Margaret Paek is part of the Lawrence University faculty, teaching dance in the Conservatory of Music. As a collaborative dance artist, her research engages in inclusionary methods and ensemble enterprises, and she is keenly invested in dance as an integrative life practice. She moves under the premise that we are all dancers, we just may not know it yet. Music credits by Stephen Katz  StephenKatzMusic.com

Keith Hennessy Part 1

The Rolling Point is a fundamental mode of physical communication within Contact Improvisation dance. CI inspires a deep physical listening, one that balances sensing one’s internal space while engaging other bodies across conflict and intimacy. We interview artists, activists, teachers, and improvising human beings to discuss the politics and poetics of purposeful embodiment. Using the body as our lens to make sense of the complicated issues we are facing in the world today, we try to get deep into the cells of our conversations and see if we can find a new unknown place together.