In the final part of the Vengeance of Batman trilogy, Elliott and his main accomplice, Max Pink, explore the overpopulated and generally excessive finale to this Batman story.

In the sequel to “The Vengeance of Batman: A Funnier Tale than You’d Expect,” we find an absolutely broken story with a strangely eerie tone that just might be the worst script our host has ever written.

Being an avid lover of all things Nintendo, a nineteen-year-old Elliott Brotherhood, freshly independent in his first year of college, decides to use his newfound independence to write the most soulless stageplay adaptation of the story of Nintendo's rise to prominence that one could possibly imagine.

Writing a script that was almost, nearly just okay, 19 year old Elliott Brotherhood creates a strangely comedic telling of the story of Black Agnes, a Scottish War hero. It is almost as ineffective in deciding who the protagonist is as Lord William Montagu, 1st Earl of Salisbury’s siege on Dunbar Castle was.

In an entirely unwarranted and unsolicited return to the podcast scene, Elliott Brotherhood spends an hour talking about two attempts to tackle stories about J.M. Barrie’s boy who never grew up, which range from entirely nonsensical, to utterly pretentious.

In a very special episode of Scripts for Shredding, Elliott is accompanied by the lovely and beautiful Tory Trettin (girlfriend and Girlboss) on a trip down memory lane as they explore a trilogy of short plays from their diseased, teenage minds. Tension of both a romantic and violent nature is woven into every word.

In this the first play a young Elliott Brotherhood ever wrote, audiences are appalled to find a nonsensical story based on the lore of the famous Marvel Comics character "Spider-Man" that borrows just a bit too much from the Andrew Garfield iteration of the character.

Whilst sitting at his cousin's wedding reception with an empty notebook and a staunch opposition to social interaction, 17-year-old Elliott Brotherhood begins working on a summary of key moments from the Book of Genesis that portrays the omnipresent creator of the universe as a bit of a jerk, at best.

Inspired by a brilliant, one-man musical featuring guitar music, eighteen-year-old Elliott attempts to write a two-man musical that is dangerously reminiscent of said brilliant, one-man musical featuring guitar music.

Appointed as the student theater director of a new, project-based high school, 17-year-old Elliott creates a new production of Finding the Suit in which Batman and the Joker are not who they appear to be.