Rhian and Lewis talk about their guilty pleasures. The films that make them grimace and smile in equal measure. The ones they diss in front of their cool, Arthouse film pals but secretly think about fondly on a weirdly frequent basis. *Includes: Jurassic Park 3 and Robin Hood: Prince of Thieves.*

After a lengthy year off, that resembled every disaster film ever made, the new year begins with a new movie cohort; Lewis Foster. In the first episode of 2021, Rhian and Lew discuss what to watch and what not to watch to avoid sinking into a post-Christmas pit of despair and out of date mince pies.

Rhian, Martyn, and Lee give you some lovely films to watch to help get you through the post-Christmas blues.

Rhian, Martyn Cain and Lee Stevens chat about unconventional Christmas flicks and unpopular opinions on popular festive films in the lastest episode of Disc 2 Movie Review.

Which is better, the original or the remake? Rhian, Martyn and Lee compare the British 'Death at a Funeral' (Frank Oz, 2007) to its American remake (Neil LaBute, 2010), then turn our attention to the spine-tingling foreign horror, 'Rec' (Jaume Balaguero and Paco Plaza,2007), pegging it against John Erick Dowdle's US counterpart 'Quarentine' (2008).

Rhian Evans, Martyn Cain and Lee Stevens join forces once again, this time to talk sci-fi. In this episode, we look at Alex Garland's Netflix original 'Annihiliation' (2018) and Stanley Kubrick's '2001: A Space Odyssey' (1968) in between Rhian repeatedly mentioning she has a cold.

In this week's film review, Rhian is joined by Lee Stevens and Martyn Cain to chat about the silver screen knee-slappers Hunt for the Wilderpeople (2016) and Harold and Maude (1971).

In this episode, Rhian is joined by local thespian David Dawson to chat about Gene Kelly's musical masterpiece 'Singin' in the Rain' (1952) and the 2017 crowd-pleaser 'The Greatest Show' by Michael Gracey.

Rhian is joined by Martyn Cain and Lee Stevens to chat about Nicolas Roeg's 1973 cult classic 'Don't Look Now' and Ari Aster's 'Hereditary' (2018).