Her Head in Films
Her Head in Films
Caitlin
*This podcast has ended* My head isn't in the clouds. My head is in films. I'm Caitlin. On this podcast, I share my personal thoughts and feelings about the films I watch, mainly art house and world cinema. This podcast celebrates the personal, the subjective, and the emotional. I weave together my life experiences with an in-depth discussion of the movies that haunt and astound me. Instagram: @herheadinfilms Twitter: @herheadinfilms Email: [email protected]
Lynne Littman's 'Testament' (1983)
In this episode, I talk about Lynne Littman's 1983 film, "Testament." It's about how a mother and her children in a California town survive the aftermath of a nuclear bombing. We don't know who dropped the bombs, what has happened in the rest of the country, and we're not provided any political details. The film is solely about this family and how they confront the gradual and horrifying deterioration of their bodies due to radiation poisoning and the breakdown of society. Without a doubt, this is the most terrifying film I have ever seen. I talk about grief and loss, what makes the film so emotionally powerful, and the difference between watching it before and during the Covid-19 pandemic. There are spoilers in this episode. Full show notes: https://herheadinfilms.simplecast.com/episodes/episode-115-lynne-littmans-testament-1983
Oct 13, 2020
2 hr 16 min
Elem Klimov's 'Come and See' (1985)
In this episode, I talk about Elem Klimov's monumental 1985 Soviet film, "Come and See," which follows a young man named Florya who witnesses atrocities and violence that happen in Nazi-occupied Belarus in 1943. The film is both personal and historical. Klimov himself experienced the Second World War as a child in Stalingrad. He was forever scarred by what he witnessed. Together with writer, Ales Adamovich, Klimov wrote the script for "Come and See" and based it on real-life testimonies. Over 600 villages were destroyed by the Nazis in Belarus during the Second World War. In the end, around 2 million people in Belarus lost their lives during the war. This film bears witness to their suffering and it's also a searing representation of the horror of war. Klimov resists glorifying violence. Instead, he shows us the sickening and frightening reality of what war is and what it does to human lives. While the film is graphic, it is also restrained, often only showing us things from afar, like a glimpse of a pile of dead bodies or the sounds of people burning in a building. I discuss how I think this is one of the most important films about war and atrocity ever made and how a film like this can awaken our sense of morality and truly transform the viewer. Full show notes: https://simplecast.com/s/7d9d7c23
Dec 10, 2017
1 hr 31 min
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