In everything we say, there is the ‘tone’ in which we say it, or ‘speech melody’. In that speech melody lies a clear, but limited, analogy with music. When we make ourselves heard over a greater distance by calling out, our speech comes closer to singing.Calling or crying played an essential role in itinerant street trade. The peddlers’ calls were a characteristic element of the street soundscape of the major cities. We have remnants of this in the form of musical notation since the 19th century. Another source that goes back much further is the quotations of peddlers’ cries in composed music. Whether an authentic cry has been preserved in these compositions is always open to question.This first of three episodes explores the musicality of speech melody, the cries of street vendors as cultural heritage and musical material, motets of the 13th and 14th centuries, Janequin’s Cris de Paris (1530) and the Cries of London (1600 and 1974).Music excerpts: References: see https://lodewijkmuns.nl/podcast/speech-melodies-and-street-cries-1/