MuSA 2012
MuSA 2012
Institut für Musikwissenschaft und Musikinformatik
Music and Sonic Arts: Theories and Practices. Hosted by IMWI / Institute for Musicology and Music Informatics, University of Music Karlsruhe. 7-8 July 2012
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Approaches to Human Voice in Electro-Acoustic Composition
Approaches to Human Voice in Electro-Acoustic Composition
Trevor Wishart 2012 © IMWI/ComputerStudio HfM Karlsruhe
Jun 3, 2013
57 min
Innovation Within Tradition: a Case Study of Composer and Performer Creativity
Innovation Within Tradition: a Case Study of Composer and Performer Creativity
Tom Armstrong, University of Surrey, UK 2012 © IMWI/ComputerStudio HfM Karlsruhe
May 29, 2013
27 min
Regarding Local Identity, Authenticity and Artistic Research in Jazz: A Case Study Meaning
Regarding Local Identity, Authenticity and Artistic Research in Jazz: A Case Study Meaning
Michael Kahr, University of Music and Performing Arts, Graz, Austria 2012 © IMWI/ComputerStudio HfM Karlsruhe
May 28, 2013
25 min
Sound-Colours in Theory and Practice: Decoding Messiaen the Synaesthete
Sound-Colours in Theory and Practice: Decoding Messiaen the Synaesthete
Cheong Wai Ling, Chinese University of Hong Kong 2012 © IMWI/ComputerStudio HfM Karlsruhe
May 28, 2013
22 min
Software Development as a Means to Music Composition
Software Development as a Means to Music Composition
Clarence Barlow, University of California, Santa Barbara, USA 2012 © IMWI/ComputerStudio HfM Karlsruhe
May 28, 2013
24 min
Timbre Spatialisation: The Medium is the Space
Timbre Spatialisation: The Medium is the Space
Robert Normandeau, University of Montréal, Canada 2012 © IMWI/ComputerStudio HfM Karlsruhe
May 28, 2013
26 min
‘Noise’ as Musical Material: ‘Scambi’
‘Noise’ as Musical Material: ‘Scambi’
John Dack, Middlesex University, UK 2012 © IMWI/ComputerStudio HfM Karlsruhe
May 28, 2013
28 min
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