3-5)

— Boarding Party (3-6)

— Small Beginnings (3-3)

— Uncharted Island (1-5)

— Marco Polo (2-8)

— Badlands (3-2)

— Oh No Chateau (3-4)

— As Above, So Below (3-5)

— Boarding Party (3-6)

— Nate's Theme 3.0 (3-1)

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Interview: Greg Edmonson (Uncharted 3)

Returning to the world of Uncharted, Marius Masalar speaks again with composer Greg Edmonson, who dives, in detail, into the development process for Uncharted 3 and how the game and score differ from its predecessors.

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