After a long hiatus, the boys circle up the wagons to find a path forward.

The boys discuss the Konami run-and-gun games Mystic Warriors (1992) and C.O.W. Boys of Moo Mesa(1992) and which is the true successor to Sunset Riders. The conversation meanders around lofty topics such as games as literature, the death of Superman and circles the drain of pornographic Atari games like Custer's Revenge.

The boys discuss whether a cross over between between TMNT and "Friends" would be possible and whether or not they exist in the same universe according to the Tommy Westphall theory. They also discuss Captain Planets strange off-brand episode about AIDS awareness, and Cartoon All-stars to the Rescue.

X-Men producer Masahiro Inoue holds the patent for multi-screen arcade cabinets, but on a recent trip to Tokyo, Adam finds a machine with THREE monitors that predates X-Men by 5 years! The boys get in touch with folks at SVI, and are introduced to The Talent Group, an agency that may have found the voices for X-Men...??

Adam makes some forward progress by contacting the Blaustein brothers - Jeremy who worked as a voice director and localization director at Konami in Tokyo, and Michael who was a producer at Konami in Chicago. They determine the studio and voice agencies behind many Konami games...but are they the games we are looking for?!?!

The boys celebrate Andrew's birthday in true "Searching for Grog" style with M.Bison and Rhinox. Adam gets a surprising email from composer Kenichiro Fukui, and the boys employ the classic search and destroy algorithm.

Adam talks to the X-Men developers to figure out why the credits are such a mess, why Lethal Enforcers director Y. Hatano is thanked in the credits, and the back story behind the classic line "Welcome to Die."

The boys circle the wagons to check in on their progress. Norton has another swing and a miss, Brandon hears back from Bill Archer, and Evan regales everyone with the extreme, possibly illegal lengths he went to to hunt down his contact.

Adam sits down to talk with Asano Yuji, the artist behind Konami's arcade classics X-Men and Teenage Mutant Ninja Turtles. They discuss his past as an animator, the process of creating pixel art in the 90s and how the team came-up with the iconic Colossus mutant power move!

At MAG Fest, the Colossus roar has become a battle cry and a sort of secret-handshake that reverberates through the hallways of the festival. Evan and Adam go in search of the story of this MAG Fest tradition, and have a colossus-off with the originator!