Just because Erik Childress is headed to the Toronto Film Festival doesn’t mean that he doesn’t have you covered in the physical media department while he’s gone. Peter Sobczynski and him go over two weeks worth of releases including Sidney Lumet’s incredible debut and Jon Favreau’s as well. There is also Mike Nichols’ final film as well as one of the great (if not greatest) film noirs of all-time. There are incredible documentaries ranging from the horrors of the Holocaust to the horrors of the highway. Warner Bros is doing Looney Tunes right for a change while Arrow does right by their star-studded Robert Towne noir. Finally, the newly formed Toy Robot Video does right by all the He-Man fans of the ‘80s who still carry a torch for the Cannon Films production of their beloved action figures.

A week before Erik Childress and Steve Prokopy take some festival trips, they have nine reviews for you over Labor Day weekend. Ten, in fact, is they catch up on one of the 193 shark movies to come out this year (The Devil’s Mouth). Then they get to this week with a music concert (Katy Perry: The Lifetimes Tour - Live From Paris) and another songwriter creating a new album in the face of tremendous sadness (Sara Bareilles: Good Grief). You may have that Charlie Brown reaction for a murder mystery that has clearly seen other serial killer movies but not learned much from them (The Girl in the River). There’s a story about high school journalism from one of the best documentarians working today (Teenage Wasteland). People are climbing to new heights and putting themselves in danger once again (Fall 2: Deadpoint) while Gal Gadot is forced to jog to save her kid (The Runner). Adria Arjona has to fend off super soldiers in Adam Wingard’s latest (Onslaught). Ryan Reynolds and Kenneth Branagh are unlikely Cold War allies in an action comedy from the makers of Game Night (Mayday). Finally, Mark Wahlberg beats the hell out of racism for the FBI (By Any Means).

Some new titles in physical media this week and a few to catch up with from last week, Erik Childress and Peter Sobczynski have you covered. They include a couple of monumental documentaries from Barbara Kopple and the history of Ozploitation is lovingly told in its own doc. Val Kilmer dons the mask(s) of a classic character while Jude Law and Ed Harris snipe at one another. Danny Boyle’s original rage-infested tale gets an upgrade as does a film once torn apart by the Weinsteins. Sandra Bullock and Nicole Kidman are sister witches, there’s an early appearance by Rachel Ward and poor Don Johnson has to choose between Virginia Madsen and Jennifer Connelly. Poor guy.

August concludes with a slew of reviews from Erik Childress and Steve Prokopy. Once again they urge you all to go see the movie that Warner Bros. tried to destroy forever (Coyote vs. Acme) and remind you about a couple they saw from Sundance this year (Idiots, Buddy). They also have the tale of a boy trying to find out what those bruises are on his mom (If I Tell You). Rebel Wilson’s directorial debut whose behind-the-scenes may be more interesting (The Deb). Three doctors stationed in Gaza want to get the truth out about the conflict with Israel (American Doctor). The Train to Busan director gives us more goopy fast zombies (Colony). Robert DeNiro tries to find his kidnapped grandson (The Whisper Man) and a group of college graduates find themselves in an existential crisis on a very long road (It Ends). The latest from Joe Swanberg has Dakota Fanning choosing between two men and herself and a young guy tries to find the woman who got away (Finding Emily). Finally, Ridley Scott takes us into the apocalypse for some reason (The Dog Stars).

There is so much physical media this week that Erik Childress and Peter Sobczynski moved some of it to next week’s show. (You can still get them now.) Regardless there is still plenty to talk about this week including a French adaptation of a Jim Thompson novel and the debut feature from James Gray. Another of the Broadway Melody films has been released along with more film noir from Kino and the bizarre films of Duke Mitchell. One of the great Peter O’Toole performances gets an upgrade as does Abel Ferrara’s underappreciated take on the Body Snatcher invasion. Erik & Peter mince no words on their feelings of one of the dumbest screenplays ever but turn it all around with one of the best coming-of-age films of recent years and, frankly, maybe ever.

Erik Childress and Steve Prokopy have seven new reviews for this week, including an early one that is a call to arms. Steve goes solo this week on a documentary about tornado chasers (Never Stop Chasing), a bizarre sci-fi film featuring Noomi Rapace (Hot Spot) and the sixth film in a still very profitable horror franchise (Insidious: Out of the Further). The duo also look at Willem Dafoe as a former poet whose work is rediscovered (Late Fame). Enid Plyton’s WWII-era children’s book gets a modern telling (The Magic Faraway Tree). Jason Statham is back to avenge his boss and bust up some human traffickers (Mutiny). Finally, they are getting the word out on next week’s release of the rescued film that Warner Bros. and David Zaslav had no intention of releasing and why you should see it (Coyote vs. Acme).

Erik Childress and Peter Sobczynski have the latest and greatest in physical media this week which includes a few personal favorites as well as not one, but two of the films they lobbied for on their “Why Is This Not On Blu-Ray?” shows. (TWIST: There are actually three – even without the songs.) The show includes a cameo from Odysseus from over a decade ago, one of John Ford’s lesser efforts and a wartime film with Gregory Peck. Peter was happy to see a strange Bogart film get the upgrade as was Erik with one of the best political satires ever and James L. Brooks’ infamous non-musical. All that plus a look at the insanity of a Michael Caine pirate film, Robert Zemeckis’ terrific return to live-action filmmaking and the glory of a movie (with songs) that was not nearly the bomb its reputation has suggested.

It is a busy, wild week at the movies as Erik Childress and Steve Prokopy review 11 of the best and worst of them in quite the divide in the lineup. They replay their thoughts on a recovery drama from Sundance (Union County). A kidnapped woman is told she is infected with something deadly (Hellcat). Kids took a road trip believing their band is going to open for Green Day (Nimrods) while Kristen Stewart & Alia Shawkat are in a stoner comedy (The Wrong Girls). Willem Dafoe is a Greek billionaire with family issues (The Birthday Party) plus Jeff Daniels & Jared Harris have their own issues as Reagan and Gorbachev (The Brink of War). Sunny Sandler handles the pressure of a school musical and an ill mother (Don’t Say Good Luck) while Jane Schoenbrun humorously connects sex and violence through reality and fantasy (Teenage Sex and Death At Camp Miasma). Matt Johnson directs a coming-of-age version of Anthony Bourdain (Tony) and Matthew McConaughey is a beekeeper reconnecting with his foster child in the unique new film from the director of The Vast of Night (The Rivals of Amziah King). Finally, Anne Hathaway and Ewan McGregor’s neighborhood is connected to prehistoric times in the Amblin-coded tribute from the director of It Follows (The End of Oak Street).

Physical media certainly has a theme this week with a number of interesting couplings and the music they make between them. Speaking of interesting couplings, Erik Childress and Peter Sobczynski are your guide through it all. They include a little Martin & Lewis, Rock Hudson & Claudia Cardinale and even Lana Turner & Ricardo Montalban. ¿Quién Es Más Macho? There is J-horror and modern horror, a less-anointed Scorsese film plus Catherine Deneuve & Alain Delon. Peter makes the case for a Tim Burton film celebrating its 30th Anniversary as one of his best and Erik recounts the personal connection to a still underseen film from the director of Once.

After a week off the Friday reviews are back in what looks to be a jam-packed August. Erik Childress and Steve Prokopy do a little catch-up to get Steve’s thoughts on the new Spider-Man and Erik’s on the dumped M3GAN universe film (Soulm8te). They have a pair of documentaries to talk about including the latest from the great Penny Lane about an owl that escaped from the Central Park Zoo (Wild Inside) and the Girl Scouts annual sale through the eyes of the labor force (Cookie Queens). There is a comedy about a Jewish summer camp (The Floaters). Mysteries are abound when a lord takes a stand against a warlord in 16th century Japan (The Samurai and the Prisoner) and a strange storm keeps a family from leaving their house (The Last House). Eli Roth is back with some sinister child mayhem (Ice Cream Man) as are the Broken Lizard gang with the characters that put them on the map (Super Troopers 3). Finally, can you make a rom-com set on the evening when pre-marital sex is legal? The duo have questions (One Night Only).