“The Dead Childrens of Jingle Bells” is a piece dedicated to the memory of the approximately seventy thousand children who lost their lives in Gaza.
The composition, 

Only twice, and for just a few measures, the melody of Jingle Bells briefly appears.
This delicate, almost whispered quotation creates a stark contrast between the festive imagery of our traditions and the horror of the massacre. It is an emotional rupture — a reminder of how the world can keep celebrating while childhood is erased elsewhere.

This piece is not meant to be political; it is meant to be human.
An invitation to listen, to pause, to remember.
To never grow accustomed.

in length, unfolds as a sonic requiem: electronic textures, distorted guitars, suspended harmonies, and fragile acoustic traces that evoke absence, silence, and interrupted lives.

Maqām

Neapolitan, graduated in Double Bass at the Conservatory of Naples, a Master in Digital Writing at the Faculty of Educational Sciences of Florence and graduated in Electroacoustic Musical Composition at the Conservatory of Benevento, he is strongly attracted by the possibilities of interchange of codes and their distinctive and transversal constituent elements . The research areas focus on the interactions between Visual and Sound Art and push towards a study aimed at the relationships between phonemes, signs, perception and environment in a holistic and minimalist direction. There are numerous performances and installations in which he participates with a wide versatility between cultures, styles and artistic models and in which he operates on multiple levels of interest: compositional, planning, didactic; between exchanges of thoughts and actions shared with artists and creatives.