Beyond the Bony Labyrinth
Beyond the Bony Labyrinth
Lodewijk Muns
Singing by way of speaking (2)
42 minutes Posted Mar 16, 2026 at 8:29 am.
Intro
Lully: Armide (1686)
Gluck: Armide (1777)
A second voice
Singing by way of singing
Orpheus
, 04:07, 08:16 J.-B. Lully. Armide: Enfin il est en ma puissance (Act II, scene 5). Véronique Gens, Les Talens Lyriques, Christophe Rousset. Tragédiennes. Virgin Classics – 00946 346762 2 9 (2006).
, 16:48, 23:03 C.W. von Gluck, Armide: Enfin il est en ma puissance (Act II, scene 5). Véronique Gens, Les Talens Lyriques, Christophe Rousset. Tragédiennes. Virgin Classics – 00946 346762 2 9 (2006).
, 32:13 W.A. Mozart, Le nozze di Figaro: arietta Voi che sapete. Cecilia Bartoli, Wiener Staatsopernchor, Wiener Philharmoniker, Claudio Abbado DGG 477 9124 (1995).
, 33:10, 33:47, 34:23 Chr. W. von Gluck, Orfeo ed Euridice: Deh placatevi. Bernarda Fink, RIAS Kammerchor, Freiburger Barockorchester, René Jacobs HMY2921742.43 (2014).
, 38:40 R. Wagner, Die Meistersinger von Nürnberg: Morgenlich leuchtend in rosigem Schein (Act III). Ben Heppner, Chor der Bayerischen Staatsoper, Bayerisches Staatsorchester, Wolfgang Sawallisch EMI 7390182 (1993).
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Show notes
A closer look at a recitative from the opera Armide by Jean-Baptiste Lully, a dispute between Rousseau and Rameau, and Gluck’s opera Armide on the same libretto. Also the issue of operatic singing that represents not speaking, but precisely what it is: singing.
Music and sound excerpts:
Selected references for episodes 24 and 25: see https://lodewijkmuns.nl/singing-by-way-of-speaking-1