W H Auden wrote: when I try to imagine a faultless love Or the life to come, what I hear is the murmur Of underground streams, but what I see is a limestone landscape Fiona Sampson too hears the murmur of underground streams. She describes at the start of her recent book Limestone Country the shock, the epiphany, of realising that most of her favourite places were made from, and in and on, limestone: a cottage in West Oxfordshire; a hamlet in Périgord in southern France; the Karst region of western Slovenia; the city of Jerusalem. She writes: ‘Really living in these landscapes means paying radical attention to how they behave. It means knowing their wildlife as well as ways of farming, observing how water and vegetation respond to the mineral facts of rock and soil as much as how humans live in and with them.’ Responding ‘to the mineral facts’ – that might be a good way of thinking about her book. When I met Fiona earlier this year, I was keen to hear …

This is a podcast I produced for Notting Hill Editions with Alison Leslie Gold, who is perhaps best known for her book Anne Frank Remembered, which she wrote with Miep Gies, one of the people who protected the Frank family during the war. Before her collaboration on that book, Alison had experienced a lost decade, in which she descended into alcohol addiction. Writing the Anne Frank book represented a return to life, a rediscovery of interest in other people and their stories. Other stories were to follow. She became, as she puts it, ‘a miner, a midwife, a salvager of other people’s stories’. But, as she writes in the Prologue to her new book, Found and Lost: She goes on: When I met Alison in London last autumn she began by telling me more about the book’s origins: Alison Leslie Gold The book started as a kind of treatise on close friends dying. It’s in five parts and it’s about six deaths; the first part was initially published by a small press connected to …

And here is the part of my interview with Kazuo Ishiguro in which I talk to him about his short story collection, Nocturnes. This was recorded first (hence it’s part 1) but six years on, my feeling is that Part 2 is in fact the best place to start as he sets his earlier books in context.

Half a dozen years ago, I was delighted to be asked by Faber & Faber to interview Kazuo Ishiguro for a special two-part podcast to mark the publication of his first collection of short stories, Nocturnes. In the first part, we focused on the new book, and in the second I asked him about his background, previous novels, and the effects of early success (and intriguingly, he makes what I think must have been one of his first public indication that he was working on an idea which would become the 2015 novel, The Buried Giant). To listen to the podcasts, click on the links below. To whet your appetite, here are a couple of extracts from our conversation. Kazuo Ishiguro Early on, when I was six or seven, I very much thought of Japan as my home and I very much thought we were about to return at any moment. And I was much more in touch with Japanese culture then. I was being sent comics and books so there was an attempt to …

I heard an interesting interview with Robert Ferguson on the New York Times Books podcast at the weekend in which he talked about his new book on Scandinavia (“an engaging, layered look into a culture,” New York Times). It reminded me that I did an interview with Robert a few years ago when his new history of the Vikings, The Hammer and the Cross, came out. I listened again to that interview this morning on the dog walk and thought I’d repost it here. In the interview, Robert told me: “One of the most important reasons for the outbreak of the age [of Viking raids and conquests] was acts of cultural self-defence. Almost – it is anachronistic – but almost terrorism. They couldn’t defeat the might of the [Christianizing] Frankish empire on the battlefield, so they resorted, as many a small culture will do when it’s under cultural threat, to terrorist-like activities, violent manifestations on frankly soft targets, monasteries and so on. “And of course there was money to be had and things to be …

I see that Philip Hoare is publishing the third volume of his trilogy about the sea next week. RISINGTIDEFALLINGSTAR comes nine years after his award-winning book on the culture and history of whales, Leviathan, so I though I would re-present the interview I did with Philip about that book back then in a coffee shop in Bath (to listen click on the player above or download here)… As the publisher’s blurb puts it: The story of a man’s obsession with whales, which takes him on a personal, historical and biographical journey – from his childhood to his fascination with Moby-Dick and his excursions whale-watching. All his life, Philip Hoare has been obsessed by whales, from the gigantic skeletons in London’s Natural History Museum to adult encounters with the wild animals themselves. Whales have a mythical quality – they seem to elide with dark fantasies of sea-serpents and antediluvian monsters that swim in our collective unconscious. In ‘Leviathan’, Philip Hoare seeks to locate and identify this obsession. What impelled Melville to write ‘Moby-Dick’? After his book …

What would it have been like to spend five days attending the ancient Greek Olympics in 388 BC? That’s what Neil Faulkner‘s book sets out to explore. You can listen to the interview, which I recorded with Neil in the spring of 2012, shortly before the London games, by clicking on the media players above or below. And there’s more information about the book on Yale University Press’s website here. In the interview, Neil tells me: ‘Ancient Greece is a highly divided and competitive world, and it’s a world that puts huge emphasis on sport, partly because all of Greece’s city states depend for their armed forces on a citizen militia made up of their adult male citizens. So there’s a sense in which Greek sport is war without the shooting. It’s preparation for war in a highly divided and competitive world.’ And we also produced a short video of Neil talking about the book: Neil Faulkner on his Visitor’s Guide to the Ancient Olympics from George Miller on Vimeo.

With the same inevitability as the shifting tectonic plates perhaps, my podcast backlist seems to have drifted off iTunes and disappeared beneath the waves. So I am intending to use the opportunity, which did not initially come as welcome news, to gradually re-present all my interviews from the past ten years. They may not all arrive in chronological order, but this was definitely the first interview with which Podularity kicked off on Hallowe’en 2007. Here’s what I said about the podcast first time round: Ten billion years in the life of our planet. That’s the subject of this first Podularity podcast. And all in a little over 17 minutes … Alert readers may already object that it’s impossible to cover 10 billion years, as the Earth is only six billion years old. (If you are objecting that the Earth is a great deal younger than that, then this podcast is probably not going to appeal to you.) However, Ted Nield’s new book, Supercontinent, looks not only deep into the past by examining the geological record, …

“I wanted to look for a politics for the stranger, and of the stranger, which didn’t require of strangers to become friends with each other or with the host community. I felt that that kind of politics was just too narrow and impossible quite frankly in a very cosmopolitan age.” My guest in this podcast is Ash Amin, who until last year was professor of geography at the University of Durham, and now holds the 1931 chair in geography at Cambridge. I met Ash Amin in Cambridge recently to talk about his latest book, Land of Strangers. Most modern Western societies are nothing more than a collection of strangers, Amin maintains; public and political awareness of the stranger has become acute: nobody wants the immigrant or the asylum seeker. The stranger has become a figure of fear and hate, to be contained and disciplined. Land of Strangers argues that humanist policies of inclusiveness are not up to the demands of our extraordinarily cosmopolitan age. The book instead calls for a different kind of politics of …

In September I met up with Carol Gilligan at Polity‘s offices in Cambridge to record this two-part interview in which she talked about her childhood, writing her landmark study In a Different Voice (1982), her most recent book Joining the Resistance, and her thoughts on what has been achieved in the three decades since In a Different Voice appeared. She also talks about what remains to be done to achieve a post-patriarchal world in which individuals’ voices are both heard and respected. “I am a woman who listens,” Carol writes in her new book. That is certainly true. She is also a woman who speaks eloquently and passionately about the ideas that animate her, often linking them in to her own life experiences. To listen to part 1 of the interview, click here. And for part 2, click here.