David Johann Kim stopped by Playwright's Spotlight to discuss his two new simultaneous running plays and the process in which they were developed, their similarities surrounding the same historical event, and the collaborative process working with two different troupes and directors and his "overnight" success. We also discuss the value of workshops, recording notes opposed to writing them, fighting with structure, the Joint-Stock Method, discoveries from table work, writing rituals, and embracing rejection letters. It's a fascinating conversation about a unique situation. I hope you enjoy the talk.David Johann Kim is an actor and playwright. His plays PANG SPA and TWO STOP were awarded the 2022 Los Angeles New Play Project Award and Grant. TWO STOP was recently workshopped at The Inkwell Theater and PANG SPA was a semifinalist for the 2018 O’Neill National Playwrights Conference, Ashland New Play Festival and Bay Area Playwrights Festival and the final round of Dennis and Victoria Ross Foundation Playwrights Program. He holds an MFA from UC San Diego and is a member of The Dramatists Guild, The Playwrights Union, EST/LA’s Playwrights Unit, Chalk Rep’s Writers group, Playwrights ThinkTank and cofounder of EST/LA’s Ignite Project.To watch the video format of this episode, visit -https://youtu.be/N4oPK8ZBt5MFor tickets for both Two Stop (May 2 – June 9, 2024) and Pang Spa (May 16th - June 9th), visit -https://www.estlosangeles.org/two-stop-world-premiereLinks to resources mentioned in this episode -Los Angeles New Play Project -https://lanpp.orgEST/LA (Ensemble Studio Theatre) -https://www.estlosangeles.orgChalk Repertory Theatre -https://www.chalkrep.comThe Magic -https://magictheatre.org/Asian American Theatre Company -https://naatco.orgNew Works Now -https://downtownla.com/do/new-original-works-now-festivalLark Play Development -https://www.nyc-arts.org/organizations/lark-play-development-center/Inkwell Workshop -https://www.inkwellretreats.orgCircle X Writers -https://www.circlextheatre.org/new-page-2Evolving Playwrights -https://www.circlextheatre.org/evolving2023Ignite Project -https://www.estlosangeles.org/ignite-projectNew Play Exchange -https://newplayexchange.org/Website and Socials for David Johann Kim -IG - @d.yo_hankimFacebook - https://www.facebook.com/david.j.kim.982Websites and socials for James Elden, PMP, and Playwright's Spotlight -Punk Monkey Productions - www.punkmonkeyproductions.comPLAY Noir -www.playnoir.comPLAY Noir Anthology –www.punkmonkeyproductions.com/contact.htmlJames Elden -Twitter - @jameseldensauerIG - @alakardrakeFB - fb.com/jameseldensauerPunk Monkey Productions and PLAY Noir - Twitter - @punkmonkeyprods                  - @playnoirla IG - @punkmonkeyprods       - @playnoir_la FB - fb.com/playnoir        - fb.com/punkmonkeyproductionsPlaywright's Spotlight -Twitter - @wrightlightpod IG - @playwrights_spotlightPlaywriting services through Los Angeles Collegiate Playwrights Festivalwww.losangelescollegiateplaywrightsfestival.com/services.htmlSupport the Show.

Michelle Kholos Brooks sat in the Playwright's Spotlight for a wonderful conversation about her approach to the craft. We talked about the rehearsal process with the return of her play Hitler's Tasters in which we touch on writing transitions, the effects of Covid on this particular piece and the different renditions prior to publication as well as working with different casts. We also discuss inspiration to write historical events, playing in different markets, her trajectory into playwriting from journalism, overcoming struggles, writing exposition well, using and implementing prompts, editing, motivation, and detailing or suggesting stage directions. As always, it was a very insightful interview that I hope you will enjoy. Cheers!Hitler's Tasters runs May 4th through June 3rd at Rogue Machine Theater. Tickets can be purchased at - https://roguemachine.ludus.com/index.php?show_id=200451592Michelle Kholos Brooks is an award-winning playwright with productions staged internationally. Awards and distinctions include the Susan Glaspell Award for H*TLER’S TASTERS and the Riva Shiner Comedy Award for KALAMAZOO, co-written with Kelly Younger. ROOM 1214 was a finalist for The Ashland New Plays Festival, and her play HOSTAGE was a finalist for the Woodward/Newman Drama Award, The Fratti-Newman Political Play Contest, and a Showcase finalist for the National New Play Network. Other plays include War Words, Chair, and Project Fear (and All the Feels). She earned her BA from Emerson College and an MFA is Fiction from Otis College of Art and Design and she is Playwright-in-Residence at New York Rep. For the video format of this episode, click -https://youtu.be/InlPEuB2b-0Links mentioned in this episode -Rogue Machine Theatre -https://www.roguemachinetheatre.orgNew Light Theater Project -https://www.newlighttheaterproject.comPacific Resident Theater -https://pacificresidenttheatre.orgDramatists Bill of Rights -https://www.dramatistsguild.com/rightsNew Play Exchange -https://newplayexchange.orgWebsites and socials for Michelle Kholos Brooks - https://www.michellekholosbrooks.comIG - @michellekholosbrooksX/Twiiter - @MKholosBrooksFB - https://www.facebook.com/michelle.k.brooks.7Websites and socials for James Elden, PMP, and Playwright's Spotlight -Punk Monkey Productions - www.punkmonkeyproductions.comPLAY Noir -www.playnoir.comPLAY Noir Anthology –www.punkmonkeyproductions.com/contact.htmlJames Elden -Twitter - @jameseldensauerIG - @alakardrakeFB - fb.com/jameseldensauerPunk Monkey Productions and PLAY Noir - Twitter - @punkmonkeyprods                  - @playnoirla IG - @punkmonkeyprods       - @playnoir_la FB - fb.com/playnoir        - fb.com/punkmonkeyproductionsPlaywright's Spotlight -Twitter - @wrightlightpod IG - @playwrights_spotlightPlaywriting services through Los Angeles Collegiate Playwrights Festivalwww.losangelescollegiateplaywrightsfestival.com/services.htmlSupport the Show.

Playwright Oliver Mayer joined us before the premiere of his new play Ghost Waltz. Oliver shares his experience writing operas, the medium's influence on his playwriting and the musicality of English as well as the intimacy of theatre and creative control, the after affects of "crashing into the wall. We also explore writing rituals, interruptions, reframing your story, breaking bad habits and the dangers of wit, where to start a scene and "when the mask falls," and wrap things up with dialogue and stage directions, the rules of twos and threes, the use of music, translating works, and saving (L.A.) theatre and nontraditional venues. It was certainly another page in the lesson books for me. I hope you walk away with something insightful. Enjoy.Oliver Mayer is a playwright, poet, essayist and librettist, whose newest opera 3 Paderewskis, composed by Jenni Brandon, received its world premiere at Washington D.C.’s Kennedy Center in 2019. He is the author of more than 30 plays, from his ground-breaking Blade to the Heat to its long-awaited sequel - Members Only; he is currently at work on Ultimate Mix Tape, the third play in the Blade trilogy. Other produced plays include Blood Match and Yerma in the Desert (inspired by the plays of Federico Garcia Lorca), Fortune is a Woman, The Wallowa Project, Dias y Flores, Dark Matters, Young Valiant, Joy of the Desolate, The Sinner from Toledo, Laws of Sympathy and Ragged Time. He is developing new plays with The Wallis Annenberg Center for the Performing Arts and the Getty Villa. He is a tenured professor and Associate Dean of Faculty at USC’s School of Dramatic Arts. The world premiere of his play Ghost Waltz opens at the Los Angeles Theater Center on May 4th and runs through June 6th. For tickets to Ghost Waltz, visit -https://www.latinotheaterco.org/ghostwaltzTo view the video format of this episode, visit -https://youtu.be/hDj406wgr6gLinks mentioned in this episode -Latino Theater Company -https://www.latinotheaterco.orgLive at the Met -https://www.metopera.org/season/radio/saturday-matinee-broadcasts/Website and Socials for Oliver Mayer -Website -www.olivermayer.comUSC - School of Dramatic Arts -https://dramaticarts.usc.edu/faculty-qa-oliver-mayer/Websites and socials for James Elden, PMP, and Playwright's Spotlight -Punk Monkey Productions - www.punkmonkeyproductions.comPLAY Noir -www.playnoir.comPLAY Noir Anthology –www.punkmonkeyproductions.com/contact.htmlJames Elden -Twitter - @jameseldensauerIG - @alakardrakeFB - fb.com/jameseldensauerPunk Monkey Productions and PLAY Noir - Twitter - @punkmonkeyprods                  - @playnoirla IG - @punkmonkeyprods       - @playnoir_la FB - fb.com/playnoir        - fb.com/punkmonkeyproductionsPlaywright's Spotlight -Twitter - @wrightlightpod IG - @playwrights_spotlightPlaywriting services through Los Angeles Collegiate Playwrights Festivalwww.losangelescollegiateplaywrightsfestival.com/services.htmlSupport the Show.

Playwright Tira Palmquist sat in the Playwright's Spotlight while rehearsing her latest play The Body's Midnight. We had a wonderful conversation discussing the benefits of table work, entering the flow state and making discoveries later in the process, the role of the playwright in rehearsals, cutting characters, time between drafts, and the tool of "saving as." We also touch on the different development processes, rookie mistakes, teaching subtext and fixing your flaws, finding your voice, poetry in playwriting as well as her take on "pay to play" and finding opportunities. It was another interview full of insight that I hope can help take your playwriting to the next level. Enjoy!TIRA PALMQUIST is a dramaturg, director and playwright known for plays that merge the personal, the political and the poetic. Her play, The Way North was developed at the 2018 Seven Devils Playwrights Conference and was a finalist for the 2018 O’Neill National Playwrights Conference. Other plays include: Two Degrees, Ten Mile Lake, Age of Bees, and This Floating World. She teaches creative writing at the Orange County School of the Arts, and has also taught at Wesleyan University and the University of California-Irvine. She’s back in town for a short spell for rehearsals of her play The Body’s Midnight which opens April 27th at the Boston Court Theater in Pasadena, CA.For tickets to The Body's Midnight through May 26th -https://bostoncourtpasadena.org/events/thebodysmidnight/To view the video format of this episode, visit -https://youtu.be/i4JBkve6CtALinks mentioned in this episode -Seven Devils New Play Foundry -https://www.sevendevils.orgBoston Court Pasadena -https://bostoncourtpasadena.orgPlaywrights' Center -https://pwcenter.orgNew Play Exchange -https://newplayexchange.orgOriginal Works Publishing -https://www.originalworksonline.comTRW Plays -https://trwplays.com/Websites and socials for Tira Palmquist -www.tirapalmquist.comIG - @tira.pFacebook - https://www.facebook.com/tira.palmquistWebsites and socials for James Elden, PMP, and Playwright's Spotlight -Punk Monkey Productions - www.punkmonkeyproductions.comPLAY Noir -www.playnoir.comPLAY Noir Anthology –www.punkmonkeyproductions.com/contact.htmlJames Elden -Twitter - @jameseldensauerIG - @alakardrakeFB - fb.com/jameseldensauerPunk Monkey Productions and PLAY Noir - Twitter - @punkmonkeyprods                  - @playnoirla IG - @punkmonkeyprods       - @playnoir_la FB - fb.com/playnoir        - fb.com/punkmonkeyproductionsPlaywright's Spotlight -Twitter - @wrightlightpod IG - @playwrights_spotlightPlaywriting services through Los Angeles Collegiate Playwrights Festivalwww.losangelescollegiateplaywrightsfestival.com/services.htmlSupport the Show.

Joan of Arcadia's Becky Wahlstrom stopped by Playwright's Spotlight while in town from Nashville to help wrap up the rehearsal process for the premiere of her new play A Froggy Becomes. Becky discusses how she started out writing plays after a successful stint in Hollywood. We touch a bit on censorship from theaters, the pros and cons of writing for small budgets, and having a network circle and how it can help, the experience of coming into rehearsals late in the process, feedback in Nashville vs Chicago as well as the Nashville market and the benefits of second and third tier markets. Finally, we talk about writing layers and character transformation, prejudging  the  audience,  evolving through experience and taking chances, and taking the time to write through each character's eyes. It's an energetic episode at its finest and Becky delivers. Enjoy.Becky Wahlstrom attended the London Academy of Music and Dramatic Art in England and has appeared on shows such as Star Trek: Enterprise, Grey’s Anatomy, Mad Men, NCIS, Judging Amy, and is best known for the supporting role of Grace Polk on the series Joan of Arcadia. She recently dipped her toe back into playwriting with the premiere of her play A Froggy Becomes at Open Fist Theatre in Los Angeles.For tickets to A Froggy Becomes through April 13th, visit -https://openfisttheatre.my.salesforce-sites.com/ticket#/To view the video format of this episode, visit -https://youtu.be/ZGo5JVYll1MLinks mentioned in this episode -Open Fist Theatre Company -https://openfist.orgNashville Repertory Theatre -https://nashvillerep.org/Moving Arts Theatre Company -https://movingarts.orgDramatists Guild -https://www.dramatistsguild.comWebsites and Socials for Becky Wahlstrom -http://www.beckywahlstrom.comFacebook - https://www.facebook.com/becky.wahlstromIG - @beckywahlstromNew Play Exchange -https://newplayexchange.orgWebsites and socials for James Elden, PMP, and Playwright's Spotlight -Punk Monkey Productions - www.punkmonkeyproductions.comPLAY Noir -www.playnoir.comPLAY Noir Anthology –www.punkmonkeyproductions.com/contact.htmlJames Elden -Twitter - @jameseldensauerIG - @alakardrakeFB - fb.com/jameseldensauerPunk Monkey Productions and PLAY Noir - Twitter - @punkmonkeyprods                  - @playnoirla IG - @punkmonkeyprods       - @playnoir_la FB - fb.com/playnoir        - fb.com/punkmonkeyproductionsPlaywright's Spotlight -Twitter - @wrightlightpod IG - @playwrights_spotlightPlaywriting services through Los Angeles Collegiate Playwrights Festivalwww.losangelescollegiateplaywrightsfestival.com/services.htmlSupport the Show.

This week playwright Steve Fife sat in-studio in the Playwright's Spotlight. It was a reflective conversation of his experience in New York and on Broadway in the seventies, his dislike of eighties, and the joyous return in the nineties. We discuss rewriting and updating past works, getting back to theatre's roots, directing your own work (of course) and The Greats, the current acceptance of dark subject matter, and audience feedback at staged readings. We also touch on theatre in L.A., cast conflicts and obligations, Playwrights vs Directors interpretation, lessons from workshop participation vs running workshops as well as lessons as a literary manager which led into stories of David Ives and fame in the bubble of theatre and being a big fish in a small pond. Our conversation ends in writing natural dialogue. It's a fascinating conversation through a window of where theatre was and where it is now and Steve's connection with personas we've all come to know throughout our time in this wondrous arena. I'm sure you'll find something to connect with. Enjoy!Steve Fife is an author, poet, and playwright and former reporter and literary manager. His plays SAVAGE WORLD, BREAK OF DAY and THIS IS NOT WHAT I ORDERED have been published by Samuel French/Concord Theatricals.  Other plays include In The Mood, Sizzle Sizzle, Blue Kiss, The Kitchen Girl, Fun With Freud, Scattered Blossoms, Vincent in the Asylum, Van Gogh’s Zombie Movie, The Transformation Center, Bring Your Own and The Blessing. His adaptation of Sholem Asch’s God of Vengeance was produced Off-Broadway and The American Wife had its World Premiere at the Park Theatre in London. He was 2019-20 writer-in-residence at the Ark Theatre in North Hollywood. He has also penned book & lyrics for four musicals. He is a graduate the National Theatre Institute, Sarah Lawrence College and received his MFA from Columbia University’s School of the Arts. To view the video format of this episode, visit -https://youtu.be/RZmBvAMPM3ELinks mentioned in this episode -Interact Theatre Company -https://www.interactla.org/"Hurricane" Carter -https://en.wikipedia.org/wiki/Rubin_CarterMatrix Theatre -http://www.matrixtheatre.comNew Dramatists -https://newdramatists.orgConcord Theatricals -https://www.concordtheatricals.comWebsites and socials for Steve Fife -Facebook - https://www.facebook.com/steve.fife.94X - @twistedhipster8IG - @steve.fife.94Websites and socials for James Elden, PMP, and Playwright's Spotlight -Punk Monkey Productions - www.punkmonkeyproductions.comPLAY Noir -www.playnoir.comPLAY Noir Anthology –www.punkmonkeyproductions.com/contact.htmlJames Elden -Twitter - @jameseldensauerIG - @alakardrakeFB - fb.com/jameseldensauerPunk Monkey Productions and PLAY Noir - Twitter - @punkmonkeyprods                  - @playnoirla IG - @punkmonkeyprods       - @playnoir_la FB - fb.com/playnoir        - fb.com/punkmonkeyproductionsPlaywright's Spotlight -Twitter - @wrightlightpod IG - @playwrights_spotlightPlaywriting services through Los Angeles Collegiate Playwrights Festivalwww.losangelescollegiateplaywrightsfestival.com/services.htmlSupport the Show.

Catya McMullen stopped by Playwright's Spotlight during the run of her new play Arrowhead which runs through March 4, 2024. In this episode, we talk about surviving lockdowns as an artist, what makes a good writer, reflecting life on stage, stage plays as love letters. We also discuss what comes after the initial idea, writing from a personal place and putting away the constraints, laughing your way into a deeper conversation and, a new term from me, the New York City Hustle and the benefits of becoming more generous in your theatre community. In addition, Catya shares her editing technique of Scene Tetris, deciphering notes from prescriptive fixes, accountability and keeping motivated, and whether or not you can find any of her rapping/hip hop performances online. Another fun episode I hope you'll enjoy. Catya McMullen is a playwright and comedian. Her short play, MISSED CONNECTION won the 37th Samuel French Off Off Broadway Short Play Festival. She is the author of the comedic hip hop musical LOCKED UP BITCHES and the plays GEORGIA MERTCHING IS DEAD, AGNES, EVERYTHING IS PROBABLY GOING TO BE OKAY, WE PRAY TO ELEPHANTS, ASSHOLES IN GAS STATIONS, RUBBER DUCKS AND SUNSETS, and THE COLLECTIVE. She is a proud alum of the Obie award winning EST/Youngblood and a company member of The Middle Voice Theater Company and was a finalist for the City Theater National Award for Short Playwriting and the Creator of the quarterly variety show WE ARE ANIMALS where she raps under her feminist hip hop alias “Chihuahua Fancy” and has received multiple commissions from the Sloan Foundation. She teaches sketch comedy and playwriting at The People’s Improv Theater. Her latest play Arrowhead opened February 9th and runs through March 4th, 2024 at Atwater Village Theater in Los Angeles.To view the video format of this episode, visit -https://youtu.be/qIrJvOJn_Z4Links mentioned in this episode -Tickets to Arrowhead (Closing March 4, 2024) and IAMA Theatre Company -https://www.iamatheatre.com/plays-events/arrowheadSloan Foundation -https://sloan.orgThe Flea Theatre -https://theflea.orgDramatists Play Service (DPS) -https://www.dramatists.comWebsites and socials for Catya McCullen -IG - @mccatyaWebsites and socials for James Elden, PMP, and Playwright's Spotlight -Punk Monkey Productions - www.punkmonkeyproductions.comPLAY Noir -www.playnoir.comPLAY Noir Anthology –www.punkmonkeyproductions.com/contact.htmlJames Elden -X - @jameseldensauerIG - @alakardrakeFB - fb.com/jameseldensauerPunk Monkey Productions and PLAY Noir - X - @punkmonkeyprods    - @playnoirla IG - @punkmonkeyprods       - @playnoir_la FB - fb.com/playnoir        - fb.com/punkmonkeyproductionsPlaywright's Spotlight -X - @wrightlightpod IG - @playwrights_spotlightPlaywriting services through Los Angeles Collegiate Playwrights Festivalwww.losangelescollegiateplaywrightsfestival.com/services.htmlSupport the Show.

Had the pleasure of chatting with playwright and son of actress Eileen Heckart (Bus Stop), Luke Yankee, about growing up in the world of Hollywood and his journey to be coming a playwright. It's a wonderful interview that touches on his relationships with not only the Hollywood greats but also the pioneers of the theatre (including Steven Schwartz, Beth Henley, David Lindsay-Abaire, and David Henry Hwang) and how they affected his growth as an artist and craft of playwriting. We touch on his delving into playwriting, winning The Stanley Award, his inspirations and writing style, receiving notes and getting bad feedback, knowing and breaking the rules of playwriting as well as the importance of script analysis and criticism. We also talk the benefits of making your work more personal, making characters sound different, learning from the Greeks and other classics, and what he views as the most important element of playwriting. Also, if you're a long time listener to the podcast, Luke may very well have ended the debate on whether or not it's worth studying playwriting in academia. Overall, Luke was is absolutely charming and delivers a plethora of knowledge about the craft. Enjoy!Luke Yankee is a writer, director, producer, actor, and teacher. His play, "The Last Lifeboat" (published by Dramatists Play Service) has had more than 50 productions in North America and has won over 60 regional awards. His play, "Marilyn, Mom & Me" was the recipient of the Southwest Theatre Productions Sponsor's Award, the Moondance Stageplay Award, and the Writer's Digest Award for Best Play. His play, “Confessions of a Star Maker” was recently a finalist for the Screencraft stageplay competition and was chosen for the Last Frontier Theatre Conference. Other plays include "A Place at Forest Lawn", "The Man Who Killed The Cure" and "The Jesus Hickey".To view the video format of this episode, visit -https://youtu.be/TCjWtRO1k9ILinks mentioned in this episode -The Stanley Award -https://wagner.edu/performing-arts/stanley-drama/International City Theatre -https://ictlongbeach.orgThe Art of Writing for the Theatre -https://www.amazon.com/Art-Writing-Theatre-Introduction-Introductions/dp/1350155578Play Submissions Helper -https://playsubmissionshelper.comWilliam Inge Theatre Festival -https://ingecenter.org/festival/The O'Neills -https://www.theoneill.orgUC Riverside MFA Program -https://palmdesertmfa.ucr.eduSocials and Website for Luke Yankee -www.lukeyankee.comFB - www.facebook.com/luke.yankeeIG - @lukebyankeeX/Twitter - @lukebyankee Websites and socials for James Elden, PMP, and Playwright's Spotlight -Punk Monkey Productions - www.punkmonkeyproductions.comPLAY Noir -www.playnoir.comPLAY Noir Anthology –www.punkmonkeyproductions.com/contact.htmlJames Elden -Twitter - @jameseldensauerIG - @alakardrakeFB - fb.com/jameseldensauerPunk Monkey Productions and PLAY Noir - Twitter - @punkmonkeyprods                  - @playnoirla IG - @punkmonkeyprods       - @playnoir_la FB - fb.com/playnoir        - fb.com/punkmonkeyproductionsPlaywright's Spotlight -Twitter - @wrightlightpod IG - @playwrights_spotlightPlaywriting services through Los Angeles Collegiate Playwrights Festivalwww.losangelescollegiateplaywrightsfestival.com/services.htmlSupport the Show.

Donna Hoke sat in the Playwright's Spotlight to discuss her journey into playwriting. In this interview we touch on her involvement in the Official Playwrights of Facebook, her start as playwright from a journalism background and learning on the fly, working in a smaller market and "owning your home town" as well as building relationships and putting in the time. We also talk about being commissioned, finding that "flow," finding opportunities, playwriting struggles, the use of character backstories, using exercises as standalone pieces, the structure and trends of ten-minute plays, and what constitutes success. Again, Donna offers such great insight and resources, I think you'll find yourself with a plethora of information. Cheers.Donna Hoke’s work has been seen in 48 states and on five continents. She has been nominated for the Primus, Blackburn, and Laura Pels prizes, and is a three-time winner of the Emanuel Fried Award for Outstanding New Play for SEEDS, SONS & LOVERS, and ONCE IN MY LIFETIME. She has also twice received Individual Artist Awards from the New York State Council on the Arts to develop HEARTS OF STONE and CANALSIDE. She has been serving the Dramatists Guild in various capacities since 2012, is an ensemble playwright at Road Less Traveled Productions, and is former moderator of the 13,500+-member Official Playwrights of Facebook Other plays include - BRILLIANT WORKS OF ART, ELEVATOR GIRL, SAFE, and TEACH.To view the video format of this episode, visit -https://youtu.be/fnbkyVL4SecLinks mentioned in this episode -The Official Playwrights of Facebook -https://www.facebook.com/groups/2351514659New Play Exchange -https://newplayexchange.org/World Less Traveled Productions -https://www.roadlesstraveledproductions.orgPlaywrights' Center -https://pwcenter.orgPlay Submission Helper - https://playsubmissionshelper.comNational New Play Network - https://nnpn.orgThe Dramatic Writer's Companion -https://www.amazon.com/Dramatic-Writers-Companion-Characters-Publishing/dp/0226172546Dramatists Guild -https://www.dramatistsguild.comSeven Devils -https://www.sevendevils.orgTrade-A-Play Tuesday -https://blog.donnahoke.com/trade-a-play-tuesday/Playwright's Binge -https://groups.io/g/playwrightbingeYouthPLAYS -https://www.youthplays.com/Broadway Licensing - https://broadwaylicensing.comPlaywright's Spotlight with Steven Dietz -https://youtu.be/CnS8-gegiUcWebsites and socials for Donna Hoke -Website - www.donnahoke.comIG - @dhokeplaysTwitter/X - @donnahokeSnap - @hokeplaysWebsites and socials for James Elden, PMP, and Playwright's Spotlight -Punk Monkey Productions - www.punkmonkeyproductions.comPLAY Noir -www.playnoir.comPLAY Noir Anthology –www.punkmonkeyproductions.com/contact.htmlJames Elden -Twitter - @jameseldensauerIG - @alakardrakeFB - fb.com/jameseldensauerPunk Monkey Productions and PLAY Noir - Twitter - @punkmonkeyprods                  - @playnoirla IG - @punkmonkeyprods       - @playnoir_la FB - fb.com/playnoir        - fb.com/punkmonkeyproductionsPlaywright's Spotlight -Twitter - @wrightlightpod IG - @playwrights_spotlightPlaywriting services through LACPF -www.losangelescollegiateplaywrightsfestival.com/services.htmlSupport the Show.

In this episode of Playwright's Spotlight, long time friend and standup Henry Phillips stopped by to discuss another aspect of writing for the stage - Standup Comedy. Henry shares his origins into the craft and business of standup, his approach to comedy and knowing when you've got the right joke, the use of Twitter as a testing ground, and how to segue into the next joke. We also talk about voice vs character, the ideal length of a joke, having jokes stolen, testing material and drawing from life, dry spells and branding as well as confidence and commitment in performance. In addition, we touch on building up to being a headliner, relationships and invitations, comedic potential and when's too soon to joke about a topic. It was a lot of fun to learn to hear Henry's pathway to his success. I hope you enjoy it. Henry Phillips is an actor, writer, musician and standup comic. He has played hundreds of cities across the country and around the world. He has recorded five comedy albums including On the Shoulders of Freaks, Number 2, Why Haven’t I Heard From You, L.A. Dreams, and Neither Here Nor There. He’s appeared in multiple episodes of Silicon Valley as well as Season Two, Episode 4 of Drunk History. He is the co-writer of both Punching the Clown and Punching Henry and stars in the hit web-series Henry’s Kitchen.To view the video format of this episode, visit -https://youtu.be/7UI9zTfzt2ULinks mentioned in this episode -Gengis Cohen -https://www.genghiscohen.comThe Improv -https://improv.com/hollywood/Dr. Demento -https://www.drdemento.comThe Second Degree -https://www.imdb.com/video/vi2560076569Websites and socials for Henry Phillips -https://henryphillips.comhenrys.kitchenTwitter/X - @henlipsIG - @henlipsTwitch - @henlips1YouTube - @henryphillipsWebsites and socials for James Elden, PMP, and Playwright's Spotlight -Punk Monkey Productions - www.punkmonkeyproductions.comPLAY Noir -www.playnoir.comPLAY Noir Anthology –www.punkmonkeyproductions.com/contact.htmlJames Elden -Twitter - @jameseldensauerIG - @alakardrakeFB - fb.com/jameseldensauerPunk Monkey Productions and PLAY Noir - Twitter - @punkmonkeyprods                  - @playnoirla IG - @punkmonkeyprods       - @playnoir_la FB - fb.com/playnoir        - fb.com/punkmonkeyproductionsPlaywright's Spotlight -Twitter - @wrightlightpod IG - @playwrights_spotlightPlaywriting services through Los Angeles Collegiate Playwrights Festivalwww.losangelescollegiateplaywrightsfestival.com/services.htmlSupport the Show.