We return to Season 1 of our podcast to discuss The Fast Saga (AKA F9), which features the return of director Justin Lin along with Han and other characters from films past including Sean Boswell and Twinkie (F3), Stasiak (F4, F6), Queenie and Owen Shaw (F7, F8), and Cypher (F8) as well as John Cena as Dom’s brother Jacob. We talk about the flashbacks that summarize 30 years of the Toretto family legacy, the self-referential awareness that Lin brings back to the family and the franchise, and the embrace of Roadrunner cartoon aesthetics. And magnets, we also talk about magnets.  

In Part 1 of Season 2’s Episode 13, we discuss the revival of Theodore “Ted” Logan in Bill and Ted Face the Music (2020). Bill and Ted continue to struggle as musicians, husbands, and now fathers, but it’s clear that Ted’s experiences have diverged from Bill’s somewhere in the 30 years since their bogus journey, a sly but important narrative point. More importantly, we fawn over Billie and Thea, musicologists who are just as silly and lovable as their fathers, and their potential to continue the franchise.

In this Season 2 supplemental episode, we return to our star study of Keanu Reeves with a focus on his cameos in Always Be My Maybe and Toy Story 4. Released within weeks of each other in 2019, Keanu’s characters are deeply flawed yet delightfully unaware in both films, continuing his embrace of the beta male and commenting on mediated expectations. Along with brief mentions of Keanu (2012) and The Spongebob Movie: Sponge on the Run (2021), we discuss Keanu’s willingness and eagerness to laugh at himself.

Bob and Charisse went to see F9: The Fast Saga in the theater together this weekend, breaking an almost 18-month long quarantine from the theater. In a quick post-movie debriefing after the movie, we discuss why we think people need to see F9 and what excites us most. Charisse also made tote bags to celebrate the occasion. Comment with your favorite scene from F9 by July 9 to get your own Critical and Curious tote and stay tuned for the full episode!

We discuss Hobbs and Shaw (2019) in this Season 1 supplemental episode, Dwayne The Rock Johnson, Jason Statham, Vanessa Kirby, and Idris Elba star in this off-narrative comedic extension of the Fast and Furious universe that elaborates and parodies many elements of the franchise. The hilarious antagonism, the existential villains, and the conflict between the family you have and the family you make. Filled with great dialogue and profound commentary, the film continues to show us where this series can go.

Our final episode discusses Aleta Chappelle’s Romeo and Juliet in Harlem (2017). Crowdsourced and shot on site, it is the first and only version to feature a cast composed entirely of people of color. As our only female director this season, Chappelle brings an innovative approach to the story by featuring Harlem as a character to create some of the best scenes in the film, and embracing the feminine by casting Benvolio as a woman and showcasing the relationship between Lady Capulet, Juliet, and the Nurse.

In this season’s penultimate episode, we discuss Carlo Carlei’s Romeo & Juliet (2013) written by Julian Fellowes (Downton Abbey). Fashioned as the millennial Romeo and Juliet, it features teen stars Hailee Steinfeld, Kodi Smit-McPhee, and Ed Westwick alongside Damian Lewis and Paul Giamatti. Despite the A-list cast, the beautiful scenery, sets, and costumes, and some very striking photography, the film falls flat and often feels like a big budget high school performance instead of a major Hollywood movie.

Since its release in 2011, Gnomeo & Juliet has become a post-postmodern classic. This 3D computer-animated fantasy romantic comedy directed by Kelly Asbury and written by a team of ten writers, features an overwhelming mashup of Romeo & Juliet, Elton John songs, and pop culture references. However, the film’s refreshing take on essential elements - the initial meeting, the balcony scene, the wedding scene - creates a Shakespeare appetizer for young viewers and almost makes up for its desperate hodgepodge.

In the pandemic, Bob and Charisse go back in time to discuss Shakespeare in Love, the 1998 Oscar Best Picture starring Gwyneth Paltrow and Joseph Fiennes, written by Marc Norman and Tom Stoppard. We originally thought it was a film built around Romeo & Juliet but not a true Romeo & Juliet story. We were wrong. The film is not only a retelling of our classic tale, it retells Shakespeare himself by literally pulling back the curtain, winking at Shakespearean scholars, and embracing early modern fan culture.

We discussed Jonathan Levine’s Warm Bodies (2013) in March 2020, just as COVID began to ravage the US, but the conversation is just as relevant 8 months later. From playing with the traditional components of Romeo and Juliet to adding a common enemy, the film hilariously adapts the Bard and postulates how love is both comic and tragic even in the apocalypse. One of Bob Thompson’s favorites, the film takes on new meaning in a world where we struggle to find human contact in the midst of a global pandemic.