In this episode, the host talks about Internet gurus to the sound of Emilie Mayer's Faust Overture and Symphony No. 1.

In this episode, the host talks about his definition of art to the sound of Max Richter's The Waves: Tuesday and the first non-binary composer of the show Chrysanthe Tan's On the Other Hand, Magic Lady and Process of Forgetting.

In this episode, Unsuk Chin's modernist piece Clarinet Concerto is played to the sound of the host talking about the history and evolution of different art forms, as well as the definition and purpose of art.

This episode features the host talking about arguments against the existence of the Christian god to the sound of Béla Bartók's Violin Rhapsody No. 1 and Louis Andriessen's Rhapsody for Two Pianos and Orchestra.

This episode features Kaija Saariaho's Laterna Magica while the host talks about podcast and YouTube recommendations, as well as silly contemporary art.

In this episode, the host talks, once more, about impostor syndrome, albeit more in-depth, in the context of his upcoming PhD program, to the sound of two delightful pieces by Eric Coates, Springtime Suite and Saxo-Rhapsody.

In this episode, the host plays a piece by his favourite composer, Lili Boulanger, a piece named Faust et Hélène, while chatting about his upcoming PhD program and impostor syndrome.

In this episode, the host uses the new turntable in the studio for the first time (that explains the crackling sounds) to play Erik Satie's Gymnopédies 1 and 3, Jules Massenet's Méditation, George Weldon's Suo Gan and Samuel Barber's Adagio for Strings, while the host talks about the book Babel and the fantasy genre.

In this episode, which features Isabella Leonarda's Sonata Duodecima, Sonata 10 and Magnificat, the host talks about his PhD aspirations and American republican pundits.

In this episode, the host talks about the opera Porgy and Bess, by George Gershwin, while listening to it. Apologies for the clicking sounds in the recording!