Demonic oppression was the story of this year’s UK horror film showcase – along with female survivorship, identity differences and the dangers of the internet. Hardy survivors Kim Newman, Anton Bitel and Virginie Selavy explore our latest demons in this roundtable post-mortem. Under discussion: Demonic conspiracies and satanic possession in 👻 For We Are Many (Lawrie Brewster, Andrew Ionides, Brad Watson, Mitch Wilson, Carlos Omar De Leon, Matthan Harris, Dane Keil, Mark Logan; UK) 👻 Porno (Keola Racela, USA) 👻 Ready or Not (Matt Bettinelli-Olpin and Tyler Gillett, USA) 👻 Daniel Isn’t Real (Adam Egypt Mortimer, USA) 👻 The Black String (Brian Hanson, USA) The slipperiness of truth and safety online in 👻 Death of a Vlogger (Graham Hughes, UK) 👻 Deadcon (Caryn Waechter, USA) 👻 Ghost Killers vs Bloody Mary (Fabrício Bittar, Brazil) 👻 Halloween Party (Jay Dahl, Canada) 👻 The Drone (Jordan Rubin, USA) Differences of sexuality, class and gender in 👻 Spiral (Kurtis David Harder, Canada) 👻 The Dark Red (Dan Bush, USA) 👻 Satanic Panic (Chelsea Stardust, USA) 👻 The Wind (Emma Tammi, USA) 👻 Criminal Audition (Samuel Gridley, UK) 👻 Why Don’t You Just Die! (Kirill Sokolov, Russia) Female survivors in 👻 A Good Woman Is Hard to Find (Abner Pastoll, UK) 👻 Feedback (Pedro C. Alonso, Spain/USA) Parental angst in 👻 Freaks (Zach Lipovsky, Canada) 👻 The Deeper You Dig (Toby Poser & John Adams, USA) 👻 Knives and Skin (Jennifer Reeder, USA) The monstrous in 👻 Rabid (Jen & Sylvia Soska, Canada) 👻 Depraved (Larry Fessenden, USA)

To make Being Frank: The Chris Sievey Story, director Steve Sullivan conducted a decades-spanning quest to uncover and understand the man behind Frank Sidebottom, the cult comic figure with the papier-maché head. On Sight & Sound’s website, he tells Leigh Singer all about it, and shares some of the material he uncovered: https://www.bfi.org.uk/news-opinion/sight-sound-magazine/features/being-frank-chris-sievey-story-frank-sidebottom-steve-sullivan-making-of-archive

Tara Brown, Keith Jarrett and Ben Walters talk through all the fun in the 2018 BFI Flare! Film Festival, from queering the South Bank and LGBTQ+ bingo cards to mainstream incursions, gay miserabilism and the marvellous indescribability of Good Manners.

What does Steve McQueen’s new heist thriller Widows – Sight & Sound’s November 2018 cover film and gala opener of this year’s London Film Festival – tell us about race and class? Philip Concannon, Nick James, Isabel Stevens and Kelli Weston discuss this, Chinese auteur Jia Zhang-ke’s new crime drama Ash Is Purest White, plus three more picks from this year’s festival: Sudabeh Mortezai’s Joy, Andrew Bujalski’s Support the Girls and Bi Gan’s Long Day’s Journey into Night. Read about our November issue: bfi.org.uk/news-opinion/sight-sound-magazine/november-2018-issue See all our London Film Festival 2018 online coverage: bfi.org.uk/sight-sound-magazine/london-film-festival-2018

Gaspar Noé’s closing-night Climax set the tone for a horror bonanza that went big on spiked drinks, ghosts, nuns and dollhouses. We locked Anton Bitel, Kim Newman and Virginie Selavy in a room to chew it over.

A look back at the best of last year’s FrightFest with Anton Bitel, Kim Newman and Virginie Selavy.

Kelli Weston hosts a conversation with Sophie Brown, Simran Hans and Ben Nicholson to discuss some of the picks of this year's Sheffield documentary festival: • RaMell Ross’s Hale County This Morning, This Evening • Bing Liu’s Minding the Gap • Khalik Allah’s Black Mother • Nathaniel Dorsky’s Arboretum Cycle and Scott Barley’s Sleep Has Her House • Sandi Tan’s Shirkers • and Erick Stoll and Chase Whiteside’s América