Erik Childress & Peter Sobczynski are back on physical media duty this week featuring some of Peter’s favorites and maybe some of his least favorites. Not going to tell you which. But it’s a show filled with the work of Leos Carax plus bizarre musicals ranging from the life of Jesus to Steve Martin getting very serious very quickly. We’ve got Frank Sinatra, Bette Davis, Samuel L. Jackson and a pair of Robin Williams upgrades plus sets celebrating Frankenstein and The Wolf Man. There’s a somewhat forgotten ‘80s pairing of Jeff Bridges and Kim Basinger and a family fantasy with John Goodman. One of the better Tarantino-inspired films of the ‘90s gets the Arrow treatment as does one of the greatest sci-fi films ever.

Erik Childress & Steve Prokopy return from the festivals in Toronto and Austin to come back to the world of the present releases. Erik looks at a pair of documentaries focused on the changing rivers of Texas (Deep in the Heart 2: Texas Rivers) and the career of one of the most famous models (Twiggy). Steve checks in with a horror title that says it all from Fantastic Fest (Bloody Tennis) and what you might expect from Marvel’s big re-release this weekend (Avengers Endgame: Encore). There is a rom-com with source material you will not believe (The Love Hypothesis) and a Netflix film about the origin and capture of Ted Kaczynski (Unabomber). Jay Baruchel plays the Canadian equivalent of Evil Knievel (The Stunt Driver). Brad Pitt is trapped in the wild with his trusty combat dog (Heart of the Beast) and a pair of best friends have to remember their way out of a mythical location (Forgotten Island). Finally, Robert Pattinson is Chris Hansen from To Catch a Predator trying to explain himself (Primetime).

Erik Childress and Peter Sobczynski return to catch you up on the world of physical media. This week you can get two very acclaimed films from just last year on behalf of Criterion. There’s a WWI thriller from John Ford and a story from the same era about a guy who really, really likes buildings. A Re-Animator sequel gets an upgrade as does a bizarre 3-D sci-fi film from the ‘60s and an even weirder sci-fi musical with Olivia Newton John. They got plenty of Italian crime films as well as one of Walter Hill’s most overlooked films. Finally, they take another look at the controversy over Neil Jordan’s big Anne Rice adaptation and how the film holds up.

The fall festival season is in full bloom and Erik Childress will be covering the Toronto International Film Festival for his 23rd year. Before he arrives though, there are ten films he wants to put on your radar if you are attending and can fit into your schedule. Otherwise, remember them in the future for when they hopefully find distribution. They include music documentaries of well-known singers and a pair hoping to find greater success. There are stories about masculinity and women fighting back against oppression and much worse. A harrowing new horror film from the director of Train to Busan but also a delightful summer hang comedy and another hysterical one with Christopher Walken as a mortician. And that’s just the beginning.

Just because Erik Childress is headed to the Toronto Film Festival doesn’t mean that he doesn’t have you covered in the physical media department while he’s gone. Peter Sobczynski and him go over two weeks worth of releases including Sidney Lumet’s incredible debut and Jon Favreau’s as well. There is also Mike Nichols’ final film as well as one of the great (if not greatest) film noirs of all-time. There are incredible documentaries ranging from the horrors of the Holocaust to the horrors of the highway. Warner Bros is doing Looney Tunes right for a change while Arrow does right by their star-studded Robert Towne noir. Finally, the newly formed Toy Robot Video does right by all the He-Man fans of the ‘80s who still carry a torch for the Cannon Films production of their beloved action figures.

A week before Erik Childress and Steve Prokopy take some festival trips, they have nine reviews for you over Labor Day weekend. Ten, in fact, is they catch up on one of the 193 shark movies to come out this year (The Devil’s Mouth). Then they get to this week with a music concert (Katy Perry: The Lifetimes Tour - Live From Paris) and another songwriter creating a new album in the face of tremendous sadness (Sara Bareilles: Good Grief). You may have that Charlie Brown reaction for a murder mystery that has clearly seen other serial killer movies but not learned much from them (The Girl in the River). There’s a story about high school journalism from one of the best documentarians working today (Teenage Wasteland). People are climbing to new heights and putting themselves in danger once again (Fall 2: Deadpoint) while Gal Gadot is forced to jog to save her kid (The Runner). Adria Arjona has to fend off super soldiers in Adam Wingard’s latest (Onslaught). Ryan Reynolds and Kenneth Branagh are unlikely Cold War allies in an action comedy from the makers of Game Night (Mayday). Finally, Mark Wahlberg beats the hell out of racism for the FBI (By Any Means).

Some new titles in physical media this week and a few to catch up with from last week, Erik Childress and Peter Sobczynski have you covered. They include a couple of monumental documentaries from Barbara Kopple and the history of Ozploitation is lovingly told in its own doc. Val Kilmer dons the mask(s) of a classic character while Jude Law and Ed Harris snipe at one another. Danny Boyle’s original rage-infested tale gets an upgrade as does a film once torn apart by the Weinsteins. Sandra Bullock and Nicole Kidman are sister witches, there’s an early appearance by Rachel Ward and poor Don Johnson has to choose between Virginia Madsen and Jennifer Connelly. Poor guy.

August concludes with a slew of reviews from Erik Childress and Steve Prokopy. Once again they urge you all to go see the movie that Warner Bros. tried to destroy forever (Coyote vs. Acme) and remind you about a couple they saw from Sundance this year (Idiots, Buddy). They also have the tale of a boy trying to find out what those bruises are on his mom (If I Tell You). Rebel Wilson’s directorial debut whose behind-the-scenes may be more interesting (The Deb). Three doctors stationed in Gaza want to get the truth out about the conflict with Israel (American Doctor). The Train to Busan director gives us more goopy fast zombies (Colony). Robert DeNiro tries to find his kidnapped grandson (The Whisper Man) and a group of college graduates find themselves in an existential crisis on a very long road (It Ends). The latest from Joe Swanberg has Dakota Fanning choosing between two men and herself and a young guy tries to find the woman who got away (Finding Emily). Finally, Ridley Scott takes us into the apocalypse for some reason (The Dog Stars).

There is so much physical media this week that Erik Childress and Peter Sobczynski moved some of it to next week’s show. (You can still get them now.) Regardless there is still plenty to talk about this week including a French adaptation of a Jim Thompson novel and the debut feature from James Gray. Another of the Broadway Melody films has been released along with more film noir from Kino and the bizarre films of Duke Mitchell. One of the great Peter O’Toole performances gets an upgrade as does Abel Ferrara’s underappreciated take on the Body Snatcher invasion. Erik & Peter mince no words on their feelings of one of the dumbest screenplays ever but turn it all around with one of the best coming-of-age films of recent years and, frankly, maybe ever.

Erik Childress and Steve Prokopy have seven new reviews for this week, including an early one that is a call to arms. Steve goes solo this week on a documentary about tornado chasers (Never Stop Chasing), a bizarre sci-fi film featuring Noomi Rapace (Hot Spot) and the sixth film in a still very profitable horror franchise (Insidious: Out of the Further). The duo also look at Willem Dafoe as a former poet whose work is rediscovered (Late Fame). Enid Plyton’s WWII-era children’s book gets a modern telling (The Magic Faraway Tree). Jason Statham is back to avenge his boss and bust up some human traffickers (Mutiny). Finally, they are getting the word out on next week’s release of the rescued film that Warner Bros. and David Zaslav had no intention of releasing and why you should see it (Coyote vs. Acme).