We’ve created this short audiodrama based on the opening scene of the feature film script ‘Jocasta Plays with Dead Things’, to help promote and get more people interested in this future film production. So to find out more about this story and the production company behind it; visit http://www.bloodcurdlingfilms.com/jocasta It’s the story of a very peculiar young woman, who lives in an isolated shop in rural Victorian England, with only her dying father and her taxidermy collection for company. But one day, whilst out collecting road-kill, she spots a beautiful young man and falls hopelessly in love with him. However, her clumsy attempts to woo him go awry when she accidentally murders him.

Matt McAteer introduces us to someone who is interested in art but alienated by the language of the art world...

The Long Journey is a story about a man who sets out across a blizzard of snow in a vain attempt to reach a destination which he has no hope of ever reaching, but still he tries. Written by Ziemowit Holda (the story was originally called Sisyphus) and performed by Felix Orion, this work is a powerful examination of singular dedication.

My name is Maureen Atkin and I am a widowed Mother of five wonderful sons and will celebrate my 73rd birthday on New Years Eve. For over six and a quarter years I have been happily living in the Kirkhill Residential Care Home on Lowedges Road in Sheffield. I’m regarded as a prime example of how someone who has suffered so many severe bouts of the deepest depression, can, with encouragement, praise, and support, become, through sustained effort and sheer determination, a person who has had pride fully restored and become strong enough to succeed and has found happiness in a positive new beginning. This is my creative journey…

The way we treat our dead tells us much about our attitude towards life, as it does about our belief in an afterlife. In ancient times, people were buried with objects befitting their rank; as if they were ordained to continue that role after death. Today, several hundred people have had their bodies frozen having placed such faith in science, in that they hope to be preserved until a cure for death is discovered. In this programme we’ll be looking at the treatment of Sheffield’s dead at the beginning of the 19th century and asking what this can tell us about the birth of this modern city.

In this episode of ‘Mind Labs’, we take a listen to the early days of sound recording. Highlighting some of the very first recordings made of the world around us. Featuring pioneering work by Édouard-Léon Scott de Martinville, Thomas Edison and Alexander Graham Bell. Presented by Roderick Shearer.

Graham Marshall uses this weeks ‘Mind Labs’ to tell us a heartbreaking true story about his life. One that until now; only a handful of people ever knew about. But today, on the airwaves of Sheffield Live! we can finally hear the remarkable tale of friendship, hope, courage, pencilcases, and soup. Oh, so much soup…

Today's stop is different to the previous ones. In contrast to the others, today I am in a 'non place'. I am standing in front of what was my art school, of what was the Psalter Lane campus, but now it is just rubble. Is it possible to understand a city like this that changes so rapidly? Maybe the very essence of the city does not change. Like the stable and still eye of a hurricance.

There are places that bring us closer to the urban essence for their speed, movement, plurality and capacity for change, and there are other sites that get us closer to the ultimate substance of a city by paradox and opposition, experiencing other types of priorities, where plants, animals and people are obviously part of the same order.This brings me to my third stop, a place within the city but also, a great contrast to it. This place is Heeley City Farm.

Walking Sheffield from West to East, I couldn’t help but stopping where I feel is generally one of the most relevant places of a city, the point that both welcomes and bids farewell to visitors, commuters and locals. I have decided to stop by the main and central Sheffield Train Station. Once it was a little terminal dramatically surrounded by green fields but today it is the first arrival point of a city that welcomes students from more than one hundred and twenty countries from Azerbaijan to Zambia, as well as the witness of more than eight million annual passengers.