Civic Matter
Civic Matter
Cambridge University
Taking infrastructure in a narrow material sense, Civic Matter is about thinking through the social, ethical and political work of infrastructural design, (re)construction and maintenance, and the ways in which anticipated and obsolete infrastructures are imagined, remembered, destroyed, recycled or eschewed. Our central aim is to explore the past and potential of infrastructure as a civic project through a combination of (inter)disciplinary angles, from architecture to archeology, geography to history. We plan to discuss the forms of labour and imagination that materialize past and future polities, and to identify the threats posed by neglect, exclusion, dysfunction and privatisation to this project, and the material effects –from immobility to toxic exposure—that infrastructural disenfranchisement might produce. Infrastructure, it is said, is invisible until it breaks down. Maybe more accurately, infrastructure is topical when it overflows the present; when destruction, disrepair or regime change make cables and pipes things of the past, or when the design of boulevards or dreams of electrification augur new destinies. As memory, history or futurity, infrastructure provokes reflection and debate on the ethos of utilities, communication, circulation and disposal. What kinds of collectives might sewers and subways bind? Should civic, market or paternalistic relations guide the shape, size and flow of infrastructural networks? How have metropolitan, national, imperial and cosmopolitan visions been materialized as railways and telecommunications? How do collapsing bridges and mismatched gauges expose political, technological and ethical failures, as well as the forms of long-term planning, care and repair required by socialism, welfare, capitalism or democracy? What political claims have infrastructural interruption and renovation evoked?
Civic Matter - 11 May 2015 - Noise Pollution
Aga Tamiola (Artist - Berlin) Born and raised in Stargard, Poland, Aga Tamioła is a multimedia artist living and working out of Berlin and London. Her geographical and linguistic misplacement led her to focus on an audio-visual reflection on the aspects of loss, identity and belonging in the context of globalisation and new technologies. Aga’s nomadic approach to exploring the mutability of matter manifests itself in sculptural assemblages fusing materials and processes. A very important part of Aga’s practice is collaboration. She looks for spaces to explore her own ideas in dialogue and experiments with others. In 2013, she co-founded the sonic arts collective Random Order. A collective of four artists whose practices expand from sculpture, film and performance into new technologies with immersive environments is currently exploring the notion of noise pollution both from anthropocentric and wildlife perspectives. Their research into noise pollution consists of collecting personal stories – both written and recorded – on what defines noise pollution and how it has affected people’s lives. The other spectrum of noise pollution, they are working on is the threat it constitutes to the welfare of wildlife. Random Order Collective is working on a body of works that offer a glimpse of the animal’s perspective as it comes under auditory assault from the tools and machines of man. From underwater drilling and deforestation to the everyday noises of homo urbanus, we look to experience the animal’s point of view on noise pollution. By sharing their experiences of the world through sound we can gain familiarity with the non-human spectrum of senses in order to bring a clearer understanding of the sonic impact our species has on the world around us.
May 14, 2015
1 hr 19 min
Civic Matter - 16 February 2015 - KNITSONIK: Wool, Sound, and a Sense of Place
Dr Felicity Ford (Artist, Oxford Brookes) Abstract With influences as diverse as Rebecca Solnit, Kate Davies, Brandon LaBelle and Pauline Oliveros, Felicity Ford’s KNITSONIK projects connect and extend dialogues within contemporary scholarship of knitting and sounds. Emphasising the sense of place perceptible in both wool and field recordings, Felicity explores how creative knitterly and sonic activities can be incorporated into daily life to positively emphasise connections between the sensing body and its territory: knitting and field recording are framed as cultural practices that can actively inform and shape our sense of place. For the Civic Matters lecture series, Felicity will contextualise and explore recent ventures pertinent to these themes such as the KNITSONIK Stranded Colourwork Sourcebook – a crowd-funded publication on the theme of translating your everyday environment into stranded colourwork and Listening to Shetland Wool – a lecture presentation given at Shetland Wool Week exploring how listening to sounds can help us apprehend textiles in the specific geographical and cultural context of Shetland.
Feb 24, 2015
1 hr 17 min
City Seminar - 9 February 2015 - Skateboarding and the City
Skateboarding and the City: From Margin to Centre Iain Borden (University College London) Abstract In this talk, I trace the way in which the urban practice skateboarding has moved from a predominantly marginal position in the city – marginal in geographic, cultural and economic terms – to play an increasingly central and/or integrated role in urban cultures and developments. Practised by tens of millions worldwide, skateboarding today makes an important contribution to our current architecture, creative industries, commerce, entrepreneurship and social capital. The talk ranges from California in the 1960s and 1970s to London, Kabul and Indiana in the present day, and from concerns with methodological concerns with history and critical theory to representations in film, music and art.
Feb 13, 2015
1 hr
Civic Matter - 2 February 2015 - British Rivers: Flow, Ownership, and ‘Modern’ Water
Dr Marianna Dudley (Bristol) Abstract This paper explores the emergence of conflict between recreational users of British rivers in the twentieth century, and subsequent campaigns for universal public rights of navigation on inland waterways. Citizen-led organizing has, it argues, re-conceptualized river spaces in ways that reflect a modern engagement with, and understanding of, water through recreation. The paper draws on notions of legal geographies, ‘modern’ waters, and hydrocommons to suggest that recreational use - and conflict - is challenging how we use, govern, and conceptualize river water.
Feb 6, 2015
38 min
Performing Laboratories Workshop - 19 January 2015 - Keynote: Mike Pearson
Keynote: Mike Pearson (Aberystwyth) 'No joke in petticoats’: interpreting the remains of early Antarctic expeditions
Jan 26, 2015
2 hr 3 min
Performing Laboratories Workshop - 19 January 2015 - Session 2
Performing African Laboratories Wenzel Geissler (Oslo) - Tanzania Mariele Neudecker (Bath Spa) - Tanzania Guillaume Lachenal (Paris Diderot) - Cameroon John Manton (Cambridge) - Nigeria
Jan 26, 2015
1 hr 37 min
Performing Laboratories Workshop - 19 January 2015 - Keynote: Roger Kneebone
Keynote: Roger Kneebone (Imperial) Backwards through the keyhole: re-enacting the surgical past
Jan 26, 2015
1 hr 3 min
Civic Matter - 24 November 2014 - Participatory Sonic Arts in Rio and Belfast
Professor Pedro Rebelo (Queen's University, Belfast) Abstract This paper addresses the relationship between local and distributed strategies with reference to two recent participatory sound art projects in Belfast and Rio de Janeiro The local concern for site and place is discussed and juxtaposed with distributed practices, which, by definition question and extend the very notion of site or locale. I refer to examples from ethnomusicology, anthropology and education in which participative horizontal research methodologies lead to a dynamic articulation of local conditions and allow for a reflection on how technology impacts on social interaction and relationships with place. The works of Samuel Araújo, Georgina Born and Brazilian pedagogue Paulo Freire provide a framework of reference in this context
Nov 28, 2014
56 min
Civic Matter - 13 October 2014 - Re-Imagining the Sound of a Mining Landscape
Listening to Ghosts: Re-Imining the Sound of a Mining Landscape Sarah Buckler (Robert Gordon University) Chair: Noémi Tousignant ( University of Cambridge) Abstract In a mostly forgotten corner of North East England, amid the green fields and small housing estates which cover over the evidence of past industrial fervour, people go about their daily lives haunted by the memories of the past. In the rhythms of their speech and the ongoingness of everyday activity we can trace a moral aesthetic of tension and counterpoint which was once rooted in political and economic relationships and expressed in musical forms and occasions but which is now projected inwards into an inner life and inner time which cries out for expression and a sense of future but which, invisible to most, remains largely ignored. This presentation will include audio excerpts and images intended to demonstrate a sense of place and a permeating aesthetic alongside a verbal presentation and discussion.
Oct 14, 2014
58 min
Civic Matter - 23 April 2014 - Mostra d’Oltramare: Recuperating Mussolini’s Show Case
Sep 22, 2014
56 min
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