Baoyu is poorly regarded by visitors, and Baochai sends subtle signals to Aroma. We discuss families and fortunes. Note: I’ve preserved a weird audio effect at the end of the episode for a behind-the-scenes feel, and because I thought it was funny. Support the show

Daiyu is expertly trolled by a bird, and Baoyu tries to charm Silver. Baoyu tries to get Grandmother Jia to praise Daiyu, but she praises Baochai instead. Meanwhile we attempt to ascertain the social-hierarchical significance of who serves whom, and who sits when. Support the show

An actor, the female impersonator Jiang Yuhan, has exited the Prince of Zhongshun’s stage, his gifted sash contradicting Baoyu’s claims of ignorance. Which path of fate is being depicted, and why must extreme violence befall Baoyu? Support the show

Xiangyun 湘雲 is here, and she comes bearing gifts and opinions. What’s the meaning of a gift? Do duplicates double in value? For Baoyu, is the value of linen dependent upon the familiarity of the hand crafting it? And what’s the use in a message that reaches the wrong recipient? Support the show

What are the ethics of using an object? Is it immoral to break something just for the sound of it? What social, political, and economic sacrifices are justified, when performed for those closest? DISCLAIMER: no fans were hurt in the recording of this episode. Support the show

What meaning could reside in a hairpin? When is a hairpin a pen, and which character is being written? Would a false Xi Shi 西施 dream of real roses? Part 2 of our discussion of Chapter 30 of "Dream of the Red Chamber" Hong lou meng 紅樓夢, "Story of the Stone" (石頭記). Support the show

Baoyu and Daiyu try to work through mutual misunderstanding, and matters of medicine reemerge. At Feng Ziying’s party, verses are improvised on the subject of female joys and sorrows, yet another poetic opportunity for red chamber dream projections. Support the show

In this episode we broach one of the most central questions of Dream of the Red Chamber 紅樓夢 — why bury fallen flowers? Attempting to answer this question, we discuss cuckoos, mottled bamboo, the end of spring, cold pillows, inner chambers, and tears of blood. We also touch upon the relationship between interpretative spaces and values to live by. Support the show

Baoyu seeks Daiyu, who is notably absent bemoaning the season. Baochai chases butterflies, and Crimson enumerates a bewildering array of ladies. Support the show

Real affections between Crimson and Jia Yun are ornamented by dream and fantasy, while the Name of the Father is appropriated for idle pleasures. Daiyu’s feelings of social exclusion are accentuated by the proximity of desire. Support the show