You caught me right in the middle of creating version 2 of the Low-key Bodyscapes book. Why is this topic so fascinating? Because when posing for bodyscapes, the model navigates between two extreme poles. On the one hand she is not only nude but even gets into very revealing poses. On the other hand she stays anonymous because her face is not in the frame. The E-Book version of the book, which I will always keep updated, is here: http://goodlightmag.com/low-key-bodyscapes

In the beginning of my photography I thought that I need a fast prime lens in order to make good photos. Furthermore, I would need a lot of photoshop and bunch of other silly tweaks. Nowadays I seldom shoot wider than f/2.8. The photos for my books often don't get retouched at all. Not always ideal, but I don't mind. You?

Today at the hotel party I see a lot of people shooting selfies. Mostly in a very unfavorable way. How about we practice selfies today in one or two photos?

I am starting to see the photos from our weekend workshop being posted on Facebook. They are excellent.

Today I am explaining why f/11 is the only aperture value that I like to use for all things studio, like artistic nudes for example.

Today I am on the Gothic Model Day in Gelsenkirchen Germany. In my workshop, I talked a lot about the power of trusting your manual camera settings.

Misa reached out to me for tips on shooting selfies in Latex clothes with her DSLR.

My wife Emily is Chinese. For her, the number 8 is a lucky number. That's why the number plates of Chinese cars often have a couple of "8" on them.

Yesterday we published issue 43 of Good Light! Mag. I really love the cover story: Sugar Fix. A masterpiece by Elena Paraskeva.

Today, I briefly tell you how I tested both reflective umbrellas and shoot-through umbrellas as light formers a few years ago.