Our holiday break is over & we’re back with a pre-Christmas episode about ARSENIC AND OLD LACE! Raquel talks about seeing John Waters live for her birthday! Raphael digs on ARSENIC because it’s about serial killers on Halloween. Raquel loves how fun this film is in general. This is one of the best Frank Capra movies even though it doesn’t fall into his standard Americana moralizing. As a film remake of a stage play it really works. Cary Grant is such the hilarious hunk. This movie also fits in the sweet spot of Hollywood between WW2 and before the HUAC hearings; a few years later it probably wouldnt have been made considering who made it. Somehow we manage a talk about policing issues & the last time Raquel met an officer that seemed to care about the community. A perfect “old movie” to show to someone who doesnt like “old movies” or is trying to get into them. The Generation Splice is film podcast where retired psychologist Dr. Raquel Martinez, a Baby Boomer through & through, & her son Raphael Jose Martinez, a cranky millennial punk rocker/film writer, discuss various films through the lens of their generation & personal experiences. Every week one host picks a movie to dissect & see if they can splice together the generation gap via their love of film. Feel free to write to us! Give us some film suggestions at [email protected] or @gensplicepod on Twitter. Raphael is on Twitter at @citycelluloid. You can find his film writing at cinefile.info and film-cred.com

Its our 50th episode! And to celebrate we have guest B.J. Colango on to talk about the problematic fav, PUMPKIN. Raquel would have walked out in the first 15 minutes if she saw this in the theatre. B.J. loves how this movie is taking a huge swing at difficult topics. Raphael loves the John Waters-esque satire of 50s/60s Hollywood studio melodramas. This is two neurodivergent film critics & a former professional child psychologist picking apart a movie that is unquestionably offensive in its language & treatment of differently abled people but is also definitely trying to punch upward. Unchecked liberal racism, classism, ablesim, & bigotry is splayed all across the screen. Why does PUMPKIN’s love story make people uncomfortable? Yet at the same time its genuinely, but darkly, hilarious. Is there such a thing as an ethical edgelord movie? Listen & judge for yourself! The Generation Splice is film podcast where retired psychologist Dr. Raquel Martinez, a Baby Boomer through & through, & her son Raphael Jose Martinez, a cranky millennial punk rocker/film writer, discuss various films through the lens of their generation & personal experiences. Every week one host picks a movie to dissect & see if they can splice together the generation gap via their love of film. Feel free to write to us! Give us some film suggestions at [email protected] or @gensplicepod on Twitter. Raphael is on Twitter at @citycelluloid. You can find his film writing at cinefile.info and film-cred.com

Our biggest episode yet, and the one this entire podcast was built to cover. This week we talk FORREST GUMP. This is the Baby Boomer wiki entry as a film. Raphael considers it a dangerously conservative movie, and Raquel actually doesnt fully disagree. Theres talk about CCR being in every Vietnam War movie, comparisons to the proto-fascist films of Germany or Francoist films. Is Lt. Dan a fascist trope of a character? Raquel tells a personal anecdote about George Wallace and weighs in professionally about the depiction of Gump as a person with mental issues. FORREST GUMP is an American fairytale, and is that problematic? Does this film want us to respect Gump, or laugh at him? Did Jenny ever love Gump? Or did she just pity him? Either way, she sure was the Boomer punching bag in this film. And we try to come up with the plot points of millennial FORREST GUMP! The Generation Splice is film podcast where retired psychologist Dr. Raquel Martinez, a Baby Boomer through & through, & her son Raphael Jose Martinez, a cranky millennial punk rocker/film writer, discuss various films through the lens of their generation & personal experiences. Every week one host picks a movie to dissect & see if they can splice together the generation gap via their love of film. Feel free to write to us! Give us some film suggestions at [email protected] or @gensplicepod on Twitter. Raphael is on Twitter at @citycelluloid. You can find his film writing at cinefile.info and film-cred.com

Raquel decided to brave the night all alone, so this week we cover LAST NIGHT IN SOHO. Raphael loves it’s impressionistic giallo vibes – that this is Charlotte Sometimes but as a mod giallo. Raquel is confused by the last act, but loves the 60s music and fashion & is incredibly impressed by the production design. Raphael draws comparisons to both HARDCORE and LOOKING FOR MR. GOODBAR. So what is this movie actually about? Is it a warning about looking at the past uncritically? Is it a scare film about bad men? Both? Neither? We also continue to chip away Raquel’s reluctance to admitting she likes horror. The Generation Splice is film podcast where retired psychologist Dr. Raquel Martinez, a Baby Boomer through & through, & her son Raphael Jose Martinez, a cranky millennial punk rocker/film writer, discuss various films through the lens of their generation & personal experiences. Every week one host picks a movie to dissect & see if they can splice together the generation gap via their love of film. Feel free to write to us! Give us some film suggestions at [email protected] or @gensplicepod on Twitter. Raphael is on Twitter at @citycelluloid. You can find his film writing at cinefile.info and film-cred.com

This week we talk about the greatest film about corrupt mid-20th century L.A. municipal politics & public utilities, WHO FRAMED ROGER RABBIT? This is Raquel’s 1st watch since taking Raphael to see in the theatre when he was 6. Raquel gets nostalgic for the cartoons of her youth. The use of cartoons as stand-ins for minorities is absolutely clever. Unsurprisingly, Raquel finds Roger incredibly annoying but love Jessica’s composite of classic Hollywood glamor girls. This films manages to entertain both kids & adults in a way that no other “kids movie” has ever done before, or since. Is this too risque for kids now? Have the cultural shifts in parenting lead to a deeper infantilization of children, & even adolescents? Raquel reminds us that the Warner Bros/Disney beef of gritty, adult DCEU vs funny, family oriented MCU extends all the way back to violent Looney Tunes vs soft Disney cartoons 70 years ago. Why doesnt WHO FRAMED ROGER RABBIT? get the credit it deserves for basically single-handedly saving Disney? The Generation Splice is film podcast where retired psychologist Dr. Raquel Martinez, a Baby Boomer through & through, & her son Raphael Jose Martinez, a cranky millennial punk rocker/film writer, discuss various films through the lens of their generation & personal experiences. Every week one host picks a movie to dissect & see if they can splice together the generation gap via their love of film. Feel free to write to us! Give us some film suggestions at [email protected] or @gensplicepod on Twitter. Raphael is on Twitter at @citycelluloid. You can find his film writing at cinefile.info and film-cred.com

After a year of podcasting we finally get to one of our original picks, CHINATOWN. Is this Jack Nicholson’s last role before he only did impressions of himself on screen? Does CHINATOWN have the best script ever written? We have another Film Noir 101 lesson for Raquel. Yes, this is a retro neo-noir, but its also a Watergate-era political conspiracy film thats very much of its time. Raphael goes on a rant against plot-centric movie watching. The Generation Splice is film podcast where retired psychologist Dr. Raquel Martinez, a Baby Boomer through & through, & her son Raphael Jose Martinez, a cranky millennial punk rocker/film writer, discuss various films through the lens of their generation & personal experiences. Every week one host picks a movie to dissect & see if they can splice together the generation gap via their love of film. Feel free to write to us! Give us some film suggestions at [email protected] or @gensplicepod on Twitter. Raphael is on Twitter at @citycelluloid. You can find his film writing at cinefile.info and film-cred.com  

Its Halloween!! In honor of the holiday we cover one of Raphael’s all-time favs, THE PEOPLE UNDER THE STAIRS. Raquel isnt sure what to make of this films mix of horror, camp, & exploitation. Is this an urban HOME ALONE? Is this the ur-text for Jordan Peele’s GET OUT? Raphael admits that it actually scared him as a kid & Raquel almost stopped watching it altogether. This is Wes Craven at his finest!   The Generation Splice is film podcast where retired psychologist Dr. Raquel Martinez, a Baby Boomer through & through, & her son Raphael Jose Martinez, a cranky millennial punk rocker/film writer, discuss various films through the lens of their generation & personal experiences. Every week one host picks a movie to dissect & see if they can splice together the generation gap via their love of film. Feel free to write to us! Give us some film suggestions at [email protected] or @gensplicepod on Twitter. Raphael is on Twitter at @citycelluloid. You can find his film writing at cinefile.info and film-cred.com

We continue our apartment horror discussion this week with WAIT UNTIL DARK. Raphael makes the case for this being not being a thriller but horror, & Raquel seems to agree. We can also mark this as another film that terrified her when it first came out. And isnt Alan Arkin just the coolest looking creep in this?? For a movie with no special effects this somehow still begs to be seen in the theatre. Is this Audrey Hepburns best role? It’s her best cast role, for sure. Three cheers for one of the most underrated psychological horror films of the 60s! The Generation Splice is film podcast where retired psychologist Dr. Raquel Martinez, a Baby Boomer through & through, & her son Raphael Jose Martinez, a cranky millennial punk rocker/film writer, discuss various films through the lens of their generation & personal experiences. Every week one host picks a movie to dissect & see if they can splice together the generation gap via their love of film. Feel free to write to us! Give us some film suggestions at [email protected] or @gensplicepod on Twitter. Raphael is on Twitter at @citycelluloid. You can find his film writing at cinefile.info and film-cred.com

ITS OUR ANNIVERSARY! A year ago this week we put our first episode out there! And to celebrate we talk about one of the all time great films of the 20th century: ROSEMARY’S BABY. This was close to the first movie Raquel wanted to talk about on the podcast, but we waited a year so she could get her practice in before we tackled it – and boy oh boy does she sound off! She hates John Cassevette’s character with a passion. She’s still terrified from the 1st time she saw this when it opened. And she also has a major, personal emotional breakthrough during recording! A Truly fun time, this one. The Generation Splice is film podcast where retired psychologist Dr. Raquel Martinez, a Baby Boomer through & through, & her son Raphael Jose Martinez, a cranky millennial punk rocker/film writer, discuss various films through the lens of their generation & personal experiences. Every week one host picks a movie to dissect & see if they can splice together the generation gap via their love of film. Feel free to write to us! Give us some film suggestions at [email protected] or @gensplicepod on Twitter. Raphael is on Twitter at @citycelluloid. You can find his film writing at cinefile.info and film-cred.com

Madness, axe-murder, & Joan Crawford! What more could you want?! This week we talk about one of scariest movies from Raquel's youth, STRAIT-JACKET. Raphael absolutely cannot understand how this film could have ever scared anyone, so mom has to put him in his place and contextualize it back to 1964. William Castle gets his due, as does the Grand Dame Crawford. Raquel finally admits to seeing the High Camp value of this movie as an adult. This is a movie unlike any we've covered before, and we had a total blast both talking about it and watching it.