In which we discuss, among other things, the end and beginning of this thing we call Storyological.

In which we discuss "Sweet on the Tongue" by Roxane Gay and "Parakeets" by Kevin Brockmeier, along with, among other things: love, trauma, companionship, and the plural of abyss.

In which we discuss the classic Christmas film, KISS, KISS, BANG, BANG, along with, among other things, Pauline Kael, Lethal Weapon, Val Kilmer, and caring more than you have the capacity with which to deal.

In which we discuss the classical holiday film, In Bruges, along with, among other things, assassins, Mrs. Maisel, cities in which one might prefer to die, the trouble with prepositions, and the planes of Star Wars.

In which we discuss everything that happened in 2018. More or less.

In which we discuss "When We Were Happy We Had Other Names" by Yiyun Li and "Don't Look Now" by Daphne du Maurier, along with, among other things: grief, horror, demonization, and New Girl.

In which we discuss Will Harris’ MIXED-RACE SUPERMAN (p: peninsula press), along with, among other things: Inception, Brexit, superheroes, and pronouncing bildungsroman.

In which we discuss DUSK BEFORE THE FIREWORKS and BIG BLONDE by Dorothy Parker, along with, among other things, Mike Birbiglia, laboratories of emotions, and country time lemonade.

In which we cross streams once again with the wonderful magazine, Strange Horizons: we pick stories to discuss, and they reprint those stories online (strangehorizons.com) for you to read. This time around we've pulled together a couple of our favorite story discussions from the archives, "Directions" by Judy Budnitz (1.21) and "Fisherman" by Nalo Hopkinson (1.09), which were previously unavailable online. We also added a new intro in which we talk about time and space and genre. You know. The usual.

In which we discuss GERD, THE GIRL WITH TOO MANY ARMS by Zachary Doss and THE THANKLESS CHILD by Daniel Mallory Ortberg, along with, among other things, Aimee Bender, magical vacuum cleaners, and Dolly Parton's "Coat of Many Colors."