If you love music, if music changed your life, if music made you feel things you’ve never felt before, then this is the interview for you. Joining me once again is Lisset Diaz of the Cuban-by-way-of-Nashville-based Sweet Lizzy Project. We discuss the band’s newest and long-awaited album Pirate Radio/Radio Pirata. Simply stated, this is album for the ages. Pirate Radio is a concept album that traces the life and consequences of a fictional character in Cuba who goes to great lengths to listen to rock and roll music. In doing so, this character becomes almost an accidental prophet of sorts and at the end faces a life-or-death decision. While loosely based on their own story, Pirate Radio is, sadly, the story of all too many Cubans. We talk about four songs from the record—Pirate Radio, Black Water, Slip Away, and Shake the Walls. Like the album itself, this is an as emotional, powerful interview. Lisset opens up about the pressures and stresses she felt in writing and recording Pirate Radio, along with the consequences she and her band may face for simply sharing their beliefs. My only hope is that this interview does justice to their cause, so please sit back, buckle up, and welcome Lisset Diaz back to For Songs.

There’s a moment in singer/songwriter Nora O’Connor’s new album My Heart when you realize just how special her talent is. By admission, the Chicago-based musician is more comfortable in the background, singing backup and playing various instruments with such Americana luminaries like Neko Case, the Decembrists, Robbie Fulks, among others. But for the first time in 18(!) years, Nora is back with a solo album—her third—called My Heart, released in early October. And it’s about midway through the fourth song on the album “Cambridge Cold” when you understand why My Heart is such an impeccable listen, and is exactly the kind of music the world needs. Indeed, Nora’s songs make you feel at home, no matter where you are. With a soothing voice reminiscent of Linda Ronstadt, Emmylou Harris, and Stevie Nicks, Nora has been an in-demand harmony vocalist for two decades, and when she sings you feel like everything is going to be okay. In this episode of For Songs, Nora provides a refreshing take on her music, her career, and how a decade-plus of supporting Neko Case and others made her want to dip back into her own musical well. We discuss about four songs from the album—Sore, Cambridge Cold, the album’s one cover It’s Alright Now, and Fare Thee Well. Nora walks us through how these songs came to be and how performing outdoor shows during the COVID lockdowns unlocked her creative juices. So sit back and listen in as Nora O’Connor joins me for this episode of For Songs!

You think you’ve been productive during COVID? Maybe so, but did you write, record, and release three (that’s right, THREE!!!) albums in two-plus years? No? Well, my next guest did. In fact, folk singer John McCutcheon’s latest album Leap, released in September 2022, is not only his third album since 2020, but his 43rd of his career! John’s love of folk music began as a young teenager watching the 1963 March on Washington; after seeing Bob Dylan, Odetta, Joan Baez, and Peter, Paul, and Mary, he was hooked. He’s been writing and recording folk music since the mid-1970s, and hasn’t looked back. In this episode, we talk about four songs from Leap—The Ride, The Troubles, Sorryland, and Work. We take a deep-dive into his prolific songwriting process, how the material keeps flowing, and how he hopes to stay “useful” as long as possible. Listen in!

As you’ve no doubt heard in listening to this podcast, the music industry is not for the faint of heart. You need nerves of steel, patience, determination, and, at times, a devil-may-care attitude. You also need support, and lots of it, if you hope to make just enough to get by. In this special episode of For Songs, we are joined again by indie-rock legend Paleface and his drummer/partner Monica “Mo” Samalot. Paleface has seen it all, a veteran of the industry since the early 90s. His songwriting chops sharpened by folks like Daniel Johnston and others, PF has rubbed elbows with some of the biggest names in the business, people like Beck and the Avett Brothers. In this episode, PF and Mo discuss the crowdfunding campaign currently underway to support their next release, which is expected to come out in early 2023. We talk about what goes into writing, recording, producing, and releasing an entirely independent record. We discuss how you can play a key role in getting their new album out on the streets by supporting their efforts. And talk about the joy of playing live again after more than a year of being off the road. To make a contribution to their crowdfunding campaign, check out their website here: www.palefaceonline.com.

For me, this episode is 11 years in the making. For my guest Barry Lynch and his group the Armagh Rhymers? We’re talking 30 years. The Armagh Rhymers, a traditional Irish mummers band from Northern Ireland, released their first album in 1992. So now 30 years later, “Vol. 2” is on the streets and, well, you need to take a seat, grab a pint or two, and listen in. Mumming, for those who don’t know, is an ancient tradition, dating back in Ireland to the pagan, pre-Catholic days. It consists of musicians wearing straw masks, becoming characters, and performing a play based on fables and other rituals dating back thousands of years. They go door-to-door, singing and playing for whomever let them in. So yeah, this one goes back a bit. Barry helped produce and mix the album, as well as playing all kinds of stringed instruments and adding his distinctive vocals. I met Barry more than 11 years ago on a trip to Northern Ireland and we stayed in touch over the years. This is the first time we’ve talked since we met at a pub in the small town called Moy, maybe 45 minutes west of Belfast. Barry is an accomplished musician, having played all over the world and even at the White House in the late 90s, promoting the peace process that ended decades of sectarian strife in Northern Ireland. While this is an ancient artform, the Armagh Rhymers Vol. 2 is at its core about peace; it’s about coming together through music. So go grab that pint (or two) and welcome Barry Lynch to For Songs.

Peter Argyropoulos has a way with words. The lead singer/songwriter of the LA-based hard-rock band Sons of Silver has his finger on the pulse on what’s happening across the country and, indeed, the world. On his band’s debut EP Doomsday Noises, he presaged the pandemic, the social unrest, and the decaying fabric of society that has been our existence the last two years. Now, a year and half later, the band is back with a blistering follow-up EP called Ordinary Sex Appeal. In this five-song set, Peter and the band capture the angst, divisions, and frustrations that seem to be a part of our everyday lives. But there’s also a little hope included, if you listen closely. Peter joins me for the third time to discuss the new EP, when/how it was recorded, the magic of drummer Dave Kruzen’s playing, and much much more. As much as this is a commentary on society, this interview is also a clear love letter to the power of music. So sit back, get on your thinking caps, and welcome Peter Argyropoulos back to For Songs.

There’s something about simplicity and subtlety that sets the best songwriters apart. The simplicity in using the exact, perfect word—and only that word—to describe a feeling in a way that everyone can relate. And the subtlety of taking the listener on an emotional journey with a song that only lasts three minutes. Few artists have attained a mastery of both quite like my next guest, singer/songwriter Ben Vaughn. An exceptionally talented musician, Ben is a persistent writer; indeed, he writes almost every day. The tough part is getting it all down before it goes away. His music may remind you a bit of They Might Be Giants, a little Tom Waits mixed in with some Lou Reed. Ben’s been at it since the early 80s and even scored music for television shows and movies. He’s funny, witty, subtle, and unfailingly polite. We spoke from his California home about his newest album The World of Ben Vaughn, released in May 2022. Listen in as he discusses how he approaches his craft, his inspirations, and four songs from new album—Wayne Fontana Was Wrong, Blind Alley, Asking for a Friend, and New Jersey Rock and Roll. Dig in and welcome Ben Vaughn to For Songs.

Funny how the world works, at least in the world of music. This is the story of Kira Annelise and her husband Willie Heath Neal, who together make up the country duo The Waymores. When they met, Willie was a seasoned songwriter about to hang it up. He was still singing in bands when Kira saw him performing, and her world changed. A talented singer, Kira had yet to pick up a guitar or even listen to real country music—real being Hank Sr., Johnny Cash, John Prine, etc. After seeing Willie, Kira started playing guitar and writing music. It wasn’t too much longer that they started playing together, and, predictably, they became an official couple. Fourteen years later, Kira and Willie are still at it, and their newest album The Stone Sessions is proof positive of their magic. In this episode of For Songs, Willie and Kira talk about their past, their future, and, most importantly, their compelling present. We talk about four songs in particular from The Stone Sessions—Even When, Bat Shit Crazy, Roll That Chain, and I Don’t Like the Liquor. Their lush harmonies will send chills down your spine as they recall June and Johnny, while their self-depreciating humor will leave you in stitches. Buckle up, grab a drink, and welcome Kira and Willie to For Songs.

It’s been a little more than since my next guest first joined me on For Songs. Michael Patrick F. Smith and I go way back. Way way back. To elementary school, middle school, high school, and even church. Michael returns to the show for the first time since January 2021, a few weeks before his book The Good Hand was published. The Good Hand is a blistering read, telling the tale of his journey to North Dakota at the height of the shale-gas revolution that turned parts of the state into a latter-day gold rush. With the paperback version having just been released, Michael joined me to discuss a new song called Restless Companion. Restless Companion was one of a few new songs accompanying the audiobook of The Good Hand. It is a breezy tune that would fit right at home on Uncle Tupelo’s Anodyne, or Son Volt’s Trace. The song itself is an ode to The Good Hand and all the literal blood, sweat, and tears that went into it. So sit down, grab a beer, and welcome back Michael Patrick F. Smith to For Songs.

It’s been a rough two years, to say the least. Music is one of the few things keeping us together, and for some of us, The Clash have been doing the heavy lifting. In this unique episode, Tony from the Pug joins me for an enthralling conversation about music, the Clash, and so much more. The general theme of this conversation is as follows: What Big Audio Dynamite/Joe Strummer solo songs would’ve been great Clash songs? We tried to put in some ground rules, but those quickly went out the door. Aside from the Clash we talk about Poguetry, go-go music, cow punk, ska, and you name it. So rather than sum it up, it’s better if you just listen in. And join us online for an ongoing conversation! What songs would you pick? Ping us on Twitter--@thepugdc & @forsongs2!