The Outro Message to “Artists-In-Presidents: Transmissions to Power” is a soundscape bringing together messages from across the 21 episodes, and new reflections from contributors on their participation in the project. In this immersive composition, voices from throughout “Artists-In-Presidents” speak to the challenges of performing power, the local contexts and conditions underpinning their messages, and the urgency to reimagine leadership. Over the past four months, twenty-one transmissions and portraits from artists, activists, public intellectuals, and writers have radically reimagined political power and possibility. This international assembly of contributors were invited to position themselves as world leaders who speak directly to the people, describing their vision for the future and how we get there. Together, they compose a rousing collection of imaginative proposals for the leadership we need in this moment of crisis and possibility. Produced and composed by Olivia Bradley-Skill. Excerpted clips from transmissions and interviews by Raji Aujla, Roy Dib, Irmgard Emmelhainz, Macarena Gómez-Barris, Emily Johnson, Cheryl L’Hirondelle, Mkomose (Dr. Andrew Judge), Raqs Media Collective, Fariha Róisín, Adrian Stimson, Melati Suryodarmo, Paulo Tavares, Françoise Vergès, Ravyn Wngz.

“We can’t lose sight of the fact that we need each other, especially because we don’t have precisely the same experiences, feelings, or words.” As the twenty-first and final contributor to Artists-in-Presidents, project initiator Constance Hockaday shares a message calling for care, generosity, and understanding. Hockaday advocates for a qualified sense of unity; she acknowledges the imperfect and messy nature of working together, while suggesting that the very act of building and maintaining relationships is prefatory to social and political change. “Artists-in-Presidents” is curated by Christine Shaw, and commissioned by The Blackwood (University of Toronto Mississauga). Podcast production by Vocal Fry. Transmissions are released every Friday from August 6–December 17, 2021. To view the portrait gallery, access ASL videos and transcripts, and for additional information about the project, visit www.artistsinpresidents.com and www.blackwoodgallery.ca. Constance Hockaday is a queer Chilean-American from the US/Mexico Border. She is a director and visual artist who creates immersive social sculptures on urban waterways. She has worked with the Floating Neutrinos since 2001, and collaborated with Swoon’s Swimming Cities projects, sailing floating sculptures along the Hudson, Mississippi, and the Adriatic Sea (2006–09). In 2011, she created The Boatel, a floating art hotel in New York’s Far Rockaways made of refurbished salvaged boats—an effort to reconnect New Yorkers to their waterfront. Her 2014 piece All These Darlings and Now Us highlighted the displacement of San Francisco’s queer community: more than 1000 people watched peep show performances on a raft of retrofitted sailboats featuring artists from two recently shuttered iconic queer businesses. Hockaday holds an MFA in Social Practice and MA in Conflict Resolution. She is also a Senior TED Fellow and an artist-in-residence at The Center for the Art of Performance at UCLA. Photo: Max Knight

“There is an urgency to save our time from becoming the cost of business.” Raqs Media Collective’s trio-logue binds economics to climate change, extinction, and extractivism. They stress the externalized costs of our accepted capitalist logics: including extreme weather, species extinction, and language loss. In content and form, the Collective wryly critique the “rationality” of economic thinking, shedding light on its many casualties. “Artists-in-Presidents” is initiated by Constance Hockaday, curated by Christine Shaw, and commissioned by The Blackwood (University of Toronto Mississauga). Podcast production by Vocal Fry. Transmissions are released every Friday from August 6–December 17, 2021. To view the portrait gallery, access ASL videos and transcripts, and for additional information about the project, visit www.artistsinpresidents.com and www.blackwoodgallery.ca. Raqs Media Collective was formed in 1992 in Delhi, India. The word “raqs” in several languages denotes an intensification of awareness and presence attained by whirling, turning, and being in a state of revolution. Raqs Media Collective take this sense to mean “kinetic contemplation” and a restless entanglement with the world, and with time. Raqs enlists objects such as an early-modern tiger-automata from Southern India, or a biscuit from the Paris Commune, or a cup salvaged from an ancient Mediterranean shipwreck, to turn them into devices to sniff and taste time. Devices and modalities are also played with to undertake historical subterfuge and philosophical query. Raqs practices across several media; making installation, sculpture, video, performance, text, lexica, and curation. Photo: Vicky Roy

“Resistance, and the fight for freedom are still sacred for us. We must not lose our last hope or abandon our dreams. And we want you not to lose your voice or abandon your rights.” Ramin Mazhar’s visceral speech shares the plight of human rights defenders in Afghanistan, many of whom were forced to flee the country following the Taliban’s takeover. Now in France as a refugee, Mazhar reflects on his continued hope for his home nation. Voiced in English by his friend Ashraf from within Afghanistan, Mazhar’s transmission fans the flames of resistance amid state repression. “Artists-in-Presidents” is initiated by Constance Hockaday, curated by Christine Shaw, and commissioned by The Blackwood (University of Toronto Mississauga). Podcast production by Vocal Fry. Transmissions are released every Friday from August 6–December 17, 2021. To view the portrait gallery, access ASL videos and transcripts, and for additional information about the project, visit www.artistsinpresidents.com and www.blackwoodgallery.ca. Ramin Mazhar is, a poet, journalist, and human rights activist from Afghanistan. He graduated from the Persian language and literature program at Kabul university and has worked for 8AM Daily Newspaper and Afghanistan Independent Human Commission.

Two years ago, during peace negotiation talks between the US government and the Taliban, Ramin organized and performed an art program at Kabul University in protest. He said to the audience that in those talks, victims of war, women, and Afghanistan are completely ignored. He also expressed the pain and frustration of millions of Afghans who thought that the peace talks would hand the country back to the Taliban, and that the progress over the last twenty years related to democratic values and basic human rights would be eliminated. Farsi Voiceover: Ramin Mazhar Photo: Fatimah Hossaini

“Resistance, and the fight for freedom are still sacred for us. We must not lose our last hope or abandon our dreams. And we want you not to lose your voice or abandon your rights.” Ramin Mazhar’s visceral speech shares the plight of human rights defenders in Afghanistan, many of whom were forced to flee the country following the Taliban’s takeover. Now in France as a refugee, Mazhar reflects on his continued hope for his home nation. Voiced in English by his friend Ashraf from within Afghanistan, Mazhar’s transmission fans the flames of resistance amid state repression. “Artists-in-Presidents” is initiated by Constance Hockaday, curated by Christine Shaw, and commissioned by The Blackwood (University of Toronto Mississauga). Podcast production by Vocal Fry. Transmissions are released every Friday from August 6–December 17, 2021. To view the portrait gallery, access ASL videos and transcripts, and for additional information about the project, visit www.artistsinpresidents.com and www.blackwoodgallery.ca. Ramin Mazhar is, a poet, journalist, and human rights activist from Afghanistan. He graduated from the Persian language and literature program at Kabul university and has worked for 8AM Daily Newspaper and Afghanistan Independent Human Commission.

Two years ago, during peace negotiation talks between the US government and the Taliban, Ramin organized and performed an art program at Kabul University in protest. He said to the audience that in those talks, victims of war, women, and Afghanistan are completely ignored. He also expressed the pain and frustration of millions of Afghans who thought that the peace talks would hand the country back to the Taliban, and that the progress over the last twenty years related to democratic values and basic human rights would be eliminated. English Voiceover: Ashraf Photo: Fatimah Hossaini

“[O]urs was a struggle not to take power. But to dismantle power altogether. We made presidency an empty seat, a void, a space never to be acquired nor exercised.” In a speculative address by three performers, Paulo Tavares weaves a story of state repression and environmental destruction from recent histories in South and Central America. Collapsing past, present, and future, Tavares’ transmission highlights the need for movements to shift “do luto à luta” (from mourning to struggle): using remembrance and mourning as fuel for resistance and rebellion. “Artists-in-Presidents” is initiated by Constance Hockaday, curated by Christine Shaw, and commissioned by The Blackwood (University of Toronto Mississauga). Podcast production by Vocal Fry. Transmissions are released every Friday from August 6–December 17, 2021. To view the portrait gallery, access ASL videos and transcripts, and for additional information about the project, visit www.artistsinpresidents.com and www.blackwoodgallery.ca. Paulo Tavares is an architect, writer, and educator. He is the author of Forest Law (2014), Des-Habitat (2019), and Memória da terra (2020), and runs the spatial advocacy agency autonoma. He teaches spatial and visual cultures at the University of Brasília in Brazil. Speech delivered by arquivo mangue (camila mota and cafira zoé) and Cyro Morais Song credit: Excerpted soundtrack from Terra em Transe (Dir: Glauber Rocha), 1967. Photo: Pedro Pinho

“A healthy ecosystem is a multitude of life forces. So love yourself. Be fulfilled in your meadow flower-ness, your mossiness, your grassiness, your rockiness, your wild animal-ness. We are all related.” Cheryl L’Hirondelle shares Cree songs and teachings on strength, pride, and interdependence. Through song and speech, L’Hirondelle also affirms the rootedness of languages in the territories from which they emerge: her transmission eloquently shows the inseparability of culture and environment. “Artists-in-Presidents” is initiated by Constance Hockaday, curated by Christine Shaw, and commissioned by The Blackwood (University of Toronto Mississauga). Podcast production by Vocal Fry. Transmissions are released every Friday from August 6–December 17, 2021. To view the portrait gallery, access ASL videos and transcripts, and for additional information about the project, visit www.artistsinpresidents.com and www.blackwoodgallery.ca. Cheryl L’Hirondelle (Cree/Halfbreed; German/Polish) is an interdisciplinary artist, singer/songwriter and critical thinker whose family roots are from Papaschase First Nation, amiskwaciy wâskahikan (Edmonton, AB) and Kikino Metis Settlement, AB. Her work investigates and articulates a dynamism of nêhiyawin (Cree worldview) in contemporary time-place, incorporating Indigenous language(s), audio, video, VR, olfactory, sewn objects, music, and audience/user participation to create immersive environments towards “radical inclusion.” As a songwriter, L’Hirondelle’s focus is on both sharing nêhiyawêwin (Cree language) and Indigenous and contemporary song-forms, and personal narrative songwriting as methodologies toward survivance. Song Credits: “okâwîmâw,” © 2016 Miyoh Music/SOCAN. Melody: Cheryl L'Hirondelle and Ursula Johnson. Lyrics: Cheryl L'Hirondelle and Joseph Naytowhow. “waniska,” traditional Cree morning song. Courtesy the artist. Photo: Tenille Campbell

“Not too long ago, humans and nonhumans lived in co-dependency. We intuited, breathed, and created together. Their offspring was mine and my offspring was theirs.” In an intimate letter from an older generation, Raji Aujla links gender-based oppression, economic logic, the invisibilization of non-Western forms of knowing, and environmental destruction. “Dispel this illusion of our current worldview,” she intones, “by thinking about revolutionary, radical love that impacts our very social and political structures.” Aujla’s powerful rejoinder to capitalism and colonialism spans personal and collective experience across generations. “Artists-in-Presidents” is initiated by Constance Hockaday, curated by Christine Shaw, and commissioned by The Blackwood (University of Toronto Mississauga). Podcast production by Vocal Fry. Transmissions are released every Friday from August 6–December 17, 2021. To view the portrait gallery, access ASL videos and transcripts, and for additional information about the project, visit www.artistsinpresidents.com and www.blackwoodgallery.ca. Raji Aujla is the founder and president of Willendorf Cultural Planning and editor-in-chief of Newest Magazine, sister companies that focus on better representation and inclusion of IBPoC voices in Canadian arts and culture. She has been a cultural builder, curator, creative director, and advocate in the Canadian arts sector for the past ten years. Prior to this, she worked in journalism, spending tireless hours researching and developing stories focused on racial, gender, and caste injustices. Throughout this experience, storytelling has been her greatest superpower to help bring together people of different backgrounds and beliefs and to empower her generation to design a better future. She believes that the arts have a transformative power to bring people together and build empathy.
 Photo and Video: Nithya Thayaal Assisted by: Adad Hannah Producer: Aakanksha Luthra Photo hair and makeup: Sangeeta Bhella

“Not too long ago, humans and nonhumans lived in co-dependency. We intuited, breathed, and created together. Their offspring was mine and my offspring was theirs.” In an intimate letter from an older generation, Raji Aujla links gender-based oppression, economic logic, the invisibilization of non-Western forms of knowing, and environmental destruction. “Dispel this illusion of our current worldview,” she intones, “by thinking about revolutionary, radical love that impacts our very social and political structures.” Aujla’s powerful rejoinder to capitalism and colonialism spans personal and collective experience across generations. “Artists-in-Presidents” is initiated by Constance Hockaday, curated by Christine Shaw, and commissioned by The Blackwood (University of Toronto Mississauga). Podcast production by Vocal Fry. Transmissions are released every Friday from August 6–December 17, 2021. To view the portrait gallery, access ASL videos and transcripts, and for additional information about the project, visit www.artistsinpresidents.com and www.blackwoodgallery.ca. Raji Aujla is the founder and president of Willendorf Cultural Planning and editor-in-chief of Newest Magazine, sister companies that focus on better representation and inclusion of IBPoC voices in Canadian arts and culture. She has been a cultural builder, curator, creative director, and advocate in the Canadian arts sector for the past ten years. Prior to this, she worked in journalism, spending tireless hours researching and developing stories focused on racial, gender, and caste injustices. Throughout this experience, storytelling has been her greatest superpower to help bring together people of different backgrounds and beliefs and to empower her generation to design a better future. She believes that the arts have a transformative power to bring people together and build empathy.
 Photo and Video: Nithya Thayaal Assisted by: Adad Hannah Punjabi translation and voiceover: Surjit Kaur Producer: Aakanksha Luthra Photo hair and makeup: Sangeeta Bhella

“I’m scared. I’m fragile, weak, and scared.” Roy Dib smokes, checks Instagram, and looks out onto the Mediterranean while delivering a pensive monologue on love, sex, nationhood, and migration. Between drags, Dib pries apart the norms that ostensibly unite societies (marriage, the nation-state, the pursuit of happiness), forging a critique embedded in his own entanglements and complicities. “Artists-in-Presidents” is initiated by Constance Hockaday, curated by Christine Shaw, and commissioned by The Blackwood (University of Toronto Mississauga). Podcast production by Vocal Fry. Transmissions are released every Friday from August 6–December 17, 2021. To view the portrait gallery, access ASL videos and transcripts, and for additional information about the project, visit www.artistsinpresidents.com and www.blackwoodgallery.ca. Roy Dib (born in 1983) is an artist and filmmaker based in Beirut. On both formal and conceptual levels, Roy Dib challenges common notions of space and boundary, weaving together archival material, scripted text and hypothetical circumstances to chronicle the political narratives of our day. His work has been presented at Studio la Città (2021), Loop Barcelona (2020), Galerie Tanit (2018), MAXXI Museum (2017), Sharjah Biennial 13 (2017), ALFILM (2017), JCC (2016), Forum Expanded – 64th and 65th Berlinale, Exposure 2015 – Beirut Art Center, Uppsala International Short Film Festival (2014), Queer Lisboa (2014), Images Festival (2016) - Toronto, Contemporary Art Festival SESC_Videobrasil (2013, 2015 and 2017), Ashkal Alwan (2014), and Video Works (2011–2014). Song credit: Cesária Évora, "Sodade," 1992. Photo: Aly Saab