Questlove sits down with R&B icon Eric Benét for a deeply human, wildly musical conversation tracing the singer’s journey from Milwaukee family harmonies to gold plaques and Grammy nominations. Benét opens up about early sonic imprints like Burt Bacharach, Dionne Warwick, and “Wichita Lineman,” his Alabama and Mobile roots, and how discovering Questlove’s own lineage story reshaped the way he thinks about ancestry, Haiti, and spirituality. The two dig into Prince vs. Michael Jackson, a legendary James Brown clip, and what it really meant to grow up in Milwaukee during the Jeffrey Dahmer years. Benét breaks down his path from band life to major labels, the making and shelving of Better and Better, how David Foster and Dean Parks helped shape Hurricane, and why songs like “Spend My Life With You” and “Sometimes I Cry” never get old on stage. Along the way, the longtime friends talk vocal maintenance, the emotional cost of fame, the rise of Neo-Soul, and what Benét would tell his 16-year-old self. Benét's latest single, "Who's Gonna Save Us," is newly available now.See omnystudio.com/listener for privacy information.

The Avalanches' debut album Since I Left You, which is celebrating its 20th anniversary, not only "cracked our skulls open", it's also one of Quest's "top 10 albums of ALL time"

Questlove is back to answer another batch of listener questions. This mailbag edition with Ahmir and Cousin Jake dives into recent episodes while revisiting classic Roots and Dilla history. Quest' clarifies a detail from the recent DJ Muggs episode, agreeing that Muggs essentially pioneered Hip-Hop's dark, dusty psychedelic sound. He also unpacks the backstory behind Phrenology's "roll call" segment, explaining how a reclaimed Slum Village beat, Ursula Rucker, and an exhaustive Ego Trip's Book of Rap Lists inspired Justin Warfield's memorable closing shout-out. Elsewhere, Quest reflects on the Electric Circus sessions with Common and shares his perspective on J Dilla during the Welcome 2 Detroit era. The episode closes with some personal history connected to Philly dialect. Want to get your question on the show? Contact us through QuestloveSupreme.com.See omnystudio.com/listener for privacy information.

Legendary music journalist and MTV News icon Kurt Loder joins Questlove in the studio for a deep dive into the evolution of rock criticism, music journalism, and pop culture. Loder traces his journey from his early days covering Janis Joplin and Captain Beefheart to his era-defining work at Rolling Stone and MTV News, sharing firsthand memories of punk at CBGB, Prince, and the rise of Hip-Hop into the mainstream. Kurt opens up about writing Rolling Stone's first major Rap review, chronicling Tina Turner's life and remarkable comeback in book form, and navigating the ethics, responsibility, and influence of the critic's pen. Questlove and Loder also unpack the line between fandom and objectivity, the danger of snap judgments, and how artists like Prince, James Brown, and Joni Mitchell redefined the possibilities of pop music. This episode is a masterclass in music history, criticism, and culture, told by one of the most trusted voices ever to cover it.See omnystudio.com/listener for privacy information.

This week's episode of Questlove Supreme pairs Quest and Team Supreme with Rock and Roll royalty, hall of famer and legendary Doors drummer, John Densmore.

In this mini-episode, Questlove and Open Mike Eagle dig into the real economics behind movie soundtracks and sync licensing. Sparked by a listener question about Saturday Night Fever and Rick Dees’ “Disco Duck,” they break down how fees, royalties, and leverage have shifted from the compilation-album era to today’s catalog-buyout climate. Along the way, the two also revisit the quietly stacked High School High Soundtrack, The Roots’ role in it, and a fateful night linking D’Angelo, Erykah Badu, The Fugees, and Marvin Gaye’s storied studio. Ahmir and Mike also reflect on overloaded summers, vanishing time, and how the right song in the right scene can rewrite music history.See omnystudio.com/listener for privacy information.

DJ Muggs and Questlove link up in Hollywood, California for a deep dive into the creative vision that made Cypress Hill one of Hip-Hop's most groundbreaking acts. From SP-1200 grit and Psychedelic textures to Rock-infused boom bap, Muggs traces his journey from Queens to Bell Gardens, revisits the making of classics like "How I Could Just Kill a Man," "Hand On The Pump," and House Of Pain's "Jump Around." Along the way, he discusses his latest collaboration, Don't Call Me Lucky, with Los Angeles lyricist TF, mentoring The Alchemist, and why today's drumless, loop-driven renaissance feels like a continuation of ideas he was exploring decades ago. Still driven by curiosity over convention, Muggs explains why chasing dusty, unconventional sounds remains at the heart of everything he creates.See omnystudio.com/listener for privacy information.

In Part 2 of DJ Drama's classic Questlove Supreme interview from late 2022, the Grammy Award-winning DJ, producer, and music executive reflects on the 2007 FBI raid that sought to shut down his groundbreaking mixtape empire. History tells a different story: rather than fold, Drama adapted, launching Generation Now and helping usher artists like Lil Uzi Vert and Jack Harlow to stardom. Drama also shares with Questlove how The Roots influenced his journey, reflecting on the relationships, resilience, and vision that transformed one of hip-hop's most defining setbacks into an enduring legacy.See omnystudio.com/listener for privacy information.

During the recent Thundercat episode of The Questlove Show, the creation of MF DOOM's iconic mask was misattributed. After QLS past guests (shout out to Dante Ross), friends of the show, and our legions of dedicated listeners called out the mistake, The Questlove Show is proud to set the record straight by welcoming the mask's original and sole creator, KEO—a longtime friend, collaborator, and creative partner of DOOM. In this QLS mini, KEO tells the story in his own words, sharing the true origin story behind the evolution of DOOM's multiple masks. He reflects on their decades-long friendship and the creative bond they forged through Hip-Hop, visual art, and a bygone era of New York City. KEO also recounts his remarkable journey through the culture—from high school lunchroom battles with Slick Rick and the Kangol Crew, to facing off with Big Daddy Kane, to his connection to 3rd Bass. The conversation also explores KEO's ongoing efforts to celebrate the legacy of another fallen friend and cultural innovator whose work helped bridge artistic disciplines and shape the underground Hip-Hop movement. Infinite respect to KEO. See omnystudio.com/listener for privacy information.

Barry Manilow pulls up to The Questlove Show for a rare, career-spanning conversation that begins with humble reflections on Williamsburg, Brooklyn, and ends with Hall of Fame accolades, classic jingles, and a recent victory over cancer. Ahmir and Barry trace his path from CBS mailroom kid to music director, arranger, and reluctant frontman who never saw himself as a singer. Manilow breaks down the craft of writing immortal ad hooks, the no-glam reality of the legendary Continental Baths, and why he'll only write songs as a job now. Barry, who released his first album in 15 years, What A Time last month, also opens up about imposter syndrome and working with Bette Midler, Dionne Warwick, and Ron Dante. This episode was taped in April 2026, before the passing of Clive Davis, Barry Manilow's longtime collaborator, who is mentioned throughout the conversation. Manilow is on tour now, performing in arenas across the US and continuing his record-setting Las Vegas residency.See omnystudio.com/listener for privacy information.