Here at Slow Burn, we explore the events and people who shaped America as we know it today. As the country marks its 250th birthday this summer, we want to introduce you to the first installment of First America, a great podcast series that explores a truly consequential moment from our nation’s past. We have been told the American Revolution was fought over taxation and representation. First America reveals the real story of why the colonists rebelled, what kind of government they created, and how it led to America’s current political moment. Hosted by Rebecca Nagle, an Indigenous author and former host of Crooked Media’s This Land podcast, the series looks at the hunger for Indigenous land that fueled the American Revolution—and questions how an entire country missed the point of its own founding document. The show's first episode takes its title from the lesser-known last grievance in the Declaration of Independence. Listen to “Merciless Indian Savages,” from First America—and find the rest of the series wherever you get podcasts.Need to set up your Slate Plus feed? If you subscribed through Slate.com, check out our FAQ at slate.com/podcastfaqs for easy instructions. Members subscribed via Apple Podcasts get automatic access—no setup required. Hosted on Acast. See acast.com/privacy for more information.

It seems like the only time you hear about new statues these days is when something goes horribly wrong. Unfortunate bronze renditions of Lucille Ball, Cristiano Ronaldo, Dwayne Wade, and many others are always going viral, becoming a fixture of late-night shows and mocking comment sections. Is the internet too harsh a critic? Or is American statuary a total bust?In this episode of Decoder Ring, host Willa Paskin talks to artist Atalanta Arden-Miller about what’s happened to one of the oldest artistic traditions in the world—why so many contemporary statues turn out off-center, off-kilter, and off-putting. The answer takes us from ancient Greece to Nazi Germany to North Korea.This episode was written by Willa Paskin. It was produced by Max Freedman. It was edited by Josh Levin and Evan Chung, our supervising producer. Merritt Jacob is Senior Technical Director. Our intern is Phoebe Mulder.Special thanks to the Works in Progress Podcast, where we first heard Atalanta talk about the dismal state of statuary today.If you have any cultural mysteries you want us to decode, email us at [email protected] or leave a message on our hotline at (347) 460-7281.Get more of Decoder Ring with Slate Plus! Join for exclusive bonus episodes of Decoder Ring and ad-free listening on all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify. Or, visit slate.com/decoderplus for access wherever you listen.Need to set up your Slate Plus feed? If you subscribed through Slate.com, check out our FAQ at slate.com/podcastfaqs for easy instructions. Members subscribed via Apple Podcasts get automatic access—no setup required. Hosted on Acast. See acast.com/privacy for more information.

In Australia, no wedding or school dance is complete without the Nutbush, Australia’s unofficial national dance. The Nutbush – a simple line dance to the song “Nutbush City Limits,” by Ike and Tina Turner – has become as stereotypically Australian as kangaroos, boomerangs, and Vegemite.And yet, hardly anyone outside of Australia even knows the Nutbush exists. Here at Decoder Ring, we certainly didn’t – until we started getting emails from Australians asking us to investigate its origins. How did an American song become the soundtrack for an Australian national tradition? Who invented the iconic steps, and why does every Australian know them?Our producer Max Freedman put on his dancing shoes to get some answers. The global, century-spanning story of the Nutbush involves Australia, Tennessee, Denmark, primary schools, gay discos, and demonstrates that even the goofiest cultural touchstones can go surprisingly deep.In this episode you’ll hear from culture journalists David Mack and Angus Kidman; Nutbush researchers Panizza Allmark and Jon Stratton; dance historians Erica Okamura and Richard Powers; Dr. Fiona Chatteur, Jeremy Santolin, and Brian Kerr.This episode was written and produced by Max Freedman and edited by Evan Chung, our supervising producer. Merritt Jacob is Senior Technical Director.If you have any cultural mysteries you want us to decode, email us at [email protected] or leave a message on our hotline at (347) 460-7281.Get more of Decoder Ring with Slate Plus! Join for exclusive bonus episodes of Decoder Ring and ad-free listening on all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify. Or, visit slate.com/decoderplus for access wherever you listen.Need to set up your Slate Plus feed? If you subscribed through Slate.com, check out our FAQ at slate.com/podcastfaqs for easy instructions. Members subscribed via Apple Podcasts get automatic access—no setup required. Hosted on Acast. See acast.com/privacy for more information.

In our final episode, it’s time to talk about Neil Gorsuch and the future of SCOTUS. Host Susan Matthews enlists Slate’s jurisprudence team—Amicus co-hosts Dahlia Lithwick and Mark Joseph Stern—to discuss Gorsuch’s key rulings to date, his unpredictability, and how this textualist will shape this court (and our country) for decades to come.Want more Slow Burn? Join Slate Plus to binge every episode of Becoming Justice Gorsuch—and every season of Slow Burn, including Becoming Justice Thomas. You’ll also enjoy ad-free listening to all of your favorite Slate podcasts. Visit slate.com/slowburnplus to get access wherever you listen.Season 11 of Slow Burn was written and reported by Susan Matthews. It was produced by Sophie Summergrad and Joel Meyer. It was edited by Mia Lobel, Hillary Frey, and Evan Chung. Original music by Hannis Brown. Merritt Jacob mixed this episode. Mia Lobel is the executive producer of Slate Podcasts.Need to set up your Slate Plus feed? If you subscribed through Slate.com, check out our FAQ at slate.com/podcastfaqs for easy instructions. Members subscribed via Apple Podcasts get automatic access—no setup required. Hosted on Acast. See acast.com/privacy for more information.

When Justice Antonin Scalia died in February of 2016, the Supreme Court appeared to be headed for a 5-4 liberal majority. Instead, a staggering blockade by Senate Republicans and a shocking electoral upset helped steal a seat and clear the way for today’s conservative supermajority. In our second episode, we examine Neil Gorsuch’s politically fraught path to power and his time on the bench so far, including the unpredictability that has made him the high court’s wild card.Want more Slow Burn? Join Slate Plus to binge every episode of Becoming Justice Gorsuch—and every season of Slow Burn, including Becoming Justice Thomas. You’ll also enjoy ad-free listening to all of your favorite Slate podcasts. Visit slate.com/slowburnplus to get access wherever you listen. Season 11 of Slow Burn was written and reported by Susan Matthews. It was produced by Sophie Summergrad and Joel Meyer. It was edited by Mia Lobel, Hillary Frey, and Evan Chung. Original music and sound design by Hannis Brown. Mia Lobel is the executive producer of Slate Podcasts.Our legal editor is Mark Joseph Stern. Special thanks to Dahlia Lithwick, Sara Burningham, and Patrick Fort. Episode artwork by Natalie Matthews-Ramo.Need to set up your Slate Plus feed? If you subscribed through Slate.com, check out our FAQ at slate.com/podcastfaqs for easy instructions. Members subscribed via Apple Podcasts get automatic access—no setup required. Hosted on Acast. See acast.com/privacy for more information.

Neil Gorsuch may not be the most well-known justice on the Supreme Court, but he might just be the key to understanding how and why the current court has come to wield so much power over our day-to-day lives. In our first episode, host Susan Matthews examines Gorsuch’s early years, what he took away from his iconoclastic mother’s rocky tenure in the Reagan administration, and how his worldview was shaped by his time on a liberal college campus and in 1980s conservative circles. Plus: the controversial court case that might have gotten Gorsuch noticed by just the right people at just the right time.Want more Slow Burn? Join Slate Plus to binge every episode of Becoming Justice Gorsuch—and every season of Slow Burn, including Becoming Justice Thomas. You’ll also enjoy ad-free listening to all of your favorite Slate podcasts. Visit slate.com/slowburnplus to get access wherever you listen. Season 11 of Slow Burn was written and reported by Susan Matthews. It was produced by Sophie Summergrad and Joel Meyer. It was edited by Mia Lobel, Hillary Frey, and Evan Chung. Original music and sound design by Hannis Brown. Mia Lobel is the executive producer of Slate Podcasts.Our legal editor is Mark Joseph Stern. Special thanks to Dahlia Lithwick, Sara Burningham, and Patrick Fort. Episode artwork by Natalie Matthews-Ramo.Need to set up your Slate Plus feed? If you subscribed through Slate.com, check out our FAQ at slate.com/podcastfaqs for easy instructions. Members subscribed via Apple Podcasts get automatic access—no setup required. Hosted on Acast. See acast.com/privacy for more information.

Coming May 13: Host Susan Matthews traces the rise of Neil Gorsuch, from his formative years as a young conservative through his nomination to a “stolen seat” on the U.S. Supreme Court. Through interviews, legal analysis, and archival research, the mild-mannered Westerner emerges as the court’s most unpredictable—and most important—sitting justice.Need to set up your Slate Plus feed? If you subscribed through Slate.com, check out our FAQ at slate.com/podcastfaqs for easy instructions. Members subscribed via Apple Podcasts get automatic access—no setup required. Hosted on Acast. See acast.com/privacy for more information.

We are lucky to get fantastic questions from our listeners here at Decoder Ring, and in this episode, we’re going to open up our mailbag to answer three of them. What are the origins of an eerie horror film string motif? Why do companies insist on telling callers to “listen closely” to menu options that could not possibly have changed? And when did we start using the indispensable eye roll?In this episode, you’ll hear from historical musicologist Frank Hentschel, as well as Eli Spindel, artistic director of the String Orchestra of Brooklyn. We also speak with writer Nick Greene, Holdcom CEO Andrew Begnoché, and linguist Dr. Rebecca Clift.This episode was produced by Katie Shepherd and Evan Chung, our supervising producer. Decoder Ring is also produced by Max Freedman. Merritt Jacob is Senior Technical Director.Special thanks to Nicole Holliday, and to Leilehua Lanzilotti, whose website Shaken Not Stuttered is a fantastic resource about extended techniques for strings.If you have any cultural mysteries you want us to decode, email us at [email protected] or leave a message on our hotline at (347) 460-7281.Get more of Decoder Ring with Slate Plus! Join for exclusive bonus episodes of Decoder Ring and ad-free listening on all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify. Or, visit slate.com/decoderplus for access wherever you listen.Need to set up your Slate Plus feed? If you subscribed through Slate.com, check out our FAQ at slate.com/podcastfaqs for easy instructions. Members subscribed via Apple Podcasts get automatic access—no setup required. Hosted on Acast. See acast.com/privacy for more information.

Money is everywhere. Money influences just about everything. We think about money all the time. But how much do we really know about it? In this episode of Decoder Ring, we explore the obscure historical forces that make our money what it is and behave the way it does. We ask two simple-sounding questions with surprising answers: Why is our money called the dollar—and where are those dollars really coming from? First, you’ll hear from Brendan Greeley, a veteran finance reporter turned economic historian, and author of the new book, The Almighty Dollar: 500 Years of the World’s Most Powerful Money. Then, we get help from Mark Blyth, a political economist at Brown University who teaches about the architecture and plumbing of global finance.This episode was written by Willa Paskin and Max Freedman and produced by Max Freedman. Decoder Ring is also produced by Katie Shepherd and Supervising Producer Evan Chung. Merritt Jacob is our Senior Technical Director. Thank you to Lizzie O’Leary.If you have any cultural mysteries you want us to decode, email us at [email protected] or leave a message on our hotline at (347) 460-7281.Get more of Decoder Ring with Slate Plus! Join for exclusive bonus episodes of Decoder Ring and ad-free listening on all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify. Or, visit slate.com/decoderplus for access wherever you listen.Need to set up your Slate Plus feed? If you subscribed through Slate.com, check out our FAQ at slate.com/podcastfaqs for easy instructions. Members subscribed via Apple Podcasts get automatic access—no setup required. Hosted on Acast. See acast.com/privacy for more information.

In the summer of 2006, a teenage girl began posting video diaries to a then-new site called YouTube under the handle lonelygirl15. Within weeks she was a phenomenon—even though no one knew the truth of who she really was. The frenzied quest to change that, to solve the mystery of lonelygirl15, would ultimately land her on the front page of newspapers and the covers of magazines. Twenty years on, lonelygirl15 is both an artifact of an earlier online era and an origin point for the internet as we know it: a place full of video diaries, parasocial relationships, influencers, hyper-engaged fandoms, and the knowledge that you can’t always believe your eyes.In this episode, you’ll hear from some of the people who investigated lonelygirl15 way back in 2006: culture critic Virginia Heffernan, who writes the Substack Magic + Loss and co-hosts the podcast Omnishambles; entertainment journalist Richard Rushfield of The Ankler; Emmy Award-winning producer Jenni Powell; and one-time cybersleuth Chris Patterson. We also speak with the people involved in making lonelygirl15: Miles Beckett, Mesh Flinders, Jessica Rose Phillipps, and Amanda Goodfried. This episode was written by Willa Paskin and Evan Chung, Decoder Ring’s Supervising Producer. Decoder Ring is also produced by Willa Paskin, Katie Shepherd, and Max Freedman. Merritt Jacob is Senior Technical Director.Thank you to Greg Goodfried, Matt Foremski, and Tom Foremski. Special thanks to Ryan Broderick and Grant Irving of the podcast Panic World, who introduced Willa to the lonelygirl15 story on a recent episode of their show and suggested it might make a good topic for Decoder Ring.If you have any cultural mysteries you want us to decode, email us at [email protected] or leave a message on our hotline at (347) 460-7281.Sources for This EpisodeCresci, Elena. “Lonelygirl15: how one mysterious vlogger changed the internet,” The Guardian, June 16, 2006.Davis, Joshua. “The Secret World of Lonelygirl,” WIRED, Dec. 2006.Falconer, Ellen. “An oral history of lonelygirl15,” RNZ, June 16, 2016.Flemming, Brian. “Arguments for a real LG15 fall short,” Brian Flemming's Weblog, Aug. 25, 2006.Foremski, Matt and Tom Foremski. “SVW Exclusive: The identity of LonelyGirl15,” Silicon Valley Watcher, Sep. 11, 2006.Foremski, Tom. “How the secret identity of LonelyGirl15 was found,” Silicon Valley Watcher, Sep. 12, 2006.Foremski, Tom. “The Hunt for LonelyGirl15: Life in a blogger household…,” Silicon Valley Watcher, Sep. 12, 2006.Glaister, Dan. “Cult blog a fake, admit 'lonelygirl' creators,” The Guardian, Sep. 9, 2006.Heffernan, Virginia and Tom Zeller Jr. “The Lonelygirl That Really Wasn’t,” New York Times, Sep. 13, 2006.Heffernan, Virginia. “A Pause for Some Words From Bree,” New York Times, Aug. 23, 2006.Heffernan, Virginia. “Sweet, Weird, Fraud or Other,” New York Times, Aug. 24, 2006.“LGPedia,” LG15, 2016.“lonelygirl15 and when lies could be fun,” Panic World, Feb. 4, 2026.“Lonely Girl And All Her Friends,” On the Media, Sep. 1, 2006.Nudd, Tim. “Lonelygirl15 still a mystery, for now,” ADWEEK, Sep. 1, 2006.Rushfield, Richard and Claire Hoffman. “Lonelygirl15 Video Blog Is Brainchild of 3 Filmmakers,” Los Angeles Times, Sep. 13, 2006.Rushfield, Richard and Claire Hoffman. “Mystery Fuels Huge Popularity of Web’s Lonelygirl15,” Los Angeles Times, Sep. 8, 2006.Wendt, Milo A. “LonelyGirl15: It's Not So Lonely In The Bay Area,” milowent, Aug. 30, 2006.Need to set up your Slate Plus feed? If you subscribed through Slate.com, check out our FAQ at slate.com/podcastfaqs for easy instructions. Members subscribed via Apple Podcasts get automatic access—no setup required. Hosted on Acast. See acast.com/privacy for more information.