I would call this a classic 59 Perlen track — minimalistic, endless, and drenched in reverb :) It captures what I’d call my signature sound, something every artist strives to find. Funny enough, I only realized I had found mine when people started telling me they could recognize my music instantly — no matter the genre it is.

I simply love this track.

I always have parts in my live sets that give me short breaks during a show — pieces that almost play themselves, with a high level of generative modulation. This track is one of them. I originally prepared it for a show in Zurich but decided not to use it in the end. When I created it, I felt like I was watching outer space unfold in sound.

A tribute to my all time favorite synth — the Vermona Perfourmer MKII. It´s one of those classic pieces of gear you never sell. This melodic jam became one of my most streamed tracks so far.

This track is an unfinished demo of a track that was ment to become a melodic house track. I produced it during a class for Ableton producers. The main lead was created using a plugin that simulates the Commodore C64 SID Soundchip.

This track is part of a full-length art installation titled "The Maze", which premiered in November 2024 in Copenhagen. It marked the first duo collaboration with my partner, Bernardo San Rafael. The song holds something truly magical — it was the most intimate moment at the end of the show, and even though the stage design kept us from maintaining eye contact, our connection felt incredibly strong. Listening to this piece instantly takes me back to that unforgettable evening.

I performed this track at the most important event in my musical journey — Sonic Playground 2022, hosted by my label, Petite Victory Collective. It was during this performance that I truly realized the power of connection with my audience. I still feel that warm glow when I remember how people began dancing and whistling — one of those unforgettable moments, beautifully captured in this piece of music.

My first Jam with the Elmyra 2 drone synthesizer from Neutral Labs. What can I say - even though this device has a lot of hidden secrets in a nerdy menu system without any screen, its so accessible,versatile, dark and deep in such a tiny lightweight box, it's a real dream for ambient musicians. I just use 2 of the 4 voices in this little jam (one in Chord Mode, one with Sub-Oscillator), the audio out is running though a Big Sky Reverb.

“Swim To You” has a long and rather unique journey behind it. The original piece was composed for a temporary art installation called "Shopping Bag". Back then, it was performed entirely on the Vermona Performer—some of those original sounds still remain in this new version. I loved the textures so much that I decided to release it as a single titled "Swim To You". A singer-songwriter later added vocals, turning it into a calm, chill-out track. Months later, I created a dance remix for my first vinyl album "Forget About The Music", where the track was also released as a single. The song eventually reached Swiss artist "Ingeborg", who sent me a reel with spontaneous vocals recorded over "Swim To You". I loved it immediately, and together we developed a new version, which became a new song titled "Siren". Ingeborg later reworked the Siren vocals again, transforming the piece into a completely new standalone track with the same title, carried by her extended vocal lines. It was released on August 25. Finally, when I began revisiting my older material as ambient reinterpretations, I returned once more to "Swim To You" and created a very small sample set of the stems. This latest version reshapes the song into an ambient soundscape, performed on the Solar 42F and Soma Cosmos.

In September, I’ll be performing several ambient shows and have already started preparing for them. This piece, which I’ve titled Rise, reminds me of that moment just before sunrise. The textures were created using a glockenspiel and the Soma Cosmos. For these shows, I want to bring more acoustic elements into my sets, and I’m currently putting together a kind of “sound toolkit” made of different sonic objects.