At its core, China in African Media: Between Influence Operations and Decolonization (Bloomsbury, 2026) is a book about power, journalism, geopolitical influence, and knowledge production in China–Africa relations. It examines how the People’s Republic of China has moved beyond simply establishing Chinese media organizations such as Xinhua and CGTN in Africa toward a much more dispersed system of engagement. Conceptualizing these engagements collectively as a multimodal or mixed-media ecology of influence, Umejei highlights China’s ability to reach African audiences directly through Chinese media, indirectly through African news organizations, institutionally through partnerships, professionally through the journalists it trains, and infrastructurally through technologies implemented by Chinese firms.  Underlying the book is a strong normative concern about the implications of this expansion of Chinese media engagement for Africa’s democracy, leadership, developmental aspirations, and decolonization. In this regard, Umejei addresses the question: Is the emerging South–South media relationship helping to decolonize African journalism by weakening Western dominance, or is China principally replacing Western influence with a new form of Chinese influence? The book draws on semi-structured interviews with journalists across fourteen African countries, content analysis, policy documents, and publicly available materials. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

Arts of the Border: Fugitive Bodies at Europe’s Edges (Fordham, 2025) investigates the consequences of unfolding catastrophes across the world and the displacement they continue to produce. Through recent narratives and media representations of the refugee “crisis” at Europe’s edges, it tells a new story about those on the move, the technologies unleashed on them at borders, the racialized and colonial histories that inform these technologies, and the artistry with which migrants and allies bear witness to displacement. The book reorients us toward the creativity and movement of migrants themselves– their “arts of the border”—as well as toward the political force of the arts that represent them, whether in literature, documentary film, or art installations. Sanyal proposes kino-aesthetics as a framework for capture and fugitivity at borders. From kino—to set in motion—and aesthetics— relating to sensory perception—kino-aesthetics conveys the force of bodies in motion and the image in its circulation. The book examines the simultaneity of capture and escape at thresholds of illegalization, from airport detention zones to Calais’s “jungle” and the Euro-African border at Ceuta and Melilla. What emerges throughout these case studies is a portrayal of border violence in its racial and colonial forms as well as an archive of refusal, fugitivity, and un-bordered imagining. Guest Debarati Sanyal is Professor of French, Director of the Center for Interdisciplinary Critical Inquiry, and currently holds the Zaffaroni Family Chair of Undergraduate Education. Affiliated with the Designated Emphasis in Critical Theory, the Berkeley Interdisciplinary Migration Initiative, the Center for Race and Gender, and the Institute of European Studies, her teaching and research interests span 19th -21st-century French and Francophone literature, memory studies, aesthetics and bio/necropolitics, critical human rights and refugee studies. She is a recipient of the UC Berkeley Distinguished Teaching Award (2012) and a Guggenheim Fellowship (2021-2022). She is currently co-PI on the Mellon-funded A Counter-Imaginary in Authoritarian Times (2024-2027). Besides Arts of the Border, Dr. Sanyal has authored Memory and Complicity: Migrations of Holocaust Remembrance (Fordham, 2015), translated into French as Mémoire et Complicité: Au Prisme de la Shoah (PUV, 2019); and The Violence of Modernity: Baudelaire, Irony and the Politics of Form (Johns Hopkins, 2006).  She has guest-edited “Time and Politics in Contemporary Critique: Entanglements and Aftermaths” (Critical Times, 2018), ha also co-edited, with Éric Fassin, Demos Anxiety: Genealogies, Rhetorics, and Politics of Great Replacement (forthcoming in Patterns of Prejudice); with Damon Young and Mario Telò, Proximities: Reading with Judith Butler (Representations 2022), and, with Michael Rothberg and Max Silverman, Noeuds de mémoire: Multidirectional Memory in Postwar French and Francophone Culture (Yale French Studies 118-119). Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean. Their monograph Posthumanist Ecology in Global French Surrealism is forthcoming in 2027 from Northwestern University Press. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

What went wrong with global mental health? Under the Gaze of Global Mental Health: A Critical Reflection (Palgrave Macmillan, 2025) critically examines how the globalisation of mental health through the dominant medical model has created barriers to understanding and responding to distress with reference to cases from Malawi and Sri Lanka. Its authors argue that mental health must be understood within the overall health of an individual, and individual health is located within the social, political, cultural, economic, and environmental context in which they live. Their analyses demonstrate that supplanting locally developed responses to distress with a Western medicalised model of mental health inhibits a meaningful engagement with individuals and communities in need of care. Further, they argue that this ‘supplanting’ is analogous with a colonial endeavour, and one which diverts attention from the real problems of development. Across contexts the book highlights the difficulties that mental health professionals face in facilitating individuals’ capacities within structurally damaging socio-economic environments and increasingly commercially orientated health systems.  Janaka Jayawickrama is Professor of Social Anthropology and Director at the Research Centre for Health and Wellbeing at Shanghai University. Jerome Wright is Associate Professor in the Department of Health Sciences, University of York. Lucas Tse is Examination Fellow at All Souls College, Oxford. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

Since the beginning of the twentieth century, governments around the world have expelled, en masse, more than 30 million people. Yet despite its prevalence, mass expulsion remains an understudied phenomenon as scholarly attention has been directed toward the gravest atrocities—genocide and mass killing—or toward forced migration more broadly. Mass Expulsion: The Politics of Forced Population Removal (Oxford UP, 2026) by Dr. Meghan Garrity examines why and how governments expel, providing a systematic, cross-regional account of mass expulsion over the longue durée. Using the original Government-Sponsored Mass Expulsion (GSME) dataset, the book explains when and where expulsion occurs, who is targeted, and what regimes are most likely to expel. The book identifies two overarching categories of mass expulsion—security and economic—and develops a typology of four corresponding types: counter-irredentist, counter-subversive, reprisal, and nativist. It advances a theory of mass expulsion that traces the decision-making process, showing how key structural, proximate, precipitating, and intervening factors combine to shape the conditions under which governments expel or are restrained. Evidence is drawn from archival research conducted at the United Nations High Commissioner for Refugees, the International Committee of the Red Cross, and the League of Nations archives in Geneva, Switzerland.This research contributes to the fields of international peace and security, political violence, and forced migration. Conceptually, it fills a gap in the literature by systematically examining mass expulsion as a distinct eliminationist policy aimed at the intentional removal of ethnic groups. Theoretically, it extends existing explanations beyond war and security threats, highlighting an entire class of expulsions targeting perceived economic threats. The book deepens our understanding of critical atrocity restraints, demonstrating the importance of alliances, the “homeland” state of the target group, and international organizations. These restraints generate core policy recommendations that seek to spur greater attention to deterring mass expulsion as a priority for atrocity prevention. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

Much Matter in a Penny Paper: Early Yoruba Print Culture in Lagos,1910-1930 (Ohio UP, 2026) is a survey of the history and development of Yoruba print culture in Lagos, Nigeria, from the 19th to the early 20th century. The book details the emergence of the Yoruba language press, its themes, and its distinction from the English-language press. The influence of both missionary and secular presses on religion and morality as well as the socio-economic and political lives of the Nigerian people are also emphasised. The book relates the impact of the development of other machines, including transportation technologies like trains, trucks, and bicycles on the dissemination of printed materials across the regions. In terms of methodology, the book combines history and ethnography approaches to tell the story of the Yoruba printing culture in Lagos between 1910-1930. Alluding to Robert Campbell's installation of the first printing press in 1862, which led to the publication of the Anglo-African newspaper, the book narrates how the focus shifted from English-only publications to include Yoruba language content in the early 20th century, with books about Yoruba towns and poetry becoming popular. While the title of the book is rooted in the Yoruba proverb, “Oro po ninu iwe kobo”, reflecting the richness and diversity of content in early Yoruba newspapers, the book is testament to Professor Karin Barber’s motivation entrenched in her fascination with Yoruba language creativity including oral praise poetry, popular theater, and verbal arts, and her discovery of Yoruba oriki in colonial-era publications.   Mariam Olugbodi is a university teacher and a writer, she is the author of the monograph titled: “Stylistic Features in the 2011 and 2012 Final Matches Commentaries in the UEFA Champions League”, published by Grin Verlag. Mariam’s greatest dream is seeing a world where knowledge is accessible to all. She does this through her volunteering roles on open knowledge platforms as a host and an editor. As part of her effort to maintain inclusion and diversity in knowledge transmission, she volunteers as a teacher in crises contexts. Learn more and connect with Mariam through her social links @ LinkedIn | ORCID | and Meta Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

Unwelcome Shores: Black Refugees in America (Rutgers University Press, 2025) is an ethnographic study of the Liberian refugee community in Staten Island, New York, home to the largest per capita concentration of Liberians in the U.S., that sheds light on the racialization of Black refugees and the racism they have experienced at every step of their migration journey. In this pioneering study, sociologist Bernadette Ludwig explores how Liberians have responded to such racist exclusions, noting how members of this community reject the informal refugee label once they are resettled in the United States. Liberian migrants often view the label as a liability since the larger general public, the media, and the U.S. government tend to regard Black refugees as an economic and social burden unworthy of assistance. Indeed, Black refugees’ humanity is often ignored, Ludwig contends, in favor of overemphasizing presumed barbaric violence, endemic wars, cultural backwardness, and diseases. By detailing the lack of aid and support for Black refugees and describing how Liberian refugees in particular have had to overcome various struggles and barriers in coming to the U.S. and while living here, Unwelcome Shores highlights the overarching role of race and anti-Black racism in American society. Dr. Bernadette Ludwig is a Sociologist and the Assistant Dean of the Macricostas School of Arts and Sciences at Western Connecticut State University. She is also an Affiliated Faculty with The New School's Zolberg Institute on Migration & Mobility.  Host: Michael L. Rosino is Assistant Professor of Sociology at Molloy University, studying racial politics, media, and democracy. His most recent book, Democracy Is Awkward: Grappling with Racism Inside Grassroots Political Organizing, is now available with the University of North Carolina Press. In this episode, Dr. Ludwig mentioned an opportunity to get involved in asylum and deportation cases. Here is the link for scholars to submit their information or attend trainings to become country conditions experts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

What if children’s literature was never as innocent as we imagine? In Sugarcoated Ethics: Children’s Literature and Atlantic Enslavement (Johns Hopkins University Press, 2026), the relationship between childhood reading and Atlantic slavery is brought into sharp focus. The book argues that children’s literature did not merely emerge alongside the plantation economy; it was deeply shaped by it. Sugar, sweetness, moral instruction, and domestic comfort were all tied to systems of enslavement and colonial trade, even as the violence behind them was softened or erased in stories for young readers. The book also examines how ideas of white civility shaped childhood. White children, particularly girls, were cast as symbols of innocence, refinement, and moral feeling, while Black children were excluded from those same protections. Through analyses of persecuted-heroine narratives, missionary education, and colonial schooling, the study reveals how children’s literature helped normalise racial hierarchy across the British Empire. Yet the project is equally attentive to resistance and alternative ethical traditions. Afro-Caribbean oral storytelling, including Anansi tales, songs, and folktales, emerges as a powerful counterarchive. These traditions preserved histories of survival, collective memory, and resistance that colonial print culture often attempted to suppress. The discussion of the “Queen Mary” Fireburn song, for instance, highlights how storytelling became a form of ethical education and cultural continuity across generations. One of the book’s most striking contributions is its global scope. Children’s texts on slavery circulated far beyond Britain and the Caribbean, travelling to Africa, Asia, and the Middle East via missionary and imperial networks. In translation and adaptation, these works sometimes reinforced imperial ideologies, but they could also be reshaped in unexpected ways by ‘local’ readers and writers. Sugarcoated Ethics asks readers to reconsider what children’s literature teaches us about morality, empathy, and history. It challenges the assumption that childhood stories are politically neutral and invites us to think more critically about the ethical worlds children’s books continue to create today. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

The Military Entertainment Complex: Chimurenga Afrosonic Making of Zimbabwe (MIT Press, 2026) by Dr. Mhoze Chikowero is the story of the making of post-independence Zimbabwe from the sounds and songs born of the country’s armed liberation wars, waged against British Rhodesian white settler rule since the 1890s.The war from 1896 through the twentieth century to resist the initial colonization, as well as the one waged to reclaim land from the colonial farmers in the 2000s, is known as Chimurenga, and the music it produced is thus called Chimurenga music. The sounds and music were Afrosonic—that is, deeply grounded in the ideology of the 1960s–70s war, spawning the cultural liberation of a people whose self-expression the colonial system had criminalized and oppressed for close to a century.The living labs of the liberation war, Chimurenga, powered not just military but also cultural rearmament, thereby producing cultural blueprints for a confident, regenerative public consciousness and expressiveness as independence. The open-access title captures the sounds of self-liberation, framing a state of militant audibility in public cultural expressiveness, public policy propagation, and contestation. It invites readers to imagine, see, hear, and feel self-liberation war redeployed as popular entertainment in the service of state making. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

Newport Gardner's Anthem: A Story of Slavery, Struggle, and Survival in Early America (Cornell UP, 2025) explores the remarkable life of Occramer Marycoo, an enslaved African who went on to become one of early America's most important Black leaders.  In the mid-eighteenth century, Marycoo was taken from West Africa to Newport, Rhode Island, where he was forced into racial bondage and given a name that symbolized the power that his new city and new enslaver held over him: Newport Gardner. In this powerful book, Edward E. Andrews pieces together newspaper articles, church records, letters, and Gardner's own writings to tell the story of his life. After acquiring his freedom via a winning lottery ticket in 1791, Gardner became a kind of Founding Father for Newport's free Black community. He established and led several Black benevolent organizations that helped the community navigate the complicated waters of freedom as Rhode Island slowly began the process of emancipation. He became a popular educator to young Black Newporters, and also emerged as a key religious figure, serving as a long-standing pillar of Newport's First Congregational Church and later founding an independent Black church in the 1820s. His final act was leading a group of about three dozen Black New Englanders to Liberia, in hopes that a new start in Africa would be better than the discrimination they faced in America. A richly textured account, Newport Gardner's Anthem tells the story of a forgotten Black leader while exploring the new, but tragically limited, opportunities for formerly enslaved people in the post-Revolutionary world. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

Counterrevolution in Egypt: Sisi's New Republic (Verso Books, 2026) is a rare and comprehensive examination of the structures, hierarchies, and methods of the military, police, and intelligence agencies. Drawing on meticulous research, it reveals the strategies deployed to suppress the revolutionary wave, from propaganda and surveillance to mass arrests, torture, and extrajudicial killings. El-Hamalawy traces the power dynamics within these institutions to show how their uneasy unity was both a response to the revolution and a determinant of its eventual fate. Hossam el-Hamalawy is a journalist and socialist from Cairo, who was among the organisers of the 2011 uprising. He has been involved in the labour movement and the fight against police brutality in Egypt. He holds a PhD in political science from Freie Universität Berlin and is the recipient of the 2011 Anna Politkovskaya Journalism Award. He publishes a weekly newsletter on Egyptian politics at 3arabawy.substack.com. Alec Fiorini is a PhD student at Queen Mary University London's Centre for Labour, Sustainability and Global Production (CLaSP) researching the political economy of nitrogen fertilizer supply chains. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies