Jeffery Saddoris: Almost Everything

Adrianne and I were out walking Cooper earlier and I asked her whether there was a single event that made her 2022 memorable. She thought about it for a moment as we walked and said, “Honestly, I can’t think of anything. Can you?” I tried to scrub through the previous twelve months in my mind and I drew a blank too. Nothing stood out. I mean, there are a ton of things that came to mind, like another year of Covid, another year of humans failing the environment, Congress, the Supreme Court, Brexit, China, Russia, Ukraine, Twitter. I could go on, but none of the things I would come up with feel very personal. They affect all of us in one form or another. When we got back to the house, Adrianne asked if she could read me a poem that one of her friends sent her. It’s an anonymous poem that was on the Plague Poems Twitter feed.CONNECT WITH MEWebsite: https://jefferysaddoris.com  Twitter: @jefferysaddoris  Instagram: @jefferysaddorisSUBSCRIBESubscribe to Jeffery Saddoris: Almost Everything in your favorite podcast app to get Iterations, as well as Deep Natter, and Process Driven all in one feed. You can also find a written version of Iterations on Substack.MUSICMusic For Workplaces by Jeffery Saddoris

In 2012, Bill Wadman and I recorded the first episode of On Taking Pictures and for the next 324 weeks, we never missed an episode. Even though Bill and I don’t talk every week like we used to, whenever we do, it’s like picking up the conversation where we left off. If you’ve never listened to an episode of OTP, consider this a teaser for the 325 episodes you have ahead of you. OTP changed my life for the better and I always love getting to sit down with Bill, regardless of whether or not we hit the record button. But it’s often a lot more fun when we do because we get to share the conversations with you. LINKSOTP Episode ArchiveMichael FremerWilson Watt Puppy speakersFuji  32-64 f/4 zoomFuji GFX100sJohnny Carson Carnac the MagnificentBill’s GFX100s playback exposure issuePentax 645zCONNECT WITH BILLWebsite: https://billwadman.comTwitter: @billwadmanInstagram: @billwadmanCONNECT WITH JEFFERYWebsite: https://jefferysaddoris.com  Twitter: @jefferysaddoris  Instagram: @jefferysaddorisYouTube: @jefferysaddorisSUBSCRIBESubscribe to Jeffery Saddoris: Almost Everything in your favorite podcast app to get conversations like this, along with Process Driven, Deep Natter, and Iterations all in one feed.SUPPORTLeave a review or a rating wherever you listen or share the episode on social media.MUSICEyes This Way by Bill Wadman (w/ Andrea Mann)

The other day, Paramount Pictures put up a ten-minute mini-documentary showing some of the preparation and training that Tom Cruise and the production crew went through to perform just one of the insane stunts from the next installment of Mission: Impossible. I say just one because I’m sure that the film is loaded with them. I mean, it’s a Tom Cruise movie, so there can’t be just one, right? There might be one that everyone talks about, like hanging off of the side of an Airbus as it takes off, or flying a helicopter through a 360-degree corkscrew dive, or performing 106 HALO jumps with a broken ankle just to get three shots, or…well, you get the idea. To say the man is focused is an understatement. Whether you love him or hate him, when it comes to leaving it all in the frame, I can’t think of another filmmaker more dedicated to the craft of making movies and entertaining audiences than Tom Cruise—and he’s been doing it for decades.CONNECT WITH MEWebsite: https://jefferysaddoris.com  Twitter: @jefferysaddoris  Instagram: @jefferysaddorisSUBSCRIBESubscribe to Jeffery Saddoris: Almost Everything in your favorite podcast app to get Iterations, as well as Deep Natter, and Process Driven all in one feed. You can also find a written version of Iterations on Substack.MUSICMusic For Workplaces by Jeffery Saddoris

Before we get started, I want to let you know that we’re making some changes to the show. In addition to bringing back Process Driven, these conversations with Sean will go to monthly, rather than twice a month and my goal is to bring in a different co-host for at least one additional episode per month. All of the episodes will still be part of my main podcast feed, which is now called Jeffery Saddoris: Almost Everything since I’ve got some things in the works that will not be a part of the main feed. If you have any questions or comments, feel free to reach out. In this last episode of 2022, we’re talking about the year ahead and some of the changes each of us want to make, both in terms of what we do and how we do it.LINKSRichard MosseMaria LaxStefan Sagmeister - Made You LookCONNECT WITH SEANWebsite: http://seantucker.photography  Twitter: @seantuck  Instagram: @seantuck  YouTube: @seantuckCONNECT WITH JEFFERYWebsite: https://jefferysaddoris.com  Twitter: @jefferysaddoris  Instagram: @jefferysaddorisYouTube: @jefferysaddorisYou can also connect with both of us by sending an email to [email protected] to Jeffery Saddoris: Everything in your favorite podcast app to get every show I release in one feed.SUPPORTLeave a review or a rating wherever you listen or share the episode on social media.MUSICHigh Line by DuffmusiqMusic featured in this episode is licensed from Artlist, which is a terrific music licensing platform for YouTubers and filmmakers. Use the following link to get two additional months of Artlist free when you sign up: https://bit.ly/JS_Artlist———This post may contain affiliate links. If you use these links to buy something, I may earn a commission. Thanks.

This is the sound of me writing. Specifically, it’s the sound of me writing this Iteration. I’m using a Slate Gray Pilot Prera fountain pen with a medium nib, loaded with my favorite ink: Namiki IC-100 in blue/black. While I typically sketch and jot down ideas on paper, I do most of my actual writing in an app called Bear, which I’ve used for a number of years. But for the past several weeks, I’ve been going back and forth on getting a new iPad to replace my aging second-generation iPad Mini along with an Apple Pencil so that I could potentially retain the feeling of analog writing on a digital device. What I found is that while the mechanics of writing on the iPad might be the same, the feel isn’t even close—and that’s where it falls apart for me.CONNECT WITH MEWebsite: https://jefferysaddoris.com  Twitter: @jefferysaddoris  Instagram: @jefferysaddorisSUBSCRIBESubscribe to Jeffery Saddoris: Everything in your favorite podcast app to get every show I release in one feed. You can also find a written version of Iterations on Substack.MUSICMusic For Workplaces by Jeffery Saddoris

For several years in a row starting when I was in junior high, my dad used to take me to the Point Mugu Naval Air Show. Military aviation was something we had in common and the Point Mugu show was always terrific. That was the show I first saw the F-14, the F-15 (which, at the time was the only jet that could actually accelerate on a vertical climb), the F-16, and even the SR-71, which is still my favorite aircraft of all time. Anyway, one particular year—and this might have been around 1979 or 1980, as we walked around the show, we overheard people talking about the Harrier, which neither one of us had ever heard of.CONNECT WITH MEWebsite: https://jefferysaddoris.com  Twitter: @jefferysaddoris  Instagram: @jefferysaddorisSUBSCRIBESubscribe to Jeffery Saddoris: Everything in your favorite podcast app to get every show I release in one feed. You can also find a written version of Iterations on Substack.MUSICMusic For Workplaces by Jeffery Saddoris

In this episode, we’re picking up at the tail end of a conversation Sean and I were having about money and value and how that relates to art and it reminded Sean of an interview he was listening to with Steven Fry, which helps to set the tone for the rest of the show. Pay particular attention to the beautiful bit of wisdom Sean drops at about the 30-minute mark. LINKSDiary of a CEO: https://stevenbartlett.com/the-diary-of-a-ceo-podcast/The Judge: https://www.imdb.com/title/tt1872194/CONNECT WITH SEANWebsite: http://seantucker.photography  Twitter: @seantuck  Instagram: @seantuck  YouTube: Sean TuckerCONNECT WITH JEFFERYWebsite: https://jefferysaddoris.com  Twitter: @jefferysaddoris  Instagram: @jefferysaddorisYou can also connect with both of us by sending an email to [email protected] to Jeffery Saddoris: Everything in your favorite podcast app to get every show I release in one feed.SUPPORTLeave a review or a rating wherever you listen, or you can DONATE to support the shows more directly.MUSICHigh Line by DuffmusiqMusic featured in this episode is licensed from Artlist, which is a terrific music licensing platform for YouTubers and filmmakers. Use the following link to get two additional months of Artlist free when you sign up: https://bit.ly/JS_Artlist———This post may contain affiliate links. If you use these links to buy something, I may earn a commission. Thanks.

The other day, I was sitting in our sunroom watching a video interview with Simon Sinek, who I absolutely love. If you aren’t familiar with Simon’s work, there are a ton of terrific videos on his YouTube channel—I might start with Why is Your Origin Story or Be the Idiot—and I can’t recommend his book, Start With Why, highly enough. It’s a deceptively simple question that I think many of us have a hard time answering when it comes to talking about the things we make or want to make. Anyway, I was watching this video and in it Simon was telling a story about Phil Knight, the co-founder of Nike. Basically, using running as a metaphor, Phil was illustrating the meaning behind their famous “JUST DO IT" slogan and how it has nothing to do with winning and everything to do with trying. As Simon said, “when Nike is at their best, they celebrate the ones who do, not the ones who win.” When the video finished, Adrianne, who was sitting at her computer across the room, asked, "do you know about the knowing-doing gap?” “No,” I responded. “What’s that?” She spent the next few minutes explaining it to me and encouraged me to go do some reading about it online, which I did and, wow, what an eye opener.CONNECT WITH MEWebsite: https://jefferysaddoris.com  Twitter: @jefferysaddoris  Instagram: @jefferysaddorisSUBSCRIBESubscribe to Jeffery Saddoris: Everything in your favorite podcast app to get every show I release in one feed. You can also find a written version of Iterations on Substack.MUSICMusic For Workplaces by Jeffery Saddoris

Over the past month or so, I’ve been seeing a lot of Quentin Tarantino clips pop up in my YouTube feed because about a month ago, I clicked on a video of Quentin being interviewed by Charlie Rose. When it finished, the algorithm showed me another, which I also clicked on. Since the algorithm got what it wanted, it started showing me more clips and occasionally I would click, and here we are a month or so later with me having watched about a dozen clips and interviews with Quentin Tarantino. Full disclosure, I like some of Tarantino’s movies, but it’s his approach to making movies that I find fascinating. Recently he was quoted as saying that Once Upon a Time in Hollywood was his best movie, to which someone on Twitter almost immediately replied “He’s wrong. It was Pulp Fiction.” I can’t say I disagree. But regardless of what you or I think of any of his movies, he makes exactly what he wants to see and if we don’t like it, that’s on us, not him. He was very clear about that fact in one of the interviews I watched. The interviewer asked him whether he had an audience in mind when he made his movies. Almost without skipping a beat, Quentin responded, “Yeah, me. I’m the audience.” CONNECT WITH MEWebsite: https://jefferysaddoris.com  Twitter: @jefferysaddoris  Instagram: @jefferysaddorisSUBSCRIBESubscribe to Jeffery Saddoris: Everything in your favorite podcast app to get every show I release in one feed. You can also find a written version of Iterations on Substack.MUSICMusic For Workplaces by Jeffery Saddoris

In this episode, we’re talking about making the work that means the most to us as the maker and how sometimes, we need to take a step back in order to see it. We also talk about a terrific new documentary about the visual effects wizards at Industrial Light & Magic.LINKSTom Jones Tiny Desk Concert: https://www.youtube.com/watch?v=3Qfw6pon9tAJoshua Jackson Modern Paradox: https://www.joshkjack.com/modern-paradoxDavid Carson (TED Talk): https://www.ted.com/talks/david_carson_design_and_discoveryChris Ashworth: https://ashworth.workRay Gun magazine: https://www.highsnobiety.com/p/ray-gun-music-style-magazine/Light and Magic: https://disneyplusoriginals.disney.com/show/light-and-magicYoung Sherlock Holmes: https://www.youtube.com/watch?v=uOsxXi-tu_UWater tendril for Abyss: https://www.youtube.com/watch?v=gAFIUuFRkBAJohn Carpenter's The Thing: https://www.youtube.com/watch?v=5ftmr17M-a4Matte paintings in Star Wars https://www.gizmodo.com.au/2015/01/the-amazing-matte-paintings-from-star-warsand-their-creators/CONNECT WITH SEANWebsite: http://seantucker.photography  Twitter: @seantuck  Instagram: @seantuck  YouTube: Sean TuckerCONNECT WITH JEFFERYWebsite: https://jefferysaddoris.com  Twitter: @jefferysaddoris  Instagram: @jefferysaddorisYou can also connect with both of us by sending an email to [email protected] to Jeffery Saddoris: Everything in your favorite podcast app to get every show I release in one feed.SUPPORTLeave a review or a rating wherever you listen, or you can DONATE to support the shows more directly.MUSICHigh Line by DuffmusiqMusic featured in this episode is licensed from Artlist, which is a terrific music licensing platform for YouTubers and filmmakers. Use the following link to get two additional months of Artlist free when you sign up: https://bit.ly/JS_Artlist———This post may contain affiliate links. If you use these links to buy something, I may earn a commission. Thanks.