Banned in 46 (*cough* more like eight) countries! Full of real (*cough* mostly simulated) death. This week, Duane and Desmond talk about 1978's Faces of Death. Then, Desmond goes solo on Faces of Death II, III, IV, and Faces of Death: Fact or Fiction?, as well as a further discussion on mondo movies. With an episode featuring some of the most graphic material ever watched in preparation for an episode of Dread Media, the music is some of the most sedate and (mostly) instrumental: "Jesus Doesn't Live Here Anymore (Single Version)" by Robert C. Wayne, "Ti Guardero' nel Cuore" a.k.a. "More" by Riz Ortolani, and the episode is bookended with tracks from the Faces of Death original score called "Washed Up Stiff / Rescue in the Cavern" and "Larry DeSilva Burnt Crispy / Public Execution" by Gene Kauer. Send feedback to: [email protected]. Follow @DevilDinosaurJr and @dreadmedia on Twitter! Join the Facebook group! Support the show at www.patreon.com/dreadmedia. Visit www.desmondreddick.com, www.stayscary.wordpress.com, www.dreadmedia.bandcamp.com, www.kccinephile.com, and www.dejasdomicileofdread.blogspot.com.

This week, Desmond and Tom review the French shark film Under Paris. Then, Desmond goes solo on a Dread Media Top 5 French Horror Films. Songs included: "A Swim with the Sharks" by Powerman 5000, "Oroborus" by Gojira, "Dead French Mathematicians" by Mares of Thrace, and "Still Waters Run Deep" by The 69 Eyes. Send feedback to: [email protected]. Follow @DevilDinosaurJr and @dreadmedia on Twitter! Join the Facebook group! Support the show at www.patreon.com/dreadmedia. Visit www.desmondreddick.com, www.stayscary.wordpress.com, www.dreadmedia.bandcamp.com, www.kccinephile.com, and www.dejasdomicileofdread.blogspot.com.

This week, Desmond and Duane check out the extreme horror anthology film with a release that's been 11 years in the making: The Profane Exhibit. Then, since the hour-long review wasn't enough, Des comes back to do a Dread Media Top 5 Foundational Modern Extreme Horror Films. And the music is also pretty extreme: "Lacking the Ability to Process Empathy" by Nails, "Profane" by Jesus Piece, "Morbid Lust" by Fulci, and "A Chilling Aura" by Gatecreeper. Send feedback to: [email protected]. Follow @DevilDinosaurJr and @dreadmedia on Twitter! Join the Facebook group! Support the show at www.patreon.com/dreadmedia. Visit www.desmondreddick.com, www.stayscary.wordpress.com, www.dreadmedia.bandcamp.com, www.kccinephile.com, and www.dejasdomicileofdread.blogspot.com.

Sometimes Hollywood screws up real good. When that happens, in times of direst need, podcasters will come together to teach the major studios the error of their ways by paying homage to the edited versions of these films they got us to buy a second time. We kick things of with 1990's Nightbreed: The Director's Cut, and wash that down with 1982's Blade Runner: The Final Cut. We sure showed them!Email: [email protected]: @WHXN37

This week on the show, a double feature of films that Desmond and Tom disagree on. First up, the tense New Zealand film Loop Track has your hosts in complete disagreement. Then, Tom likes Byte a little bit more than Des, but Des can't get past a film about a phone app that orders you a vial of werewolf blood. Songs included: "Me Inside" by Slipknot, "Blackbird" by Alkaline Trio, "Byte Block" by Fear Factory, and "Silently Walking Alone" by Leprous. Send feedback to: [email protected]. Follow @DevilDinosaurJr and @dreadmedia on Twitter! Join the Facebook group! Support the show at www.patreon.com/dreadmedia. Visit www.desmondreddick.com, www.stayscary.wordpress.com, www.dreadmedia.bandcamp.com, www.kccinephile.com, and www.dejasdomicileofdread.blogspot.com.

This week, our old friend Gregory Lamberson joins us to talk about the first year of his brand new film festival: Amazing Fantasy Fest! And this time, because he's a programmer for said film festival, Desmond has seen all 21 features that are playing from September 13th-19th in Buffalo New York. Check out http://www.amazingfantasyfest.com. And there's some exciting news about Greg's upcoming movie, Frenzy Moon. Songs included: "Amazing Grace" by Entombed, "Fantasy" by Church of the Cosmic Skull, and "Them Bones" by Fishbone. Send feedback to: [email protected]. Follow @DevilDinosaurJr and @dreadmedia on Twitter! Join the Facebook group! Support the show at www.patreon.com/dreadmedia. Visit www.desmondreddick.com, www.stayscary.wordpress.com, www.dreadmedia.bandcamp.com, www.kccinephile.com, and www.dejasdomicileofdread.blogspot.com.

Have you ever said to yourself, "You know, I really liked Indiana Jones. I wonder if there's anything out there that's like that, but with no budget, a wildly varying tone, and just... so much racism? Like, a lot of racism." Wonder no longer! We venture into the heart of the Cannon Films archive to bring you 1985's King Solomon's Mines!Email: [email protected]: @WHXN37

With both its sequel and its unnecessary remake on the horizon, Christian and Emma voyage through the Lin-Manuel Miranda-, Opetaia Foa'i-, and Dwayne Johnson-infused ocean odyssey: Moana!

This week, we're back from vacation and sick as a dog, so it's a classic un-themed double feature! First up, Desmond and Tom wrap their heads around Moon Garden. Then, Desmond and Duane reckon with History of Evil. Songs included: "Without You" by Summon Luke featuring Lucy Oaks, "Moonpeople" by Devin Townsend, "Dictatorshit" by Sepultura, and "Blood in the Smoke" by Ohvaur. Send feedback to: [email protected]. Follow @DevilDinosaurJr and @dreadmedia on Twitter! Join the Facebook group! Support the show at www.patreon.com/dreadmedia. Visit www.desmondreddick.com, www.stayscary.wordpress.com, www.dreadmedia.bandcamp.com, www.kccinephile.com, and www.dejasdomicileofdread.blogspot.com.

The Brothers Wilson return to the summer as the Year of Redux settles its sights upon everyone's favorite Coppola: Nicolas Cage. This episode takes in his early turn as Cher's love interest in the Oscar-winning 80s comedy Moonstruck, his wacky-haired heroism in the nonsense Bruckheimer plane-heist / crime movie Con Air, and his self-deprecating turn playing himself in The Unbearable Weight of Massive Talent. Along the way, find out which movie yields the most Bond comparisons, and which movie would gain the most tepid poster quote from Pandy were he a contemporary mainstream film critic.