Team Deakins has a great conversation with talented cinematographer,  Rodrigo Prieto (THE IRISHMAN, AMORES PERROS, BABEL). We learn that he is  a lover of the trickery of moviemaking and also haunted mansions! A  frequent collaborator of Martin Scorsese, he shares his experiences on  their various films. We talk about working with multiple cameras and the  importance of taking that into account when designing the sets. He  speaks of his start in Mexico, his move to LA, the importance of  developing your own taste and style, and how simplicity can be so  powerful. He also tells us of his collaborations with Julie Taymor,  Curtis Hanson, and Pedro Almodóvar, his use of LUTS, and his thoughts on  VFX. You won’t want to miss the eloquent thoughts of Rodrigo! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Team Deakins has a great conversation with talented cinematographer,  Rodrigo Prieto (THE IRISHMAN, AMORES PERROS, BABEL). We learn that he is  a lover of the trickery of moviemaking and also haunted mansions! A  frequent collaborator of Martin Scorsese, he shares his experiences on  their various films. We talk about working with multiple cameras and the  importance of taking that into account when designing the sets. He  speaks of his start in Mexico, his move to LA, the importance of  developing your own taste and style, and how simplicity can be so  powerful. He also tells us of his collaborations with Julie Taymor,  Curtis Hanson, and Pedro Almodóvar, his use of LUTS, and his thoughts on  VFX. You won’t want to miss the eloquent thoughts of Rodrigo! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Team Deakins has a great conversation with talented cinematographer,  Rodrigo Prieto (THE IRISHMAN, AMORES PERROS, BABEL). We learn that he is  a lover of the trickery of moviemaking and also haunted mansions! A  frequent collaborator of Martin Scorsese, he shares his experiences on  their various films. We talk about working with multiple cameras and the  importance of taking that into account when designing the sets. He  speaks of his start in Mexico, his move to LA, the importance of  developing your own taste and style, and how simplicity can be so  powerful. He also tells us of his collaborations with Julie Taymor,  Curtis Hanson, and Pedro Almodóvar, his use of LUTS, and his thoughts on  VFX. You won’t want to miss the eloquent thoughts of Rodrigo! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Team Deakins has a great conversation with talented cinematographer,  Rodrigo Prieto (THE IRISHMAN, AMORES PERROS, BABEL). We learn that he is  a lover of the trickery of moviemaking and also haunted mansions! A  frequent collaborator of Martin Scorsese, he shares his experiences on  their various films. We talk about working with multiple cameras and the  importance of taking that into account when designing the sets. He  speaks of his start in Mexico, his move to LA, the importance of  developing your own taste and style, and how simplicity can be so  powerful. He also tells us of his collaborations with Julie Taymor,  Curtis Hanson, and Pedro Almodóvar, his use of LUTS, and his thoughts on  VFX. You won’t want to miss the eloquent thoughts of Rodrigo! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Team Deakins has a great conversation with talented cinematographer,  Rodrigo Prieto (THE IRISHMAN, AMORES PERROS, BABEL). We learn that he is  a lover of the trickery of moviemaking and also haunted mansions! A  frequent collaborator of Martin Scorsese, he shares his experiences on  their various films. We talk about working with multiple cameras and the  importance of taking that into account when designing the sets. He  speaks of his start in Mexico, his move to LA, the importance of  developing your own taste and style, and how simplicity can be so  powerful. He also tells us of his collaborations with Julie Taymor,  Curtis Hanson, and Pedro Almodóvar, his use of LUTS, and his thoughts on  VFX. You won’t want to miss the eloquent thoughts of Rodrigo! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Team Deakins has a great conversation with talented cinematographer,  Rodrigo Prieto (THE IRISHMAN, AMORES PERROS, BABEL). We learn that he is  a lover of the trickery of moviemaking and also haunted mansions! A  frequent collaborator of Martin Scorsese, he shares his experiences on  their various films. We talk about working with multiple cameras and the  importance of taking that into account when designing the sets. He  speaks of his start in Mexico, his move to LA, the importance of  developing your own taste and style, and how simplicity can be so  powerful. He also tells us of his collaborations with Julie Taymor,  Curtis Hanson, and Pedro Almodóvar, his use of LUTS, and his thoughts on  VFX. You won’t want to miss the eloquent thoughts of Rodrigo! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Team Deakins has a great conversation with talented cinematographer,  Rodrigo Prieto (THE IRISHMAN, AMORES PERROS, BABEL). We learn that he is  a lover of the trickery of moviemaking and also haunted mansions! A  frequent collaborator of Martin Scorsese, he shares his experiences on  their various films. We talk about working with multiple cameras and the  importance of taking that into account when designing the sets. He  speaks of his start in Mexico, his move to LA, the importance of  developing your own taste and style, and how simplicity can be so  powerful. He also tells us of his collaborations with Julie Taymor,  Curtis Hanson, and Pedro Almodóvar, his use of LUTS, and his thoughts on  VFX. You won’t want to miss the eloquent thoughts of Rodrigo! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Team Deakins has a great conversation with talented cinematographer,  Rodrigo Prieto (THE IRISHMAN, AMORES PERROS, BABEL). We learn that he is  a lover of the trickery of moviemaking and also haunted mansions! A  frequent collaborator of Martin Scorsese, he shares his experiences on  their various films. We talk about working with multiple cameras and the  importance of taking that into account when designing the sets. He  speaks of his start in Mexico, his move to LA, the importance of  developing your own taste and style, and how simplicity can be so  powerful. He also tells us of his collaborations with Julie Taymor,  Curtis Hanson, and Pedro Almodóvar, his use of LUTS, and his thoughts on  VFX. You won’t want to miss the eloquent thoughts of Rodrigo! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Team Deakins has a great conversation with talented cinematographer,  Rodrigo Prieto (THE IRISHMAN, AMORES PERROS, BABEL). We learn that he is  a lover of the trickery of moviemaking and also haunted mansions! A  frequent collaborator of Martin Scorsese, he shares his experiences on  their various films. We talk about working with multiple cameras and the  importance of taking that into account when designing the sets. He  speaks of his start in Mexico, his move to LA, the importance of  developing your own taste and style, and how simplicity can be so  powerful. He also tells us of his collaborations with Julie Taymor,  Curtis Hanson, and Pedro Almodóvar, his use of LUTS, and his thoughts on  VFX. You won’t want to miss the eloquent thoughts of Rodrigo! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Team Deakins has a great conversation with talented cinematographer,  Rodrigo Prieto (THE IRISHMAN, AMORES PERROS, BABEL). We learn that he is  a lover of the trickery of moviemaking and also haunted mansions! A  frequent collaborator of Martin Scorsese, he shares his experiences on  their various films. We talk about working with multiple cameras and the  importance of taking that into account when designing the sets. He  speaks of his start in Mexico, his move to LA, the importance of  developing your own taste and style, and how simplicity can be so  powerful. He also tells us of his collaborations with Julie Taymor,  Curtis Hanson, and Pedro Almodóvar, his use of LUTS, and his thoughts on  VFX. You won’t want to miss the eloquent thoughts of Rodrigo! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app