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Marco Lys Steps Into the Data Transmission Podcast
There are very few producers who have stayed this consistent for this long.
Marco Lys has been shaping house and tech house for more than two decades, releasing across Black Book, VIVa Music, Circus, Bambossa, SBJKT and plenty more along the way. The Venice-born producer has built his name on rolling grooves, tribal percussion and records made with the dancefloor firmly in mind.
That formula has kept him near the top of the pile. Marco sits among Beatport’s leading House artists, pulls in more than 430,000 monthly Spotify listeners, and his remix of Cajmere feat. Dajae’s ‘Brighter Days’ became one of the defining house remixes of 2023.
For his Data Transmission podcast, he gets straight down to business.
The mix moves through cuts from Javi Bora, Vibe Killers, Route 94, Piem, Ammo Avenue and Detlef, alongside a serious amount of Marco’s own music. ‘Real Love’, ‘Super Hot’, ‘Flute’, ‘So Good’, ‘Solo’, ‘Kente Flow’, ‘Too Bad’ and ‘Hause Muzica’ all make appearances.
It is exactly where Marco Lys operates best. Big grooves, tight drums and enough swing to keep things moving from the club basement through to the festival floor.
Get stuck into Marco Lys’ Data Transmission Podcast below.
Aug 10
1 hr

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Amanda Simpson makes her debut on dt weapons with ‘Wait What’, a sharp, attitude-loaded club cut built for heads-down dancefloor moments.
Based out of New York, Amanda has been steadily carving out her own lane as a DJ, producer and creative voice, bringing together underground club energy with a playful, personality-led edge. After already catching attention through Data Transmission’s Demo of the Week series, she now steps properly into the label fold with a debut that feels confident, direct and ready for the booth.
‘Wait What’ wastes no time locking into its groove. A tight, rolling rhythm section drives the track forward, while a punchy bassline, trippy acid touches and a teasing vocal hook give it that raised-eyebrow, late-night character. The arrangement keeps things moving with stripped-back tension, clean drops and enough bite to cut through a busy room without losing its swing.
Raw, fun and full of club-ready swagger, ‘Wait What’ is a strong first statement from Amanda Simpson on dt weapons.
Aug 10
1 hr 24 min

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Massi Rocket brings the heat for our latest Spotlight Mix
Milan’s Massi Rocket steps into the Data Transmission Spotlight with a groove-heavy mix built around rolling percussion, warm basslines and the kind of house music that works best once the room has properly filled up.
Rocket has been part of Milan’s club fabric for years, both behind the decks and behind the scenes. He owns Rocket Club, programming international guests alongside local talent, while his Motel Calypso parties have grown into their own label operation. His productions have also landed on Spinnin’ Records and MIAW, moving between deep, tech and minimal house without losing that club-first mentality.
That same approach runs straight through this mix. There’s plenty of swing in here, with cuts from Mendo & Angel Heredia, Calussa, Pinedo, Chico Rose, Arzenic and Mr. Belt & Wezol & RUZE keeping things locked into a warm, percussive pocket. Latin touches, chunky drums and rolling low-end do most of the work, with the energy building naturally rather than reaching for cheap peaks.
Sitting right in the middle is Massi Rocket and Alfrenk’s ‘Tribal Vibes’, released on Motel Calypso Records on 24th July. The pair built the record around tribal drums, toms, airy hats and a looping bassline, with guitar touches and spoken vocals giving it just enough character without getting in the groove’s way.
It fits this mix perfectly. House music with its sleeves rolled up, made for terraces, basements and those sweaty few hours when percussion starts doing most of the talking.
Get stuck into Massi Rocket’s Spotlight Mix below.
Aug 7
1 hr 5 min

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Killed Kassette launches new label with reimagined version of house classic ‘Flashdance’
The UK producer’s new single featuring Maisie Ma’e lands on 10th July as the debut release on Killed Kassette Records.
Killed Kassette is opening a new chapter with the launch of his own imprint, Killed Kassette Records, unveiling a contemporary rework of the house classic Flashdance as the label’s inaugural release.
Out on 10th July, the single features vocalist Maisie Ma’e and sees the UK producer revisit one of dance music’s most iconic records through a modern club lens, with entirely new vocal and guitar recordings alongside an updated production aimed squarely at today’s dance floors.
Rather than recreating the original, Killed Kassette has approached the project as a full reinterpretation, retaining the energy and emotion that made the track a house staple while delivering a sound designed for 2026 systems, festivals and peak-time sets.
Having built a reputation with releases on labels including Armada, KMS, Kittball and Perfecto. Killed Kassette has continued to establish his credentials within the international house scene though his official remix work for artists such as Kevin Saunderson, Cassimm, Harry Romero, Chez Damier, Carl Craig and Roland Clark.
The new release also marks the beginning of Killed Kassette Records, a platform that the producer says will focus on forward-thinking house music while remaining rooted in the spirit and culture of the underground.
“Flashdance has always been one of those records that I wanted to use to connect to a new generation of clubbers,” says Killed Kassette. “I wanted to create something that respected the original but felt completely at home on modern dance floors. We re-recorded everything from scratch, brought in live guitars and Maisie’s incredible vocal performance, and gave it a fresh identity while keeping the emotion that made the record so special.”
Maisie Ma’e’s soulful delivery provides the centrepiece of the new version, bringing a contemporary edge to a timeless dance anthem and helping to bridge classic house influences with modern production aesthetics.
With its blend of live instrumentation, updated sonics and a clear nod to house music heritage, Flashdance offers a fitting statement of intent for the launch of Killed Kassette Records and the next phase of the producer’s career.
Killed Kassette ft. Maisie Ma’e – ‘Flashdance’ is released on Killed Kassette Records on 10th July.
Jul 28
5 min

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Sowel takes control of this week’s Spotlight Mix following the release of ‘Tus Pasos’ on dt weapons.
The Spanish DJ and producer has spent more than a decade sharpening his sound across clubs throughout Europe, with over 650 appearances and several sets at Amsterdam Dance Event 2025. Releases on Protocol Recordings, Glasgow Underground and HoTL have helped establish his groove-led blend of house and tech, earning support from Nicky Romero, Mark Knight, Deep Dish and Fedde Le Grand.
His dt weapons debut keeps that club focus locked in. ‘Tus Pasos’ rolls forward on crisp drums, hypnotic Latin vocals and a warm bassline built for busy floors and late-night rooms.
That same energy runs through his Spotlight Mix. Sowel moves between his own productions and cuts from Crusy, Karretero, Tini Gessler, James Hype, Alaia & Gallo and more. The pace stays high, the percussion stays loose and the groove never gets pushed aside.
Listen to Sowel’s Spotlight Mix below and grab ‘Tus Pasos’ now on dt weapons.
Jul 28
1 hr 10 min

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## TABLE MANNERS steps into the Spotlight with a 97-minute club workout
Wallis, better known behind the decks as TABLE MANNERS and the founder of AUXINN DJ products, takes control of our latest Spotlight Mix with a session built for proper dancefloors.
Recorded across two CDJs, the 97-minute mix moves through house, tech and deeper territory, holding a steady groove while the pace climbs from 126 to 130 BPM. It is bumpy, direct and packed with the kind of records that keep a room moving without forcing the issue.
TABLE MANNERS opens with his own collaboration alongside Ryan Taft, ‘Tune On’, before working through cuts from Juli De Alonso, Wuez, Leandro Da Silva, Late London, Joe Vanditti, RILEY, Ninetree and East End Dubs & Wheats. There is also room for Fish Go Deep’s enduring ‘The Cure & The Cause’, before Solarstone’s ‘Seven Cities’ gets the Hernán Cattáneo and Martín García treatment to close things out.
Across 26 tracks, the mix balances rolling basslines, clipped percussion and plenty of low-end swing. The middle section tightens the pressure with music from Gino Da Koda, VIOT, Galo, Seeing Double and Blank Sense, while Late Replies’ ‘I’ll Give You Things’ sets up the final stretch.
No rush, no unnecessary tricks, just a long-form club mix from someone who knows how to let records do their job.
Turn it up and get stuck into TABLE MANNERS’ exclusive Data Transmission Spotlight Mix.
Jul 22
1 hr 37 min

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Kyle Kinch steps into the Data Transmission Podcast for the first time this week, bringing a mix packed with rolling house pressure, sharp club selections and a serious amount of unreleased music.
Kinch has spent years carving out a sound that sits somewhere between house, disco and techno, always tied together by groove. Jazz and disco remain at the root of what he does, but his records are built for proper rooms. That approach has taken him onto Gorgon City’s Realm Records, Sonny Fodera’s Solotoko, Nervous and EMI, with support from CamelPhat, FISHER and David Guetta along the way.
He was the first artist outside Gorgon City themselves to release on Realm, with his ‘Manchester’ EP helping establish the sound that has since carried him through Ultra Music Festival, Printworks, Brooklyn Mirage, Tobacco Dock and EDC. Add a Duke Dumont remix and sets alongside Claude VonStroke, Kaskade, Chris Lake and Gorgon City, and the picture is fairly clear. Kinch knows how to work a dancefloor.
The mix reflects that. Pietro Pellizzari opens proceedings before Kinch quickly starts dipping into his own vault. There are five solo Kyle Kinch IDs in here, alongside unreleased cuts from KC Gilmore and Drew Pree, My Friend, Alex Mills and more. Wh0, OFFAIAH, Ammo Avenue, Kepler, Boss Priester, Flashmob and Jack Marlow keep the energy moving between chunky house, swung drums and late-night low end.
There is also ‘Pressure’, Kinch’s collaboration with OFFAIAH, plus ‘TR8’ with KC Gilmore and Drew Pree. Released on Walker & Royce’s Rules Don’t Apply, ‘TR8’ is built around deep sub pressure, loose drums and the kind of swing that keeps a room moving without trying too hard. The three friends started the record while jamming on TR-8s, and that shared studio chemistry runs right through it.
For a debut podcast, Kinch has not played it safe. This is a proper selector’s mix, full of private weapons, new collaborations and enough unknown material to keep the tracklist watchers busy.
Turn it up and get stuck in.
Jul 14
57 min

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Illyus Barrientos is back on Toolroom with MALU for ‘Right Here’, and he joins us this week for the Data Transmission Podcast.
The new single lands with proper intent. Big drums, a heavy bassline and a vocal that knows exactly where it wants to be, right in the middle of the room. It follows Illyus’ recent run of club-ready cuts including ‘Never Let You Go’ with MK, ‘People’s PRTY’ and ‘Deep Down’, which dropped on Toolroom back in January.
MALU makes her Toolroom debut here too, arriving with serious heat from Brazil after appearances at Tomorrowland, Green Valley and more. Not a bad first stamp on the label, then.
Illyus has long been one of those names you trust when the record needs to work. Releases on Toolroom, Defected, Glasgow Underground, Love & Other and Nervous Records tell their own story, while support from Carl Cox, Chris Lake, Hot Since 82, FISHER, Sam Divine, Mark Knight and Armand Van Helden puts him in very good company.
He has also turned in official remixes for Armand Van Helden, Duke Dumont, Dom Dolla, Purple Disco Machine, Calvin Harris and Sonny Fodera, alongside sets at Fabric, The Warehouse Project, Printworks, Hï Ibiza, Ushuaïa, CRSSD and Splash House. Add in a BBC Radio 1 Essential Mix, Toolroom Radio hosting duties and his A&R role at Electronic Nature, and you’ve got someone who knows records from every angle.
For this week’s podcast, Illyus keeps it moving. His own cuts sit alongside DJ Romain, Danny Howard, Prunk, Airwolf Paradise, William Kiss and DJ Gant-Man, with plenty of bounce, swing and late-night pressure throughout. House music built for basements, festival tents and those sweaty rooms where the kick drum does most of the talking.
Lock in below and catch Illyus Barrientos and MALU’s ‘Right Here’ on Toolroom now.
Jul 6
1 hr

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**aMo (um) steps into the Spotlight with ‘HOTS 4 U’ riding high**
Birmingham roots, Ibiza miles, and a record doing serious damage this summer.
Today’s Spotlight Mix comes from aMo (um), a DJ, producer and long-time selector with more than two decades in the game. From pirate radio and rave culture through to residencies across Birmingham, Europe and Ibiza, his sound has always carried a proper club backbone. These days, he sits deep in the house and minimal pockets, stripped back, rolling, and built with that 90s pressure still tucked under the bonnet.
It also lands at a big moment. aMo (um) has just linked with long-time friend Chris Lorenzo on ‘HOTS 4 U’, out now on tszr as the label’s landmark 100th release. The track has already been hammered by Jamie Jones, Peggy Gou, Michael Bibi, Mau P, Dom Dolla, Chris Lake, Fisher, Prospa, Josh Baker and more, and it is easy to hear why. Snapping drums, acid bite, a filthy bassline and those samples doing exactly what they need to do.
The mix follows the same line. Traumer, Miroloja & Olivier Romero, Lee Burton, Dumitrescu and more all get worked into a tight, groove-led session, with ‘HOTS 4 U’ landing right where it should. Basements, terraces, afters, whatever room is still moving.
Lock in below and get into aMo (um)’s Spotlight Mix.
Jun 30
1 hr

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Life on Planets steps into the Data Transmission Podcast this week with a bag full of soul, groove and proper late-night movement.
Baltimore-bred singer, songwriter, guitarist and dance music wanderer Phill Celeste has carved out his own lane as Life on Planets, moving between house, R&B, funk, soul, reggae and live performance without losing sight of the dancefloor. His music has found homes on Wolf + Lamb, Soul Clap Records, Classic, Defected, Tuskegee, No Art and more, with his roots stretching back through the warehouses of Baltimore and the underground scenes that shaped him.
His latest move lands him in the Desert Hearts universe, teaming up with the collective on their new single ‘This Is The Place’, out now via Desert Hearts Records. Built around a deep, melodic tech house groove, Life on Planets brings the human touch with rhythmic vocals, funky guitar work and that loose, communal energy that has always sat at the heart of Desert Hearts.
It is a fitting link-up. Desert Hearts have spent over a decade building a label, festival and global community around freedom, connection and dancefloor togetherness, while Life on Planets has long carried that same spirit through his own records and performances.
For his Data Transmission Podcast, he keeps that feeling moving. Across the mix, he rolls through warm house pressure, classic vocal touches, bumping basslines and soulful cuts from Nick Holder, Tom Flynn, Todd Terry, Moodymann, Detroit Rising, Elements of Life, Paul Johnson, Octave One and more. There are basement moments, rooftop lifts and enough swing in the drums to keep things loose.
There is also a nod to the new single, with Desert Hearts and Life on Planets’ ‘This Is The Place’ sitting right where it should, in the middle of a set built on groove, connection and records that still feel alive.
Lock in and let Life on Planets take control.
Jun 30
1 hr
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