"You and the homies, sitting around, talking about the Lighthouse, the gayest movie to ever exist." On this weeks episode, we get some real head butting, as Leander and Hashem talk The Lighthouse (2019), a movie about everything, and nothing. We go through what online reviews can do to a movie, does the movie even have meaning, or maybe, it's all us going insane on an island together. Does a movie really need a cohesive plot? Who knows, cause we sure don't!

"There are parents, if you really wanna get your rocks off." For the third official Halloween Double Feature, we get some spooky picks in with Werewolf By Night (2022) and The Fear Street Trilogy (2021). In our jump-scariest episode yet, Hashem and Leander find a common ground in discussing how new media pays homage to the films that (some) horror fans hold so dearly today. Happy Halloween!

"He's a right piece of shit." Hashem and Leander dive deep into their this fetch quest for the meaning behind The Green Knight (2021). They tried stringing along Hashem's dad and Jordine, but it didn't go very well, so it's now your job to come along for the ride and make up for it. The boys navigate the three-way venn diagram of "time passing", "death's inevitability", and "nature overcoming all". In the end, they realize that the real message was the friends they made along the way.

"Goku's kamehameha doesn't look the same." Jump Cut is back for another anime movie. Pop in for our review and analysis of Paprika (2006). What is it, exactly, that ye olde anime could teach us today? The best use of your 24 frames per second? The superiority of subbed over dubbed? We take the time to learn some of those lessons while navigating through Leander's mind games. Our hosts are especially qualified to teach a crash course on animation, so take an hour-ish out of your day and join.

"He's the stereotypical Alpha." Slide into the world of spies with us as we review The Man From U.N.C.L.E. (2015). Our mission details include notes on Hugh Grant, Ed Helms, and where Leander's loyalties lie. That can't be good. All this and more on another episode of Jump Cut (sponsored by Blue Moon Paper).

"If it bleeds, we can kill it." This week, Leander (Predator) hunts down Hashem (Prey) for his dream of monster movie period pieces, while reviewing Prey (2022), not Predator (1987). We talk about why old action movies suck. And  why new action movies suck. This movie doesn't suck. The Predator movies do suck. We also talk about Bullet Train as a little treat. Bullet Train doesn't suck.

"It happened, I was there." Finally! What we call an "international movie" now spans beyond anime. This week, we talk about RRR (2022). Have a listen to this episode for discussions on broken water fountains, criticism of the British empire, and some hot (or not-so-hot) takes on Oklahoma! Yes, I do mean the Broadway show! It has nothing to do with the movie RRR!

"John in the corner, writing the Bible." Welcome back to Jump Cut (a week late), where we've finally gotten back to our regularly schedule programming with The Little Prince (2015). We talk about this ridiculously star studded cast, Hashem's appreciation of the french language, and Leander's limited ability for object permanence.

"Where does he land on the political compass, that's what I wanna know about Barney." Hashem and Leander discuss the socioeconomic implications of the B-Bots in the textbook example film of capitalistic theory, Ron's Gone Wrong (2021). Recorded live in-studio for this episode, along with a special bonus discussion on Stranger Things season 4, and why nothing makes Hashem smile anymore.

"Beat the dead horse until it's dead even more." We're staying on trend this week with a discussion on Everything, Everywhere, All At Once (2022) with every guest, everywhere, all at once! The boys bring Jordine and Noelle to share their thoughts on the film, as well as absurdism, optimistic nihilism, and the "throw googly eyes on it" philosophy. It's a four-person party this episode, so listen in on the FUN.