
After Caroline Bicks was named the University of Maineʼs inaugural Stephen E. King Chair in Literature, she became the first scholar to be granted extended access by King to his private archives, a treasure trove of manuscripts that document the legendary writerʼs creative process—most of them never before studied or published. The year she spent exploring King’s early drafts and hand-written revisions was guided by one question millions of Kingʼs enthralled and terrified readers (including her) have asked themselves: What makes Stephen King’s writing stick in our heads and haunt us long after we’ve closed the book?Bicks focuses on five of his most iconic early works—The Shining, Carrie, Pet Sematary, ʼSalemʼs Lot, and Night Shift—to reveal how he crafted his language, story lines, and characters to cast his enduring literary spells. While tracking King’s margin notes and editorial changes, she discovered scenes and alternative endings that never made it to print but that King is allowing her to publish now. The book also includes interviews Bicks had with King along the way that reveal new insights into his writing process and personal history.Part literary master class, part biography, part memoir and investigation into our deepest anxieties, Monsters in the Archives: My Year of Fear with Stephen King (Hogarth, 2026)—authorized by Stephen King himself—is unlike anything ever published about the master of horror. It chronicles what Bicks found when she set out to unearth how King crafted some of his scariest, most iconic moments. But it’s also a story about a grown-up English professor facing her childhood fears and getting to know the man whose monsters helped unleash them.
Caroline Bicks is the Stephen E. King Chair in Literature at the University of Maine. Her academic books include Cognition and Girlhood in Shakespeare’s World and Midwiving Subjects in Shakespeare’s England; her popular writing has appeared in the Modern Love column of the New York Times and McSweeney’s Internet Tendency, and includes a humorous Bard-themed cocktail book, Shakespeare Not Stirred. She is the co-host of the Everyday Shakespeare podcast.
Recommended Books:
Ben Lerner, Transcription
Libby Edwardson, We Sent Them Down Singing
Daniel Mason, Country People
Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers.
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Aug 14
58 min

The life of Puyi, the last emperor of China, often feels like a spectacle—in no small part due to the 1987 Oscar-winning film The Last Emperor. Yet the true story being Puyi, as well as his wife, the empress Wanrong, is more complicated. Two foreigners were asked to tutor both Puyi and Wanrong: Reginald Johnston and Isabel Ingram, both of whom provide fresh insights into how China’s final emperor and empress lived their lives.
Historian Paul French draws upon these sources, and others, for his latest work: The Last Emperor of China: Twilight of the Forbidden City (St. Martin's Press, 2026) to tell a very different story about the life of Puyi and Wanrong: their marriage, the political shenanigans of the early Republic, and how Johnson and Ingram shaped the final chapter of the imperial court.
Paul is the author of many works of history, including Midnight in Peking, City of Devils, Destination Macao, Bloody Saturday: Shanghai’s Darkest Day, and Her Lotus Year: China, the Roaring Twenties, and the Making of Wallis Simpson
You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books. Follow on Twitter at @BookReviewsAsia.
Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon.
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Aug 13
52 min

250 years ago when the United States declared independence, Edward Gibbon across the ocean published the first volume of his magisterial series, The Decline and Fall of the Roman Empire. Immediately his text caused a storm of controversy. Many readers thought that Gibbon had implied that the rise of Christianity caused the fall of the western empire. But is that the real story?
To answer that question, in Episode 1 of Season 6, I have as our guest Hugh Liebert. A Professor of Political Science at West Point, he earned his doctorate through the Committee on Social Thought at UChicago, and has written two books: Plutarch’s Politics (2016), and Gibbon’s Christianity (2022).
Drawing on Gibbon’s Christianity, we look at the historian’s paradoxical views on religion, his early conversions to both Catholicism and Protestantism, and how he used those experiences to chronicle the early church as a disciplined new republic that overcame decadent Roman polytheism much as how the Roman Republic conquered aged empires. Along the way, we discuss Gibbon’s ironic and elusive style, his larger essays and memoirs, and the love of literary glory that pervades his fascinating life and complex work.
Hosted by Ryan Shinkel, Madison’s Notes is the podcast of Princeton University’s James Madison Program in American Ideals and Institutions. The transcript for this interview is available on the JMP substack page, “Madison’s Footnotes.”
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Aug 13
56 min

The young James Joyce (1882–1941) was forged in the smithy of Irish political controversies, and he took into his European exile a depth of political insight unrivalled among his fellow modernists. In this biography of Joyce in his youth and early exile James Joyce: A Political Life (Princeton UP, 2026), acclaimed Irish historian and biographer Frank Callanan reveals a Joyce who is markedly more politically conscious, informed and complex than the Joyce of Richard Ellmann’s classic account. Written in a sparkling style and rich with historical insights, Callanan’s deeply researched biography is the first sustained account of how Joyce’s Irish and European political and cultural context shaped his life, thought, and writings.Joyce was eight years old in 1890 when the O’Shea divorce scandal tore Irish nationalism apart, leading to the split in the Irish Parliamentary Party, the death of nationalist leader Charles Stewart Parnell, and a long, bitter period dominated by the anti-Parnellites. This was the Ireland that Joyce grew up in and rebelled against, and which determined his literary direction. Callanan uncovers a Joyce who was a highly original and dissenting Irish nationalist, who refused to avow or vaunt his nationalism and whose understanding was refined by the experience of living in multicultural Trieste with its fraught ethnic politics and differing models of statehood. Callanan’s Joyce is as heroic as Ellmann’s defiantly modernistic artist but in a more interesting way—a writer who didn’t lack political conviction but whose views didn’t yield to the expectations of his time.Energizing, witty, profound, and elegant, James Joyce: A Political Life is a magisterial biography that will transform how readers look at Joyce and his politics.
Frank Callanan (1956–2021) was an Irish barrister and historian. His books include The Parnell Split, 1890–91, a narrative of the last year of Parnell’s life, and T. M. Healy, a biography of Parnell’s principal adversary in the Split. He wrote the entries on Parnell, Healy, John Dillon and Conor Cruise O’Brien for the Dictionary of Irish Biography and edited The Literary and Historical Society 1955–2005, a history of the debating society of University College Dublin, to which James Joyce belonged. He also wrote and produced, with Ruán Magan, the 2022 documentary 100 Years of Ulysses.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.
YouTube Channel: https://www.youtube.com/user/a48266/videos
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Aug 12
55 min

John Ross chats with repeat guest Tim McGirk about Sima Qian (c. 145–86 BC), the Father of Chinese History. He earned this accolade for his monumental work, the Shiji (usually translated as Records of the Grand Historian). It covers more than two thousand years, from the legendary early emperors up to Emperor Wu, under whom Sima Qian lived and fell afoul. Sima Qian would use his history writing to criticize cruel leaders, most notably Qin Shi Huang, the despotic first emperor of China, who burned books and attacked the humanistic legacy of Confucius. The backstory of the Records is one of the great bibliographic tales of all time. And as McGirk explains, the man and his work were inspiration for his historical novel, The Wondrous Elixir of the Two Chinese Lovers.
Books discussed:
Records of the Grand Historian by Sima Qian (English translation by Burton Watson, Columbia University Press, 1961, 1993, 1996).
The Wondrous Elixir of the Two Chinese Lovers by Tim McGirk (Plum Rain Press, 2025)
Related episodes:
In BOA episode 53, John chatted with Tim about his Plum Rain Press novel The Wondrous Elixir of the Two Chinese Lovers. It weaves the story of archeological discoveries in modern-day Mexico with that of Xu Fu, a Taoist alchemist/priest sent to bring back the secret of immortality.
And in episode 65, John and Tim talked about Simon Winchester’s biography of Sinologist Joseph Needham, The Man Who Loved China.
The Books on Asia Podcast is co-produced with Plum Rain Press.
Subscribe to the BOA podcast from your favorite podcast service.
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Aug 12
31 min

Life Writing and the End of Empire: Homecoming in Autobiographical Narratives (Bloomsbury Academic, 2024) examines how autobiographical writing reflects the psychological and cultural afterlives of the British Empire. Rather than treating decolonization as a completed historical moment, Emma Parker shows how empire continues to haunt personal memory, identity, and ideas of home. Through close readings of memoirs and autobiographical texts by writers such as Penelope Lively, J. G. Ballard, Doris Lessing, and Janet Frame, the book explores how individuals who grew up in colonial settings experienced their later arrival in Britain as a complex and often disorienting “homecoming.” Many of those writers traveled to Britain in the decades following WWII, during a period of rapid decolonization. Yet when they arrived in London, they often discovered that the imperial “mother country” they had imagined from afar did not match the reality of postwar Britain. Their autobiographies reveal a profound sense of displacement, being both connected to and estranged from the imperial center.
In this episode, Ibrahim Fawzy sat down with Emma Parker to discuss the relationship between life writing and the end of the British Empire; the disorienting experience of colonial “homecoming;” and what autobiography can reveal about empire that other literary forms may conceal. They also explore colonial childhood and domestic space in the writings of Lively, Ballard, Lessing, and Frame, examining settler identity, displacement, memory, and the material afterlives of colonialism.
Emma Parker is Lecturer in Postcolonial Literature at Keele University, UK. Her research focusses on life writing, contemporary literature and colonialism. She has published articles in Critical Quarterly, Auto/Biography Studies, Life Writing, Wasafiri and Moving Worlds, and is a contributor to Documenting Trauma in Comics (2020). She is also co-editor of the collection British Culture After Empire (2022).
Ibrahim Fawzy is an Egyptian literary translator and writer. He is the translator of Hassan Akram’s A Plan to Save the World (Sandorf Passage, 2026). His interests include translation studies, Arabic literature, ecocriticism, disability studies, and migration literature.
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Aug 7
39 min

"In my home country, they call me a 'bornfree'." Simukai Chigudu was born in Zimbabwe, two years after the end of its bitter war of liberation - a war in which his father had fought. This is the story of his childhood journey through the chaos of that new country's birth to Britain, where he arrived alone, a teenager, burning with ambition but utterly lost in ways he had yet even to discover. Told with astonishing insight, his memoir describes the drama of his quest to belong and to succeed, and how his worldview was both shaped and shattered by Britain, ultimately setting him on a quest to uncover the truth of his parents' past. In excavating their story alongside his own, he brings us closer than ever before to understanding one of the greatest upheavals in modern times - the freeing of a continent from colonial rule - not as history or politics but as a psychological and emotional force, one that divides families from within, even while those same divisions bind them fiercely together across time.
Read the transcript here.
Simukai Chigudu is Associate Professor of African Politics at the Oxford Department of International Development and Fellow of St Antony’s College, Oxford University. He is broadly interested in the politics of global health and epidemics, race and identity, citizenship and activist movements, with a regional focus on Africa and the African diaspora.
Simukai is the author of The Political Life of an Epidemic: Cholera, Crisis and Citizenship in Zimbabwe (Cambridge University Press, 2020), an examination of the social and political causes and consequences of Zimbabwe’s catastrophic cholera outbreak in 2008/09, the most extensive in African history. This monograph won the Theodore J. Lowi First Book Award from the American and International Political Science Associations. He has conducted research in Zimbabwe, Uganda, The Gambia, and Tanzania, and has publications in several leading social science and medical journals.
Simukai has recently published his first book for the trade, Chasing Freedom: Coming of Age at the End of Empire, published by The Bodley Head and Crown in March 2026. This book combines memoir, political history and cultural criticism to show how colonialism continues to shape politics, society and culture in Africa and in Britain and to explore what it really means to decolonise.
Prior to working in academia, Simukai was a medical doctor in the UK’s National Health Service. He holds a DPhil in International Development from the Oxford University for which he was awarded the biennial Audrey Richards Prize for the best doctoral thesis in African Studies examined at a UK university.
Simukai teaches on the MPhil in Development Studies and supervises DPhil students.
Ayisha Osori is a lawyer and Director at Open Society Foundations Ideas Workshop.
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Aug 5

We know Abraham Lincoln as the eloquent, compassionate leader of a
nation torn by civil war. But he had another, less visible side, equally
central to his character and leadership: Lincoln was a master of party
politics. Schooled as a Whig in the rough-and-tumble of Illinois
electioneering in the 1830s, Lincoln skillfully navigated treacherous
partisan crosscurrents and helped build the Republican party into a
viable force. His decades of experience as a party leader proved
invaluable to him as president and commander in chief during the Civil
War.
Matthew Pinsker’s groundbreaking Boss Lincoln: The Partisan Life of Abraham Lincoln
(W.W. Norton & Company, 2026) draws extensively on Lincoln’s
private correspondence to move beyond the marble icon and realize a
flesh-and-blood character in Boss Lincoln. Behind closed doors he was
shrewd and insistent, capable of deft manipulation, blunt intimidation,
or thoughtful argument as needed. As a decision-maker he was attentive
to detail but kept his own counsel and trusted his own acumen. His aides
noted that in cabinet meetings Lincoln had the final say, and “there is
no cavil.” Devoted to elections, he kept careful, handwritten tallies
of party turnout, even gifting one to Mary Todd, another partisan,
during their courtship. His hymn to democracy at Gettysburg in 1863
carried a partisan message to the political leaders gathered there: The
fight for the union would take place at the polls as well as on the
battlefield. Boss Lincoln often sacrificed candor for purpose. He used
his White House meeting with Frederick Douglass in 1864, ostensibly
about emancipation, to send a message to radicals about his need for
their support. With emancipation and the war’s outcome at stake, facing
withering criticism from all sides, Lincoln won reelection by building a
new political coalition through the Union party. Here was Boss Lincoln
at his height, captured in absorbing detail in this indelible portrait
of our greatest president.
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Aug 5
1 hr 12 min

Of the two Koreas, it is the South which appears much the more Christian today, with all major cities dotted with church spires and illuminated crosses. But a century ago it was the northern half of the peninsula that was the more established home for Christianity, the northwestern city of Pyongyang being celebrated as a “Jerusalem of the East.” And among the faith’s devotees were the parents of the man who would eventually come to lead the Democratic People’s Republic of Korea from the middle of the twentieth century.
Kim Il Sung, Jonathan Cheng shows in his fluidly written and richly researched book Korean Messiah: Kim Il Sung and the Christian Roots of North Korea’s Personality Cult (Knopf, 2026), grew up in an environment suffused in Christian teachings and actively involved himself in church life, facts which raise questions about his later career as a guerrilla fighter and national leader. Cheng traces the long arc of Christian associations in Kim’s biography, from the arrival of Presbyterianism in Korea through to the leader’s battles with the church as North Korean leader, his softening towards the faith in later life, and of course his erection of a personality cult around himself that had no few similarities with the practices and aesthetics of Christianity. Understanding North Korea from its founding until the present day thus, Cheng shows, demands an awareness of an at-times-astonishing collision of religion, nationalism and authoritarianism which are narrated expertly in this thought-provoking book.
Jonathan Cheng professional web page here
Book website here
Ed Pulford is an Anthropologist and Senior Lecturer in Chinese Studies at the University of Manchester. His research focuses on friendships and histories between the Chinese, Korean and Russian worlds, and socialism and empire in Eurasia.
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Aug 4
1 hr 3 min

Abdelwahab Meddeb’s Returns to Marrakesh, co-translated by Claudia Esposito and Laura Reeck and published by Syracuse University Press in 2026, chronicles Meddeb’s successive visits to the Red City from 1968 through the 1990s, tracing both his personal journey and Marrakesh’s transformation across three pivotal decades. Through his distinctive blend of poetic prose and attentive observation, Meddeb portrays the city as a historical crossroads shaped by Jewish and Muslim communities, different social classes, Sufi mystics, merchants, and travelers—a richly layered urban space in which cultures, histories, and spiritual traditions continually intersect. Presented in a bilingual edition featuring the original French alongside the English translation, the book introduces a wider readership to the work of one of North Africa’s most significant literary and intellectual voices.
In this episode, Ibrahim Fawzy sat down with Esposito and Reeck to discuss Meddeb’s distinctive literary and intellectual presence, his movement across languages, cultures, and spiritual traditions, and his intimate portrayal of Marrakesh. They also explore the collaborative process of translating his multilingual, layered prose and consider how translation can extend—and even renew—a writer’s literary afterlife.
Claudia Esposito is associate professor of French at the University of Massachusetts, Boston. She is author of The Narrative Mediterranean: Beyond France and the Maghreb.Laura Reeck is an independent translator and scholar. She is the author of Writerly Identities in Beur Fiction and Beyond and coeditor of Post-Migratory Cultures in Postcolonial France.
Ibrahim Fawzy is an Egyptian literary translator and writer. He is the translator of Hassan Akram’s A Plan to Save the World (Sandorf Passage, 2026).
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Aug 1
31 min
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