Hey, hey, hey, my INDIEcent brothers and sisters. Thanks for tuning in to Episode #44 of INDIEcent Exposure. I've got some killer tunes lined up for you, and I guess I was in the mood for music that rides a little harder, because these tracks definitely don't show the softer side of yours truly, your host, the mongrel, known in an alternet zip code as Jay V.  Editor's Notes:• This post may contain affiliate links• Musicians' bio info comes from the artists, their websites, or their publicists. Click on names below to visit their websites where you can get the full story, photos, and very often video. I've got another great interview, with a great artist, waiting in the wings, but right now let's kick things off with some tunage. We'll hear from Imran Mandani, who conjures up Godzilla, Kim Logan, who warns us that Oedipus Wrecks, and Gürschach, who take us on a tour of their Undead Empire. First though, let's start this set off with an amazing Pop and Neo-Soul artist who hails from Georgia — And I don't mean the state that sits between Alabama and South Carolina. SALIO SALIO hails from the Republic of Georgia, a place known to some for its harmonic scales and the birthplace of wine, but not by most. A remarkably gifted vocalist and composer from a young age, she decided to leave her home country and find her place in the wider world. .ugb-f853c6d .ugb-img{border-radius:30px}.ugb-f853c6d .ugb-feature__title{font-family:"Roboto Condensed",Sans-serif !important;font-weight:100 !important;letter-spacing:0.5px !important;color:#eeffb5;margin-bottom:14px !important}.ugb-f853c6d .ugb-feature__description{font-family:"Palatino Linotype",Palatino,Palladio,"URW Palladio L","Book Antiqua",Baskerville,"Bookman Old Style","Bitstream Charter","Nimbus Roman No9 L",Garamond,"Apple Garamond","ITC Garamond Narrow","New Century Schoolbook","Century Schoolbook","Century Schoolbook L",Georgia,serif !important;font-size:18px !important;color:#ffffff;margin-bottom:30px !important}.ugb-f853c6d .ugb-inner-block{text-align:left}.ugb-f853c6d.ugb-feature{background-color:#cf2e2e;background-attachment:fixed;background-image:url(https://www.indiecent-exposure.com/wp-content/uploads/2021/05/42474842_2366690783348133_3237109330507464704_n.jpg);background-position:center center;background-repeat:no-repeat;background-size:contain}.ugb-f853c6d.ugb-feature:before{background-color:#cf2e2e;opacity:0.3}@media screen and (min-width:768px){.ugb-f853c6d .ugb-feature__item{grid-template-columns:0.60fr 1.40fr !important}.ugb-f853c6d .ugb-img{border-radius:30px;width:750px;height:auto !important}}SALIOMoving to London and working with Andrew Hunt provided her with the Lost World EP and him with a Music Producer’s Guild Award for Breakthrough Producer of the Year. The title track of the EP then won 2nd place in the Unsigned Only Music Awards Pop Category the year after.Bass player, Deon Estus, of Wham! fame and platinum selling jazz saxophonist, Dean James, started making arrangements to meet. The natural beauty in her voice broke Dean’s heart, literally.

Greetings, my INDIEcent brother and sisters! How. The Hell. Have. You. Been..?Welcome to Episode #43 of INDIEcent Exposure. As you have probably noticed, this show has been on hiatus for a long bit over the Winter. Editor's Notes:• This post contains affiliate links• Musicians' bio info comes from the artists, their websites, or their publicists. Click on names below to visit their websites where you can get the full story, photos, and very often video. KENDRA BLACK — Special Guest Performance! After you finish listening to the show, enjoy this short set Kendra Black performed exclusively for INDIEcent Exposure. Photo by Jeremy Nelson; graphics by @laurasgraphicdesigner — aka Laura Luna. A lot of reasons for that, but probably the biggest is an onslaught of debilitating depression that affected nearly every area of my life. And with depression came doubts. And with doubts came delays. And then dust began to settle. Which depressed the fuck out of me even more. I’ve successfully battled this demon for, God, decades, and it hasn’t been this bad since way back in some very dark times. And I know I’m not alone out there. So many of my friends, especially my creative, artistic friends, fight the same demon, and this pandemic has been emotional quicksand. IMMUNE Immune is the marching band to either the apocalypse or redemption – take your pick. .ugb-f853c6d .ugb-img{border-radius:30px}.ugb-f853c6d .ugb-feature__title{font-family:"Roboto Condensed",Sans-serif !important;font-weight:100 !important;letter-spacing:0.5px !important;color:#eeffb5;margin-bottom:14px !important}.ugb-f853c6d .ugb-feature__description{font-family:"Palatino Linotype",Palatino,Palladio,"URW Palladio L","Book Antiqua",Baskerville,"Bookman Old Style","Bitstream Charter","Nimbus Roman No9 L",Garamond,"Apple Garamond","ITC Garamond Narrow","New Century Schoolbook","Century Schoolbook","Century Schoolbook L",Georgia,serif !important;font-size:18px !important;color:#ffffff;margin-bottom:30px !important}.ugb-f853c6d .ugb-inner-block{text-align:left}.ugb-f853c6d.ugb-feature{background-color:#cf2e2e;background-attachment:fixed;background-image:url(https://www.indiecent-exposure.com/wp-content/uploads/2021/05/1356316662_Color.jpg);background-position:center center;background-repeat:no-repeat;background-size:contain}.ugb-f853c6d.ugb-feature:before{background-color:#cf2e2e;opacity:0.3}@media screen and (min-width:768px){.ugb-f853c6d .ugb-feature__item{grid-template-columns:0.60fr 1.40fr !important}.ugb-f853c6d .ugb-img{border-radius:30px;width:596px;height:auto !important}}ImmuneTo them it might be the same thing. As the Doomsday Clock ticks and tocks its way toward oblivion, they have chosen to abandon the path of least resistance in favor of authenticity and musical defiance. Calling the broken metropolis of Los Angeles home, Immune has performed at Ozzfest and Mayhem Festival and have had their music featured in numerous films and television shows.

Editor's Note: This post contains affiliate links. See our Reviews & Editorial Revenue Policy. Actually, that would be 42 counts of INDIEcent Exposure, seeing as how this is episode #42. It is I, brothers and sisters, your humble host, the mongrel, bringing you another amazing show — not for any talent I may or mayn’t bring to the table, oh, no, no, no. Editor's Note: Musicians' bio info comes from the artists, their websites, or their publicists. Click on names below to visit their websites where you can get the full story, photos, and very often video. This show is all about the tunes. And the tune makers. I’m just driving this rig. And after long and careful consideration, and input from YOU, my faithful listeners, I’ve decided that I need to drive this rig a little faster from now on. Get to the tunes faster, and keep the episodes as close to the 30-minute mark as possible. Gina Brooklyn (2:15) But don’t worry. You won’t get less of me if you don’t want. I have plans. We’ll talk about them later. Not now. Now we hear from Gina Brooklyn, whose raw power will make you prick up your ears. Her March 2020 single, “Who Are You Fighting For” is exactly the sort of scorcher that may help us all get through the rest of 2020. .ugb-f853c6d .ugb-img{-webkit-mask-image:url('data:image/svg+xml;base64,PHN2ZyB2aWV3Qm94PSIwIDAgMTAwIDEwMCIgeG1sbnM9Imh0dHA6Ly93d3cudzMub3JnLzIwMDAvc3ZnIiBwcmVzZXJ2ZUFzcGVjdFJhdGlvPSJub25lIj48Y2lyY2xlIGN4PSI1MCIgY3k9IjUwIiByPSI1MCI+PC9jaXJjbGU+PC9zdmc+');mask-image:url('data:image/svg+xml;base64,PHN2ZyB2aWV3Qm94PSIwIDAgMTAwIDEwMCIgeG1sbnM9Imh0dHA6Ly93d3cudzMub3JnLzIwMDAvc3ZnIiBwcmVzZXJ2ZUFzcGVjdFJhdGlvPSJub25lIj48Y2lyY2xlIGN4PSI1MCIgY3k9IjUwIiByPSI1MCI+PC9jaXJjbGU+PC9zdmc+')}.ugb-f853c6d .ugb-feature__title{font-family:"Roboto Condensed",Sans-serif !important;font-weight:100;letter-spacing:0.5px;color:#eeffb5;margin-bottom:14px !important}.ugb-f853c6d .ugb-feature__description{font-family:"Palatino Linotype",Palatino,Palladio,"URW Palladio L","Book Antiqua",Baskerville,"Bookman Old Style","Bitstream Charter","Nimbus Roman No9 L",Garamond,"Apple Garamond","ITC Garamond Narrow","New Century Schoolbook","Century Schoolbook","Century Schoolbook L",Georgia,serif !important;font-size:18px;color:#ffffff;margin-bottom:30px !important}.ugb-f853c6d .ugb-inner-block{text-align:left}.ugb-f853c6d.ugb-feature{background-color:#cf2e2e;background-attachment:fixed;background-image:url(https://www.indiecent-exposure.com/wp-content/uploads/2020/08/nznother_sm.jpg);background-position:center center;background-repeat:no-repeat;background-size:contain}.ugb-f853c6d.ugb-feature:before{background-color:#cf2e2e;opacity:0.3}@media screen and (min-width:1025px){.ugb-f853c6d .ugb-feature__item{grid-template-columns:1.40fr 0.60fr !important}.ugb-f853c6d .ugb-img{width:600px;height:auto !important}}Gina Brooklyn"Gina Brooklyn is a unique singer/songwriter whose style combines a multitude of influences that transcend through genres. By creating a captivating ambience for her distinctive vocals, soul-gripping melodies and engaging lyrics, she can lure even the most demanding listeners into her world."The Ohio born singer started her music career at the tender age of 15 when she co-wrote & recorded a song that led her to becoming a finalist in the John Lennon Songwriting Contest in 2017, whilst a year after, she was nominated for “Best Pop Song” in the Roundglass Music Awards. She signed a publishing and distribution deal with industry leading INgrooves Music Group (who has since been acquired by Universal Music Group), under which her single “Butterfly” was released in 2019 and attracted an overwhelming response from mu...

Welcome my INDIEcent brothers and sisters to Episode #41 of this musical carnival of dreams, INDIEcent Exposure. I am your host, the mongrel, and, as always, I thank you for tuning in.  And you can tune in to hear the best in new Indie tunes and news through Apple Podcasts. Google Podcasts, and now Spotify. Subscribe and never miss your music fix. Editor's Note: Musicians' bio info comes from the artists, their websites, or their publicists. Click on names below to visit their websites where you can get the full story, photos, and very often video. In addition to eight great tracks spanning several genre, I had a great interview with a brilliant duo unexpectedly drop into my lap this week. I think my conversation with Brooklyn-based, Charming Disaster, will more than make up for the lack of one last week. Their new album, SPELLS + RITUALS, just came out, and carries on their craft of spinning whimsically dark, slightly unhinged, stories through song. Although their summer tour has been scotched due to the pandemic, you can catch them outdoors at The Foundry, West Stockbridge, Massachusetts August 7th and 8th, if you happen to be in the neighborhood. I happen to know it’s a great space, a really great venue, so even it’s a bit of a haul for you, what the hell, make a weekend of it. Worse places to be in summer than the Berkshires. Ticket info available in the shownotes. WELL! I’ve got so, so many great tunes that I wanted to share with you and zero self-control. Makes for a bit of a bloated episode this week, but I doubt you’ll mind. I’ve been cutting back on carbs, so maybe this is my way of filling that pasta hole, I don’t know. But let’s get to it right now with a couple artists who showed up on my radar just in the last little while. Best Not Broken (6:53) Ever since the launch of my first podcast, featuring Beantown artists, I’ve always been a sucker for a great Boston band. So there’s a familiar comfort to the sounds of the 2016 New England Music Awards winner, Best Not Broken. Their blend of rock and power pop is infectious, and the lyrics are wicked smaht — all evident in the single, “Red Flags,” released in late 2019. They’ve shared stages with such diverse greats as Pat Benetar to Jason Derulo. .ugb-6a838cf .ugb-img{width:800px;height:auto !important;-webkit-mask-image:url('data:image/svg+xml;base64,PHN2ZyB2aWV3Qm94PSIwIDAgMTAwIDEwMCIgeG1sbnM9Imh0dHA6Ly93d3cudzMub3JnLzIwMDAvc3ZnIiBwcmVzZXJ2ZUFzcGVjdFJhdGlvPSJub25lIj48Y2lyY2xlIGN4PSI1MCIgY3k9IjUwIiByPSI1MCI+PC9jaXJjbGU+PC9zdmc+');mask-image:url('data:image/svg+xml;base64,PHN2ZyB2aWV3Qm94PSIwIDAgMTAwIDEwMCIgeG1sbnM9Imh0dHA6Ly93d3cudzMub3JnLzIwMDAvc3ZnIiBwcmVzZXJ2ZUFzcGVjdFJhdGlvPSJub25lIj48Y2lyY2xlIGN4PSI1MCIgY3k9IjUwIiByPSI1MCI+PC9jaXJjbGU+PC9zdmc+')}.ugb-6a838cf .ugb-feature__title{font-family:"Roboto Condensed",Sans-serif !important;font-weight:100;letter-spacing:0.5px;color:#eeffb5;margin-bottom:14px !important}.ugb-6a838cf .ugb-feature__description{font-family:"Palatino Linotype",Palatino,Palladio,"URW Palladio L","Book Antiqua",Baskerville,"Bookman Old Style","Bitstream Charter","Nimbus Roman No9 L",Garamond,"Apple Garamond","ITC Garamond Narrow","New Century Schoolbook","Century Schoolbook","Century Schoolbook L",Georgia,serif !important;font-size:18px;color:#ffffff;margin-bottom:30px !important}.ugb-6a838cf .ugb-inner-block{text-align:left}.ugb-6a838cf.ugb-feature{background-color:#cf2e2e;background-attachment:fixed;background-image:url(https://www.indiecent-exposure.com/wp-content/uploads/2020/08/20180916_125420.jpg);background-position:center center;background-repeat:no-repeat;background-size:cover}.ugb-6a838cf.ugb-feature:before{background-color:#cf2e2e;opacity:0.3}@media screen and (min-width:768px){.ugb-6a838cf .

Hey, whazzup, dogs? Thanks for tuning in to Episode #40 of INDIEcent Exposure. I’m your host, the mongrel, and this week’s show is absolutely bustin’ at the seams with great tunes. I love featuring interviews, but I also kinda love an episode that’s just front to back music. In fact, I’m going to save the opening monologue and get straight to a block of tunes I’ve been waiting forever to unpack. Editor's Note: Musicians' bio info comes from the artists, their websites, or their publicists. Click on names below to visit their websites where you can get the full story, photos, and very often video. Singer songwriter, and rising Dark Pop phenom, Annelie Elina, splits her time between Los Angeles and her native county of Sweden. She brings us the track “Recover” from her latest  EP Purity. Despite the name, and despite her tender young age of sixteen, do NOT be fooled. It’s a welcome relief from the cotton candy tracks being spun in other sectors of the pop world. Or rather, if her wispy trilling tricks you into thinking you’ll be tasting sweet fluff, a couple of earfuls quickly educate your soundbuds that the gossamer strains carry flavors of longing, disillusionment, fearlessness, uncertainty, self-assurance, and vulnerability. This release represents a very, very promising start to the career of a new artist.  .ugb-0665127 .ugb-img{width:300px;height:auto !important;-webkit-mask-image:url('data:image/svg+xml;base64,PHN2ZyB2aWV3Qm94PSIwIDAgMjAwIDIwMCIgeG1sbnM9Imh0dHA6Ly93d3cudzMub3JnLzIwMDAvc3ZnIiBwcmVzZXJ2ZUFzcGVjdFJhdGlvPSJub25lIj48cGF0aCBkPSJNMTg4LjUgMzEuOWMxMi45IDE1LjkgMTIuNSA0My4zIDEwLjMgNzcuMXMtNi4yIDc0LjItMjYuMiA4Ni41LTU2LjEtMy4zLTg5LjQtMjEuMi02My43LTM4LjEtNzYuNC02OS44Qy01LjkgNzMtLjggMjkuOSAyMS42IDExLjcgNDQtNi40IDgzLjguNSAxMTYuNyA2LjFzNTkgMTAgNzEuOCAyNS44eiI+PC9wYXRoPjwvc3ZnPg==');mask-image:url('data:image/svg+xml;base64,PHN2ZyB2aWV3Qm94PSIwIDAgMjAwIDIwMCIgeG1sbnM9Imh0dHA6Ly93d3cudzMub3JnLzIwMDAvc3ZnIiBwcmVzZXJ2ZUFzcGVjdFJhdGlvPSJub25lIj48cGF0aCBkPSJNMTg4LjUgMzEuOWMxMi45IDE1LjkgMTIuNSA0My4zIDEwLjMgNzcuMXMtNi4yIDc0LjItMjYuMiA4Ni41LTU2LjEtMy4zLTg5LjQtMjEuMi02My43LTM4LjEtNzYuNC02OS44Qy01LjkgNzMtLjggMjkuOSAyMS42IDExLjcgNDQtNi40IDgzLjguNSAxMTYuNyA2LjFzNTkgMTAgNzEuOCAyNS44eiI+PC9wYXRoPjwvc3ZnPg==')}.ugb-0665127 .ugb-feature__title{font-family:"Roboto Condensed",Sans-serif !important;font-weight:100;letter-spacing:0.5px;color:#eeffb5;margin-bottom:14px !important}.ugb-0665127 .ugb-feature__description{font-family:"Palatino Linotype",Palatino,Palladio,"URW Palladio L","Book Antiqua",Baskerville,"Bookman Old Style","Bitstream Charter","Nimbus Roman No9 L",Garamond,"Apple Garamond","ITC Garamond Narrow","New Century Schoolbook","Century Schoolbook","Century Schoolbook L",Georgia,serif !important;font-size:18px;color:#ffffff;margin-bottom:30px !important}.ugb-0665127 .ugb-inner-block{text-align:left}.ugb-0665127.ugb-feature{background-color:#cf2e2e;background-attachment:fixed;background-image:url(https://www.greylockglass.com/wp-content/uploads/2020/01/annelieelina_empty_room_16X9.jpg);background-position:center center;background-repeat:no-repeat;background-size:cover}.ugb-0665127.ugb-feature:before{background-color:#cf2e2e;opacity:0.5}@media screen and (min-width:768px){.ugb-0665127 .ugb-feature__item{grid-template-columns:0.60fr 1.40fr !important}}Annelie Elina" One of my biggest goals when writing is to create something that my listeners can connect to. With this in mind, I really think about how the lyrics, beat, and vocals will make my audience feel. Some of my biggest inspirations are Billie Eilish, Julia Michaels, Lennon Stella, LÉON, Madison Beer, Alec Benjamin, Clairo and many more!I wrote my first original song "Staring at the Sun" after coping with losing somebody very close to me…Made me feel calm and relieved after writing about it. I wrote 4 more original songs that year in 2016 and you...

I have, as my special guest, rapper 2Toaster Los, who spoke to me last month from New Jersey State Prison, where he was serving the last two weeks of a sentence that ran just under eleven years. He was released on Juneteenth, and I’m betting it’ll be a holiday he remembers vividly. We'll spin his track, "That's What I Like." PLUS, I've also got new tracks from four other artists you should be paying attention to.

PLUS: Eight music artists you should give a listen to NOW.  * EXPLICIT * (but just a tiny bit...) Editor's Note: Musicians' bio info comes from the artists, their websites, or their publicists. Click on names below to visit their websites where you can get the full story, photos, and very often video. Welcome, my INDIEcent, yet faithful, legions of music addicts, to episode number 38 of INDIEcent Exposure. I am you host the mongrel — known in an alternate zip code as Jay Vee. Before we get into this week’s episode, I want to remind you to subscribe to this podcast in Apple Music, Google Play Music, or via your podcatcher of choice. And if you have an extra 30 seconds, leave us a five star rating and review — that really, really helps new listeners discover us. We work hard to help promote the Indie music scene, and you can too by turning people on to INDIEcent Exposure. While musicians get the lion’s share of attention on this show, I should remind you all that the podcast was also constructed as a home of Indie creators in performing arts, literature, game development, and most definitely film. And this episode is just the show to remind me how much more we should be doing to support those brave, starving artists. ReverbNation believes that. DIY shouldn't mean you're all alone. Build your career with ReverbNation's easy-to-use services and exclusive industry access. Check out all the awesome opportunities at ReverbNation.com ASAP. Featured in this EpisodeChris Considine • “On the Cusp” • singleFirebug • “Sinner” • Wandering SoulCass Clayton Band • “Flowers At My Feet” • Play NiceJoe Olnick Band • “Sticky Floor Nightclub” • IguanaShokazoba Funkestra • “Script Reader” • Illusion of Choice, EPMyki Tuff & the Friendly Fire Band • “War General” • Saturday Night RiddimEl Desollado • “Intro” • FlayingSamara Moni • “Doctor” • Samara Moni, EP So, in addition to great new music, we’ll be hearing from Phil Hawkins, director of the original, yet painstakingly faithful, derivative work of film, STAR WARS: ORIGINS. He’s done a mind-bending job, both with good, old-fashioned story telling and with state of the art effects unusual in short, independent films. I wouldn’t blame you if you scrolled down to the embedded trailer straightaway to see what I’m talking about. During this episode, I’ll play clips from my conversation with this up and coming director. Later on, I’ll let you know how to hear our whole discussion. He’s a fascinating personality in the film world today, and I know you’ll be hearing more about his work in the near future.

PLUS: Seven other artists you should give a listen to.  * EXPLICIT * (but just a tiny bit...) Photo: We speak with Josh Rouse about touring, recording, the solo thing, and, of course, The Holiday Sounds of Josh Rouse. Welcome, Indie music fans from Greylock Nation and around the world to Episode #37 of INDIEcent Exposure. I'm your host, the mongrel, and, as always, I'll be treating you to some of the most brilliant and freshest tracks to be found in the indiesphere. Editor's Note: In the audio for this episode, I misidentified Sam Miller's brand new release as an eponymous album. The album's correct name is In One Place at a Time. Also note that all artist bios are made available courtesy the artists. The Holiday Sounds of Josh Rouse I want to extend a hale and hearty welcome to the thousands of independent music artists who’ve arrived here from ReverbNation.com. We here at the Greylock Glass are thrilled to be offering these artists special consideration for inclusion in upcoming podcast and streaming shows. I’ll be clamping my ears into the headphones and giving a close listen to Fear the Spider from St. Petersburg, Florida; MCJX from Hollis, New York, The Incurables from Westland, Michigan, Darby O. Bell from South Bend, IN; Kassidy Lynne, out of Seattle, Wash., and many, many, many more. I’m already so impressed by what I’m hearing, and I think you will be too in the coming weeks. ReverbNation believes that. DIY shouldn't mean you're all alone. Build your career with ReverbNation's easy-to-use services and exclusive industry access. Check out all the awesome opportunities at ReverbNation.com ASAP. In this EpisodeJosh Rouse • "Easy Man" • The Holiday Sounds of Josh RouseSam Miller • "What You See Through Is See Through" • In One Place at a TimeAlicia Beale • "Creep" (orig by Radiohead) • single Desingly • "Anna" • singleAaron Matthew • "Milosh Wants A Mango" • Bend EPMikalyn Hay • "Deep End" • singleCait Devin • "Gone" • singleNight Skies & Visions • "Contempt" • single Today, however, we have a real treat of an interview with a veteran of the music scene who has just released an album that’s been a first of it’s kind for him, but which has been in the works for close to a decade. Josh Rouse fought back the fog that comes from international travel and spoke to us by Skype just after he’d returned from Spain where he’d debuted “The Holiday Sounds of Josh Rouse.” We get a surprising number of holiday music submissions of all genres each year. Most of the tunes are covers, and some are really good. Some are kinda painful to listen to, to be honest. What distinguishes this latest project by Josh Rouse is that he rushed nothing. Each tune has been crafted with artistry and imagination. Josh will be playing the HiLo North Adams, Mass, Sunday, December 15 at 7:00 p.m. If you’re in the area, I really hope you drop by.

PLUS: Eight other artists you should give a listen to.&nbsp; * EXPLICIT * (but just a tiny bit...) Welcome, Indie music fans from around the world to Episode #35 of INDIEcent Exposure. I'm your host, the mongrel, and, as always, I'll be spinning you a wide selection of choice tracks from far flung locales and genres. We speak with Michael Timmins of legendary alt-rock-country-blues-folk act Cowboy Junkies this past week as the band gets ready to do a micro Northeast U.S. tour. Cowboy Junkies is a nearly 40-year collaboration between (left to right) Alan Anton, Peter Timmins, Margo Timmins, and Michael Timmins ; featured photo by Heather Pollock Raccoon Raccoon; photo by Yoris, photographer. Your ears did NOT deceive you if you thought you heard the voice of Michael Timmins during the cold open. This amazingly talented member of legendary alt-rock-blues-folk act Cowboy Junkies spoke with us this past week as the band gets ready to do a micro Northeast U.S. tour. We'll be hearing about 12 or 13 minutes of our talk on this episode, in addition to a couple tracks off their recent release, All that Reckoning, right here on this episode. Premium Content Greylock Glass members at the Zinger level (a mere $5/month) have access toour full-length conversation with Michael Timmins of Cowboy Junkies. Your support is what allows us to keep this alternative newsthing alive, so please consider becoming a member at greylockglass.com/membership . We'll get to our chat with Michael Timmins and the tunes in just a bit, but first, let's open this show with a group we've heard from before — Racoon Racoon, from France, by way of Los Angeles, has just released another single, "Thunderbird." And if I've been accused of not having a softer side, well, I guess featuring this track puts the lie to that notion. So wistful and sweet, you just about have either to start with it or end with it, so here's "Thunderbird," on INDIEcent Exposure. A little like a tune out of time, right? Again that's "Thunderbird" by Racoon Racoon. In this Episode Racoon Racoon • "Thunderbird" • singleCowboy Junkies • "All That Reckoning Part 1" • All that ReckoningCowboy Junkies • "When We Arrive" • All that Reckoning Wes Buckley • "Golden Runner" • Dancing the Bliss Rad Trads • "Wishing Well" • On Tap Tanya Gallagher • "Dolphin in the Snow" • One Hand On My Heart<a rel="noreferrer noopener" aria-label="Louis Ville (opens in a new tab)" href="https://www.louis-ville.

You are listening to INDIEcent Exposure, this is Episode #34 and I am your host, the mongrel, welcoming you to another great show. It’s packed some with amazing tracks, some brand new and some that just stand the test of time. Brian Miksic, standing on the balcony off the Green Room at HiLo North Adams, overlooking Union Street; photo and image effects by Jason Velázquez. We’ll be hearing from Larisa Santiago, A Permanent Shadow, Dylan in the Movies, and more. We’ll also be hearing from two individuals who came together to do something highly unusual in this day and age — Orion Howard and Brian Miksic talk about what went into the opening of the brand spanking new live music venue, HiLo North Adams. Crazy, right? Opening a club in the Netflix and chill era? Maybe not, since the space was at capacity for the private opening performance of Izzy Heltai this Thursday, 8/29. Tickets for shows in the near future are also sold out, so I guess people will get off the couch and out the house if you give them a primo entertainment in a cozy place to play. Tracks Featured in this EpisodeIzzy Heltai • “Stuck in Stone” • Only Yesterday, EP, 2019 Shokazoba • “Puppets” • Illusion of Choice Larissa Santiago • “No Soy Tu Ninera” • single, 2019 A Permanent Shadow • “Empty” • Songs of LossJimmy Layton • “Eruption”• Fortunes of a Misspent Youth, Aug 2019 Burne Holiday • “Royal Bones” • Memento, 2019 Cass Clayton Band • “Doesn't Make Sense” • Play Nice, 2019 Tren Selva “People” Dizzy Blue Reflection, 2010 Dylan in the Movies • “August Moon” • Feel the Pull, 2005 The Izzy Heltai Band inaugurating the new stage at the newly launched HiLo, August 29, 2019; photo by Jason Velázquez We don’t have audio from opening night, but if you go to the shownotes for this episode, you can gaze at the photo of Izzy Heltai and his band breaking in the HiLo’s brand new stage. And if you do that while I spin you “Stuck in Stone” off his 2019 EP, Only Yesterday, you might even feel almost like you were there. The performance stage at HiLo, still under construction just days before the soft opening; photo and effects by Jason Velázquez. For Heltai’s show, the audience space was set up as a chill music cafe with small tables and chairs, which reduces the maximum capacity, but creates a very intimate mood. The band was amped, but I almost wonder if they had to be, the acoustics in the room are that good. Angles, a lot of wood to absorb sound, and of course, a well designed system permit sufficient volume withou...