In this episode we premier his new song “Joy 3” and talk about his score for the film Linoleum, leaving room for randomness in new compositions, and how not to be overwhelmed by infinite possibilities.

In this episode we premier his new song “Maureen” and talk about the musicality of different languages, not polishing away the humanity of a performer in a recording, and the benefits and disadvantages of composing as a non-pianist.

In this episode we talk about recording in an Italian castle, field recordings and ‘music as environment’, and sharing our musical misfits.

This episode, we premier Drum & Laces’s new piece “Evapora,” and discuss genre-less music and how live performance and solitary composition can influence each other.

This episode we premier Emily Rice's new piece, “What It Feels Like to Fall In Love,” and discuss composing for picture vs. composing for yourself, the cello, and Ennio Morricone.

This episode, we premier Ariel Marx's new piece “Somnambulist,” and discuss short films, composing with the violin, and sleepwalking.

This episode we premier Ian Hultquist's new piece, “Take 2,” and discuss the importance of human interaction, how pop production can influence film scoring, and being a new parent.

This episode, we premier Shruti’s new piece, “Knocked For Six,” and discuss remote production, artistic activism, and how disparate sounds can work together.

This episode, we premier Lisa’s piece, “Isolation,” and discuss the origins of Unison Orchestra, improvisation, and what it’s like to share a pet.

This episode we premier Joseph Carrillo's new piece, “Insomnia,” and discuss home studios, minimizing baggage, and creative prepping.