
Aga Tamiola (Artist - Berlin)
Born and raised in Stargard, Poland, Aga Tamioła is a multimedia artist living and working out of Berlin and London. Her geographical and linguistic misplacement led her to focus on an audio-visual reflection on the aspects of loss, identity and belonging in the context of globalisation and new technologies. Aga’s nomadic approach to exploring the mutability of matter manifests itself in sculptural assemblages fusing materials and processes.
A very important part of Aga’s practice is collaboration. She looks for spaces to explore her own ideas in dialogue and experiments with others. In 2013, she co-founded the sonic arts collective Random Order. A collective of four artists whose practices expand from sculpture, film and performance into new technologies with immersive environments is currently exploring the notion of noise pollution both from anthropocentric and wildlife perspectives. Their research into noise pollution consists of collecting personal stories – both written and recorded – on what defines noise pollution and how it has affected people’s lives. The other spectrum of noise pollution, they are working on is the threat it constitutes to the welfare of wildlife. Random Order Collective is working on a body of works that offer a glimpse of the animal’s perspective as it comes under auditory assault from the tools and machines of man. From underwater drilling and deforestation to the everyday noises of homo urbanus, we look to experience the animal’s point of view on noise pollution. By sharing their experiences of the world through sound we can gain familiarity with the non-human spectrum of senses in order to bring a clearer understanding of the sonic impact our species has on the world around us.
May 14, 2015
1 hr 19 min

Dr Felicity Ford (Artist, Oxford Brookes)
Abstract
With influences as diverse as Rebecca Solnit, Kate Davies, Brandon LaBelle and Pauline Oliveros, Felicity Ford’s KNITSONIK projects connect and extend dialogues within contemporary scholarship of knitting and sounds. Emphasising the sense of place perceptible in both wool and field recordings, Felicity explores how creative knitterly and sonic activities can be incorporated into daily life to positively emphasise connections between the sensing body and its territory: knitting and field recording are framed as cultural practices that can actively inform and shape our sense of place. For the Civic Matters lecture series, Felicity will contextualise and explore recent ventures pertinent to these themes such as the KNITSONIK Stranded Colourwork Sourcebook – a crowd-funded publication on the theme of translating your everyday environment into stranded colourwork and Listening to Shetland Wool – a lecture presentation given at Shetland Wool Week exploring how listening to sounds can help us apprehend textiles in the specific geographical and cultural context of Shetland.
Feb 24, 2015
1 hr 17 min

Skateboarding and the City: From Margin to Centre
Iain Borden (University College London)
Abstract
In this talk, I trace the way in which the urban practice skateboarding has moved from a predominantly marginal position in the city – marginal in geographic, cultural and economic terms – to play an increasingly central and/or integrated role in urban cultures and developments. Practised by tens of millions worldwide, skateboarding today makes an important contribution to our current architecture, creative industries, commerce, entrepreneurship and social capital. The talk ranges from California in the 1960s and 1970s to London, Kabul and Indiana in the present day, and from concerns with methodological concerns with history and critical theory to representations in film, music and art.
Feb 13, 2015
1 hr

Dr Marianna Dudley (Bristol)
Abstract
This paper explores the emergence of conflict between recreational users of British rivers in the twentieth century, and subsequent campaigns for universal public rights of navigation on inland waterways. Citizen-led organizing has, it argues, re-conceptualized river spaces in ways that reflect a modern engagement with, and understanding of, water through recreation. The paper draws on notions of legal geographies, ‘modern’ waters, and hydrocommons to suggest that recreational use - and conflict - is challenging how we use, govern, and conceptualize river water.
Feb 6, 2015
38 min

Keynote:
Mike Pearson (Aberystwyth)
'No joke in petticoats’: interpreting the remains of early Antarctic expeditions
Jan 26, 2015
2 hr 3 min

Performing African Laboratories
Wenzel Geissler (Oslo) - Tanzania
Mariele Neudecker (Bath Spa) - Tanzania
Guillaume Lachenal (Paris Diderot) - Cameroon
John Manton (Cambridge) - Nigeria
Jan 26, 2015
1 hr 37 min

Keynote:
Roger Kneebone (Imperial)
Backwards through the keyhole: re-enacting the surgical past
Jan 26, 2015
1 hr 3 min

Professor Pedro Rebelo (Queen's University, Belfast)
Abstract
This paper addresses the relationship between local and distributed strategies with reference to two recent participatory sound art projects in Belfast and Rio de Janeiro The local concern for site and place is discussed and juxtaposed with distributed practices, which, by definition question and extend the very notion of site or locale. I refer to examples from ethnomusicology, anthropology and education in which participative horizontal research methodologies lead to a dynamic articulation of local conditions and allow for a reflection on how technology impacts on social interaction and relationships with place. The works of Samuel Araújo, Georgina Born and Brazilian pedagogue Paulo Freire provide a framework of reference in this context
Nov 28, 2014
56 min

Listening to Ghosts: Re-Imining the Sound of a Mining Landscape
Sarah Buckler (Robert Gordon University)
Chair: Noémi Tousignant ( University of Cambridge)
Abstract
In a mostly forgotten corner of North East England, amid the green fields and small housing estates which cover over the evidence of past industrial fervour, people go about their daily lives haunted by the memories of the past. In the rhythms of their speech and the ongoingness of everyday activity we can trace a moral aesthetic of tension and counterpoint which was once rooted in political and economic relationships and expressed in musical forms and occasions but which is now projected inwards into an inner life and inner time which cries out for expression and a sense of future but which, invisible to most, remains largely ignored. This presentation will include audio excerpts and images intended to demonstrate a sense of place and a permeating aesthetic alongside a verbal presentation and discussion.
Oct 14, 2014
58 min

Marcial Echenique (Architecture, University of Cambridge)
Sep 22, 2014
56 min
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