Evan, Rémy and Marcus go one f'n hour on Stanley Kubrick’s DR. STRANGELOVE, the unsettling Cold War masterpiece that confronts the specter of nuclear annihilation through absurdist satire and institutional madness. Along the way, they explore the culture of atomic anxiety that shaped the film, its disturbing parallels to our modern world, and the thematic connections it shares with Sidney Lumet’s FAIL-SAFE and Michelangelo Antonioni’s RED DESERT, two other 1964 classics grappling with humanity’s fragile relationship to technology, power, and catastrophe. Sign-up for the OFH Patreon to get access to our bonus episodes and to support Tom Fitzgerald: ⁠http://patreon.com/onefuckinghour

Episode 163: Evan, Rémy & Marcus descend into The Haunting — the psychologically devastating haunted house film that transformed supernatural horror into a waking nervous breakdown. We explore how director Robert Wise weaponized sound, architecture, shadow, and emotional repression to create one of the most influential and deeply unsettling horror films ever made. VOTE HERE – WHAT MOVIE FROM 1964 SHOULD WE COVER FOR NEXT EPISODE?: https://www.youtube.com/post/UgkxKjRYdCf7-Gk5gknTK-pLoQmczMIj-nbT If you are able to support Tom Fitzgerald, please sign up for the OFH Patreon: https://www.patreon.com/onefuckinghour

Episode 162: We dive into the ghostly CARNIVAL OF SOULS (1962), a cult classic that fused low-budget horror with the existential art-house sensibilities of Ingmar Bergman and Jean Cocteau. Beneath its eerie imagery and abandoned carnival landscapes lies a deeply personal meditation on death, alienation, and the terrifying feeling of no longer belonging to the world around you. If you are able to support Tom Fitzgerald, please sign up for the OFH Patreon: http://patreon.com/onefuckinghour VOTE HERE – WHAT MOVIE FROM 1963 SHOULD WE COVER FOR NEXT EPISODE?: https://www.youtube.com/post/UgkxB-hww_Q3zL8NF-6WarM61OoclcX2hYO-

Episode 161: Evan, Rémy & Marcus go one fucking hour on THE MISFITS, John Huston's haunting, sun-bleached final chapter of old Hollywood and the death of the American West – exploring its troubled production, iconic performances, and why it still hits like an emotional gut punch decades later. VOTE IN THE 1962 POLL HERE: https://www.youtube.com/post/UgkxC5Ap7fYVnr_ZTY75vucP3YFEDhygspH_ FOR FURTHER READING: ⁠https://classic.esquire.com/article/share/3088641c-8c7f-42dd-aeda-4ad2564a3cc2?source=nl&utm_source=nl_esq&utm_medium=email&date=092922&utm_campaign=nlm29212891&utm_term=ESQ_Esquire_Membership_CLASSIC_PAID⁠⁠https://www.magnumphotos.com/arts-culture/cinema/misfits-story-shoot-inge-morath-arthur-miller/⁠⁠https://www.magnumphotos.com/arts-culture/cinema/magnum-on-set-the-misfits-eve-arnold-marylin-monroe-clark-gable/⁠⁠https://www.solldn.com/journal/elliott-erwitt-behind-the-scenes-of-the-misfits/

Episode 1960: Evan, Rémy & Marcs break down Peeping Tom (1960), the controversial film that wrecked Michael Powell’s career before being rediscovered as a foundational proto-slasher and a deeply disturbing psychological profile of its killer. We dig into its voyeuristic horror, and critical backlash. If you are able to support Tom Fitzgerald, please sign up for the OFH Patreon: ⁠http://patreon.com/onefuckinghour⁠

Episode 159: PICKPOCKET is a quietly radical masterpiece that redefined cinematic storytelling through its stripped-down performances, obsessive focus on gesture, and a hypnotic, almost spiritual portrayal of crime and isolation. In this episode of One Fucking Hour, we dive deep into Robert Bresson’s singular, meticulous style, unpacking his strange use of non-actors, fragmented editing, and psychosexual undercurrents to reveal how every frame is engineered with unnerving precision. If you are able to support Tom Fitzgerald, please sign up for the OFH Patreon: ⁠http://patreon.com/onefuckinghour

Episode 158: For their 1958 movie pick, Evan, Rémy & Marcus go one f’n hour on Hitchcock’s Vertigo—one of cinema’s most unsettling portraits of obsession, desire, and control. They dive into its deeply personal, psychosexual undercurrents: identity as performance, love as projection, and the disturbing dynamics at its core. It’s Hitchcock at his most honest, surreal, and revealing. If you are able to support Tom Fitzgerald, please sign up for the OFH Patreon: ⁠http://patreon.com/onefuckinghour⁠

Episode 157: Our 50s series continues as Evan, Rémy & Marcus go one f'n hour on Stanley Kubrick's PATHS OF GLORY (1957), his first true masterwork — a ruthless dissection of the institutions of war and the machinery that reduces human life to expendable parts. If you are able to support Tom Fitzgerald, please sign up for the OFH Patreon: http://patreon.com/onefuckinghour

Episode 156: Evan, Rémy & Marcus go One F'n Hour on BIGGER THAN LIFE (1956) – the ultimate "dark side of the 1950s" movie. Directed by Nicholas Ray and anchored by a fearless performance from James Mason, Bigger Than Life stands as one of the most audacious American films of the 1950s, transforming suburban melodrama into a feverish widescreen critique of middle-class ambition. Ray’s bold CinemaScope compositions and Mason’s operatic intensity turn domestic life into psychological spectacle, making the film a towering, ahead-of-its-time indictment of conformity and the myth of the perfect American household. If you are able to support Tom Fitzgerald, please sign up for the OFH Patreon and want access to all of our bonus members-only content: http://patreon.com/onefuckinghour

Episode 155: Evan, Rémy and Marcus go one f'n hour on Charles Laughton's THE NIGHT OF THE HUNTER (1955), a nightmarish and macabre American fairy tale where Mother Goose collides with Southern Gothic horror. From Robert Mitchum’s preacher of hate to the film’s eerie storybook imagery, we break down how this singular masterpiece became one of the most haunting movies ever made. If you are able to support Tom Fitzgerald, please sign up for the OFH Patreon (⁠https://www.patreon.com/onefuckinghour⁠)